Episode 11 - Laura’s Secret Diary


FADE IN:

INT. LOG LADY’S CABIN - DAY

MUSIC: CALL OF THE BLACK LODGE    272K

Seated at a dining table beside a tea set we see a woman, ‘LOG LADY’ MARGARET LANTERMEN. In her arms she carries a wooden log. She is speaking to us.

LOG LADY

MUSIC ENDS: CALL OF THE BLACK LODGE    272K

FADE OUT:




INTRO:




FADE IN:

MUSIC: TWIN PEAKS THEME  

CREDITS run with the scenes of a bird in a tree, the mill machinery at work, the road into town with the welcome sign, the hotel by the falls and the river.

MUSIC ENDS: TWIN PEAKS THEME  

FADE OUT:




FADE IN:

INT. SHERIFF’S DEPARTMENT INTERROGATION ROOM - DAY


LELAND’S POV:

SOUND EFFECT: SCREAM

Our view opens up to a cavernous dark hole from which we spirally withdraw from as we hear the blood curdling scream from a woman. As we continue to fall back we can also hear a hospital heart signature machine rhythmically beep along with the voice of a young girl that says ‘daddy.’ Our view still rotates as we back up and exit the cave to see a multitude of holes.

We retreat further and see that we were looking at an extreme closeup of a sound proofing tile on the wall. We back up further and continue to hear the screams of a woman and the voice of a young girl say ‘daddy’.

SHERIFF HARRY S. TRUMAN steps into view from the right. The heart machine beeps faster and faster until it flatlines and becomes a tone.

SHERIFF TRUMAN


BACK TO SCENE:

Our view ROTATES as we look at LELAND PALMER’S face. The rotation stops. Seated in a chair, LELAND is starring at the wall as SHERIFF TRUMAN tries to get his attention.

SHERIFF TRUMAN

LELAND finally snaps out of it and acknowledges by blinking his eyes.

SHERIFF TRUMAN

FBI SPECIAL AGENT DALE COOPER stands in the background. LELAND nods his head for no.

LELAND

SHERIFF TRUMAN

LELAND

FAVORING ON LELAND, we move to PAN the room.

SHERIFF TRUMAN

LELAND

SHERIFF TRUMAN

LELAND

SHERIFF TRUMAN

In the background, DR. WILL HAYWARD leans against the wall by the door.

LELAND

SHERIFF TRUMAN

LELAND

TRUMAN leans down to face LELAND.

SHERIFF TRUMAN

LELAND

TRUMAN sternly looks at LELAND and then to the ground. COOPER bows his head.

SHERIFF TRUMAN

LELAND

MUSIC: LAURA PALMER’S THEME (SLOW VARIANT)

LELAND

COOPER

LELAND

LELAND’S eyes water as he speaks with a cry in his voice.

LELAND

Upset, LELAND thrusts forward his hands in fists.

LELAND

SHERIFF TRUMAN looks at COOPER, who still has his head bowed.

MUSIC ENDS: LAURA PALMER’S THEME (SLOW VARIANT)




CUT TO:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - DAY

AGENT COOPER, in his usual suit, and DR. HAYWARD, wearing a coat and carrying his medical bag, walk up the hall and enter the reception area. DEPUTY ANDY BRENNAN is going through the magazines on an endtable in the reception area.

COOPER

DR. HAYWARD

COOPER stops walking and turns to DR. HAYWARD.

COOPER

DR. HAYWARD

COOPER quietly turns around and continues to walk to the adjoining hallway. DR. HAYWARD watches COOPER walk off.

ANDY

DR. HAYWARD turns around.

DR. HAYWARD

ANDY

ANDY clearly appears agitated.

DR. HAYWARD

ANDY

DR. HAYWARD

ANDY

DR. HAYWARD

Embarrassed, ANDY becomes more agitated.

ANDY

DR. HAYWARD

ANDY

DR. HAYWARD

ANDY

DR. HAYWARD places his bag on top of the planter between himself and ANDY and digs into the medical bag.

DR. HAYWARD

DR. HAYWARD hands ANDY a small glass vial.

ANDY

DR. HAYWARD

DR. HAYWARD closes his bag and walks off. ANDY, perturbed, looks at the glass vial.

MUSIC: ANDY’S THEME   7K

Holding a rolled up magazine, ANDY nervously peers out into the hallway from behind the door to the conference room. ANDY checks both directions and all appears clear so he rushes out and around the corner but smashes head on into LUCY MORAN, who just stepped out of a room and into the hall. LUCY, carrying a box full of ground coffee packets, falls to the floor dropping the box and scattering the packets all over the floor. ANDY dropped the magazine he was carrying and it is lost somewhere underneath the packets.

Nervously, ANDY helps LUCY pick up the packets and put them back in the box hoping to get his magazine before she sees it. Unfortunately for ANDY, LUCY finds it first. LUCY picks up the magazine and notices that it is a Fleshworld magazine. LUCY stares at ANDY in disbelief. A toilet can be heard FLUSHING nearby and LUCY looks at a door just behind ANDY.


LUCY’S POV:

From LUCY’S POV we view a CLOSE-UP on the sign of the door:



BACK TO SCENE:

LUCY makes the correct assumption between the magazine and the restroom. LUCY glares at ANDY and thrusts the magazine towards him. Embarrassed, ANDY grabs the magazine. LUCY picks up her box and walks away. Before she goes around the corner LUCY lets out a SNOOT.

MUSIC ENDS: ANDY’S THEME   7K

LUCY walks into her reception office and slams a clipboard on her desk. SHERIFF TRUMAN, sitting in the reception area, turns around to see the commotion. A DEPUTY calls in a report over LUCY’S police radio.

DEPUTY (OFF SCREEN)

LUCY

TRUMAN turns back around to face AGENT COOPER. LUCY slams a handfull of files on a table in her office.

SHERIFF TRUMAN

COOPER sourly looks at LUCY as he digs into his coat pocket.

COOPER

COOPER enters the judge’s name into his electronic notebook, a small calculator-like device.

SHERIFF TRUMAN

COOPER checks his electronic notebook.

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER enters the prosecutor’s name into his electronic notebook.

COOPER

SHERIFF TRUMAN

TRUMAN puts his coffee mug on the nearby planter and pulls a folded piece of paper out of his shirt pocket.

SHERIFF TRUMAN

DEPUTY BOB, whistling, enters the building.

SHERIFF TRUMAN

DEPUTY BOB, holding an open folder in front of his face, walks into the hallway. Out of view, we hear DEPUTY BOB collide with someone.

DEPUTY BOB (OFF SCREEN)

COOPER turns his head towards the sound of the collision. COOPER puts his electronic notebook back in his coat pocket.

MUSIC: ANDY’S THEME   7K

ANDY (OFF SCREEN)

COOPER sees a small glass vial roll on the floor to a corner of the room, below a chair.

ANDY (OFF SCREEN)

SHERIFF TRUMAN, AGENT COOPER and LUCY all look at ANDY as he walks into the reception area. ANDY scans the floor for his glass vial. ANDY quickly moves to the corner of the room and gets on his knees to look under the chair. COOPER notices the soles of ANDY’S boots.

COOPER

SHERIFF TRUMAN looks at COOPER.

MUSIC ENDS: ANDY’S THEME   7K

COOPER

Still on his knees and with his head under the chair, ANDY replies ...

ANDY

COOPER

ANDY pulls his head out from underneath the chair and looks at COOPER.

ANDY

COOPER gives ANDY a puzzled look.

COOPER

ANDY looks at his boots and then to COOPER.

ANDY

COOPER looks at TRUMAN then kneels down to get a closer look at the heel of the boot.

COOPER


COOPER’S POV:

From COOPER’S POV we FOCUS on the heel of the boot. The heel is marked:


COOPER (OFF SCREEN)


BACK TO SCENE:

COOPER

SHERIFF TRUMAN

COOPER

ANDY, still on his knees, looks at COOPER.

ANDY

COOPER

ANDY stands up and quickly runs outside. LUCY watches ANDY as he leaves the building. COOPER notices LUCY.

COOPER

LUCY looks at her pencil and then tosses it behind her. LUCY reaches for another pencil and then returns to her work.




DISSOLVE TO:

CLOSE-UP CASCADING WATER FALLS

MUSIC: DANCE OF THE DREAM MAN (NO SAX)

We FOCUS on a CLOSE-UP on the cascading water fall, giving the illusion of drapes.




CUT TO:

EXT. GREAT NORTHERN HOTEL - DAY

An establish shot. From a distance back, we FOCUS on the cascading water fall. We PAN LEFT to the hotel perched on the nearby cliff.




CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

In a hallway of the hotel, LOUIS, a desk clerk, meets BENJAMIN HORNE.

LOUIS

BENJAMIN

BEN and LOUIS walk up the hallway together. LOUIS speaks very quickly.

LOUIS

BENJAMIN

LOUIS

BEN gestures to LOUIS to get to the point.

BENJAMIN

LOUIS

BENJAMIN

LOUIS

BEN checks his watch.

LOUIS

BEN and LOUIS are now in the lobby which is bristling with people. A sign, surrounded with balloons, above a doorway reads:


Rubbing his hands together, BEN mulls the name over.

BENJAMIN

LOUIS

BENJAMIN

Still rubbing his hands together, BEN walks away from LOUIS but continues to listen.

LOUIS

BENJAMIN

LOUIS walks up to BEN’S side.

LOUIS

BENJAMIN

LOUIS

BEN checks his watch.

BENJAMIN

Smiling, BEN grabs LOUIS’S hand and pats it.

BENJAMIN

BEN walks away and loses his smile. Elated, LOUIS raises her fists in the air.

LOUIS

MUSIC ENDS: DANCE OF THE DREAM MAN (NO SAX)




CUT TO:

INT. BENJAMIN HORNE’S OFFICE - DAY

JEAN RENAULT leans back in a chair next to BEN’S desk. The door to the office opens. JEAN quickly stands up as BENJAMIN enters the office. BEN does not recognize JEAN. JEAN speaks with a French-Canadian accent. JEAN throws his arms out slightly.

JEAN

BEN closes the doors to his office and throws his arms out slightly.

BENJAMIN

Behind JEAN, the fireplace is lit.

JEAN

BEN remembers and points his finger at JEAN.

BENJAMIN

JEAN points his finger right back at BEN. BEN puts his hands in his coat pocket and walks up to JEAN.

BENJAMIN

JEAN puts his hands up.

JEAN

JEAN

JEAN gestures to BEN to have a seat where he was sitting. BEN slowly takes a seat in the chair beside his desk. JEAN has a remote control in his hand. A television monitor with a built in video cassette player sits on the desk in front of BEN. JEAN points the remote at the monitor and pushes the play button.


BEN’S POV:

MUSIC: LAURA PALMER’S THEME (0:00 - 1:00)

From BEN’S POV we FOCUS on a CLOSE-UP of the monitor as the tape plays. An image of AUDREY HORNE with a gag in her mouth plays from the tape. AUDREY struggles with a hand that is grabbing her jaw.


BACK TO SCENE:

BEN leans in closer to the monitor as the tape plays.


BEN’S POV:

From BEN’S POV we FOCUS on a CLOSE-UP of the monitor as the tape plays. A hand firmly holds AUDREY’S head. AUDREY looks towards the camera.


BACK TO SCENE:

BENJAMIN

BEN stands up, turns around towards JEAN and waves a fist.

BENJAMIN

JEAN raises his index finger.

JEAN

BENJAMIN

JEAN

BENJAMIN

BEN looks back to the monitor.


BEN’S POV:

From BEN’S POV we FOCUS on a CLOSE-UP of the monitor as the tape continues to play. AUDREY struggles with a hand holding her jaw.


BACK TO SCENE:

JEAN points to himself.

JEAN

BEN waves a finger at him.

BENJAMIN

JEAN bows his head towards BEN slightly.

JEAN

Holding his index finger up, JEAN walks towards BEN.

JEAN

JEAN leans towards BEN.

JEAN

BENJAMIN

JEAN walks back towards the fireplace.

JEAN

BENJAMIN

JEAN

JEAN puts the video tape player on pause.

JEAN

BEN thinks it over.

BENJAMIN

JEAN raises his index finger.

JEAN

JEAN pushes the fast-forward button on the remote. BEN looks at the monitor.


BEN’S POV:

From BEN’S POV we FOCUS on a CLOSE-UP of the monitor as the tape fast-forwards with the image of AUDREY gagged. Soon another image is on the screen. JEAN stops the fast-forward motion and plays the tape. The tape plays an image of AGENT COOPER, dressed in a tuxedo, seated at a Black Jack table when he was working undercover at One-Eyed Jacks.

JEAN (OFF SCREEN)

BENJAMIN (OFF SCREEN)


BACK TO SCENE:

BENJAMIN

JEAN

BENJAMIN

JEAN

JEAN walks towards BEN.

JEAN

BENJAMIN

Smiling, JEAN pats BEN’S back.

JEAN

JEAN walks toward the doors of the office.

JEAN

JEAN exits the office. In a rage, BEN grabs the chair he was sitting on and throws it down across the floor of the room. BEN paces slightly before he picks up the telephone on his desk and punches a button.

BENJAMIN

MUSIC ENDS: LAURA PALMER’S THEME (0:00 - 1:00)

FADE OUT:




FADE IN:

MUSIC: COUNTRY #3   46K

INT. DOUBLE R DINER - DAY

Behind the island counter, NORMA JENNINGS stands by some customers as she holds a pot of coffee and talks over the phone.

NORMA

We PAN RIGHT, HANK JENNINGS carries a tray of food with the plates covered with metal plate covers. HANK walks towards the cash register where DONNA HAYWARD is standing. DONNA sports a new hairdo.

HANK

DONNA

HANK

DONNA

HANK

HANK leans to her and stares into her eyes.

HANK

DONNA

DONNA picks up the tray and walks off.

HANK

HANK watches DONNA walk off. NORMA can be heard in the background.

NORMA (OFF SCREEN)

Holding an empty coffee cup, NORMA walks up to HANK. HANK turns to NORMA.

NORMA

HANK

NORMA

HANK

NORMA

HANK looks away and leans on the countertop as he thinks of a plan.

HANK

NORMA moves to the side of HANK.

NORMA

HANK

HANK opens the cash register and grabs a few bills. HANK shows NORMA the bills and snaps at them.

NORMA

HANK walks to the kitchen and NORMA walks after him.

NORMA

HANK grabs his black leather jacket and puts it on.

HANK

HANK puts his hands on NORMA’S shoulders.

HANK

NORMA

HANK gives NORMA a big kiss.

HANK

HANK exits the island counter through the flip-up counter door.

NORMA

NORMA looses her smile.

HANK

HANK becomes quite animate as he explains.

HANK

NORMA

HANK slams his fist on a toothpick dispenser, picks up a toothpick and places it in his mouth.

HANK


HANK points to NORMA, starts to head but turns around, smiles and then heads back out. NORMA smiles again.

MUSIC ENDS: COUNTRY #3   46K




CUT TO:

EXT. STREET LIGHT - DAY

Under a dark, stormy sky we view a CLOSE-UP on a lonely street intersection control light glowing yellow. The light switches to red. A crack of thunder rattles in the background.




CUT TO:

INT. HAROLD SMITH’S APARTMENT - DAY

Seated on the floor, HAROLD SMITH pours a glass of wine.

HAROLD

DONNA sits on the floor across from HAROLD.

DONNA

HAROLD extends his glass toward DONNA for a toast.

HAROLD

HAROLD and DONNA touch glasses for toast to LAURA. HAROLD smiles at DONNA and then reaches behind himself to a book on an endtable. HAROLD grabs a small red book and shows it to DONNA.

HAROLD

DONNA shakes her head for no. A tray of food lays on the floor beside DONNA.

DONNA

HAROLD

DONNA

HAROLD puts his glass of wine down on the floor and flips through the pages of the diary until he finds an appropriate passage to read to DONNA.

HAROLD

MUSIC: LAURA PALMER’S THEME (INSTRUMENT SOLO #1)

HAROLD

HAROLD stops reading to look up at DONNA, who smiles. HAROLD resumes reading.

HAROLD

DONNA looks down at the floor. HAROLD stops reading and looks up to DONNA.

HAROLD

DONNA

HAROLD

DONNA

HAROLD

DONNA

HAROLD

DONNA smiles.

MUSIC ENDS: LAURA PALMER’S THEME (INSTRUMENT SOLO #1)




CUT TO:

INT. BENJAMIN HORNE’S OFFICE - DAY


INSERT: CLOSE-UP MONITOR

MUSIC: LAURA PALMER’S THEME (0:00 - 1:00)

We FOCUS on a CLOSE-UP of a monitor as a tape plays. It is the tape JEAN played for BEN of AUDREY with a gag in her mouth as she struggles with a hand holding her jaw.

BENJAMIN (OFF SCREEN)


BACK TO SCENE:

AGENT COOPER looks at the monitor.

BENJAMIN

COOPER turns to look at BEN. Smoking a cigar, BEN walks behind COOPER.

BENJAMIN

COOPER

BEN walks back towards the fireplace.

BENJAMIN

COOPER

BEN walks up to COOPER.

BENJAMIN

BEN walks around COOPER.

BENJAMIN

BEN and COOPER look at the monitor.


COOPER’S POV:

MUSIC: CHERRY STEM KNOT   7K

From COOPER’S POV we FOCUS on a CLOSE-UP of the monitor as the tape of AUDREY gagged plays.

BENJAMIN (OFF SCREEN)


BACK TO SCENE:

BENJAMIN

BEN walks up to the fireplace.

BENJAMIN

COOPER quietly stares at the monitor.

MUSIC ENDS: LAURA PALMER’S THEME (0:00 - 1:00)




CUT TO:

INT. BLUE PINE LODGE - DAY

A side door near the kitchen opens and JOSIE PACKARD, wearing a thick fur coat, carrying a dozen apparel boxes, a hat box and a bag. JOSIE walks into the kitchen and as she places the heavy load on the countertop the boxes topple over.

MUSIC ENDS: CHERRY STEM KNOT   7K

At the other side of the kitchen, PETE MARTELL opens the sliding partition doors of the kitchen and spots JOSIE.

PETE

JOSIE

PETE and JOSIE meet each other in the middle of the kitchen and give each other a big hug.

JOSIE

PETE

PETE and JOSIE face each other, holding hands.

JOSIE

PETE shakes his head. Speechless, PETE just stares at JOSIE.

JOSIE

PETE

JOSIE

JOSIE gives PETE another hug and pats his back. Tears come to PETE’S eyes.

JOSIE

PETE composes himself and wipes his tears away.

PETE

JOSIE

PETE




DISSOLVE TO:

EXT. WOODS - DAY

We FOCUS on pine trees being blown in the wind.




CUT TO:

INT. BLACKIE’S OFFICE - DAY

Jerking her by the arm, MR. EMORY BATTIS, the store vice-president of Horne’s department store, escorts AUDREY HORNE into BLACKIE’S office. AUDREY’S hair is a mess and she has dark circles under her eyes.

EMORY

MUSIC: LAURA PALMER’S THEME (0:00 - 1:00)


AUDREY’S POV:

From AUDREY’S drug induced POV, JEAN RENAULT sits behind BLACKIE’S desk. AUDREY’S perspective is wavy like an unsettled boat. AUDREY’S hearing is also impaired with distortion as if slowed down.

EMORY


BACK TO SCENE:

EMORY

EMORY throws AUDREY into a chair positioned before the desk facing JEAN. AUDREY covers her eyes.

AUDREY

EMORY

JEAN


AUDREY’S POV:

From AUDREY’S drug induced POV, EMORY smiles at us. We PAN LEFT to JEAN seated behind the desk. AUDREY’S perspective meanders around. We sample AUDREY’S drug impaired hearing as JEAN speaks.

JEAN

AUDREY (OFF SCREEN)

JEAN

We PAN to EMORY as he snivels to JEAN.

EMORY

MUSIC ENDS: LAURA PALMER’S THEME (0:00 - 1:00)

We PAN back to JEAN.

MUSIC: THE BOOKHOUSE BOYS (2:12 - 3:26)

JEAN


BACK TO SCENE:

AUDREY’S head swivels around and she has a hard time keeping her eyes open under the effect of the drugs.

JEAN


AUDREY’S POV:

From AUDREY’S drug induced POV we FOCUS on JEAN as he stands up and moves around to the front of the desk. A hand of cards are laid out on top of the desk along with a silver tray containing heroin and a rubber tube. Facing AUDREY, JEAN leans on the desk.

JEAN

We PAN to EMORY. EMORY nervously looks over to JEAN.

EMORY


BACK TO SCENE:

AUDREY’S head continues to snake around. AUDREY nearly falls over to the side but regains her balance.

EMORY


AUDREY’S POV:

From AUDREY’S drug induced POV, JEAN looks us over.

EMORY

We PAN down from JEAN’S face.

EMORY

JEAN is holding a gun, with a silencer, pointed in our direction.

EMORY

The gun silently fires and the bullet hits EMORY. EMORY is silenced and falls to the floor.


BACK TO SCENE:

AUDREY gasps in fear. EMORY has fallen back in his chair. Shot in the chest, EMORY lies dead on the floor. JEAN moves to AUDREY and sits beside but facing her on the same chair. JEAN holds AUDREY and soothes her.

JEAN

With her senses impaired, AUDREY realizes what has just conspired and begins to uncontrollably cry in fear.

MUSIC ENDS: THE BOOKHOUSE BOYS (2:12 - 3:26)

FADE OUT:




FADE IN:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - DAY

MUSIC: ANDY’S THEME   7K

In the coffee station area, LUCY cuts open a coffee packet with a pair of scissors for a new pot of coffee. On the counter to her right are a stack of pink donut boxes. ANDY walks up behind LUCY.

ANDY

LUCY turns around to face ANDY.

LUCY

MUSIC: THE BOOKHOUSE BOYS (1:31 - 1:34)

COOPER enters the building and sees the confrontation between the LUCY and ANDY.

MUSIC ENDS: THE BOOKHOUSE BOYS (1:31 - 1:34)

COOPER

ANDY turns to COOPER.

COOPER

ANDY quietly walks outside through the front double doors of the building.

MUSIC ENDS: ANDY’S THEME   7K

COOPER walks up to LUCY and, facing her, puts his hands on the edge of her shoulders.

COOPER

COOPER drops his hands to his side.

LUCY

COOPER

LUCY

LUCY glimpses behind COOPER.


LUCY’S POV:

From LUCY’S POV, ANDY looks inside the building through the glass of the front door to the building. Cold, ANDY has his arms folded and shivers.

LUCY (OFF SCREEN)

Having been seen, ANDY walks off out of view from the glass doors.


BACK TO SCENE:

LUCY returns her attention to COOPER but still checks the door for ANDY.

LUCY

COOPER

LUCY


LUCY’S POV:

From LUCY’S POV, ANDY walks by the front door. LUCY immediately responds by raising her voice.

LUCY (OFF SCREEN)


BACK TO SCENE:

LUCY returns her attention to COOPER and speaks normally.

LUCY


LUCY’S POV:

From LUCY’S POV, ANDY peeks inside through the glass door.

LUCY (OFF SCREEN)


BACK TO SCENE:

LUCY returns her attention to COOPER.

LUCY

COOPER

LUCY bows her head.

LUCY

COOPER

LUCY looks outside at ANDY and then thinks it over.

LUCY

COOPER

LUCY answers with a cry in her voice.

LUCY

LUCY rushes off down the hall to the right and passes SHERIFF TRUMAN. With a coffee mug in hand, TRUMAN turns to LUCY as she passes by. COOPER walks up to TRUMAN.

COOPER

SHERIFF TRUMAN

TRUMAN makes a hand gesture of a slip by gliding his hand out away from his body.

COOPER

SHERIFF TRUMAN

COOPER looks at TRUMAN.

COOPER

MUSIC: DANCE OF THE DREAM MAN (0:00 - 0:17)

TRUMAN turns to COOPER. COOPER looks around to see if all is clear.

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

COOPER walks off. TRUMAN watches COOPER leave.

Looking outside through the glass in the front doors to the building, ANDY is still outside waiting. Cold, ANDY has his arms folded and shivers. A crack of thunder can be heard in the background.

MUSIC ENDS: DANCE OF THE DREAM MAN (0:00 - 0:17)




CUT TO:

EXT. HALF-MOON - NIGHT

We FOCUS on a CLOSE-UP of the half-moon in the night sky.




CUT TO:

EXT. DOUBLE R DINER - NIGHT

An establish shot. We FOCUS on a CLOSE-UP of the neon ‘RR’ sign of the diner.




CUT TO:

INT. DOUBLE R DINER - NIGHT

MUSIC: VIOLINS

A CUSTOMER enters the diner. The CUSTOMER is a large man wearing a black cowboy hat. NORMA and HANK walk into view from opposite sides and meet in the center of our view, framing the CUSTOMER in the distant background. NORMA and HANK speak quietly to each other.

NORMA

HANK

HANK walks off to the kitchen. NORMA walks up to the CUSTOMER.

NORMA

CUSTOMER

NORMA

NORMA guides the CUSTOMER to one of the booth along the right wall. The CUSTOMER takes a seat.

NORMA

CUSTOMER

NORMA

NORMA rolls her eyes in disappointment. NORMA walks off to the kitchen. We MOVE BACK to see TOAD sitting in a booth right behind the CUSTOMER. TOAD wears a dirty napkin tucked in at the top of his shirt like a bib. TOAD licks his thumb as HANK walks up to him.

HANK

TOAD

HANK

TOAD

HANK grabs TOAD’S plate, picks it up and walks toward the kitchen. TOAD follows HANK.

HANK

NORMA places the food order tab onto the short order hanging clip for the cook. HANK walks up to NORMA.

NORMA

HANK peers over to the CUSTOMER then back to NORMA.

HANK

NORMA

HANK

The CUSTOMER, with his hat and coat removed, clears his throat to get NORMA’S and HANK’S attention as he walks up to them. HANK and NORMA turn to the CUSTOMER and smile.

CUSTOMER

The CUSTOMER gestures that he would like to wash his hands by rubbing his hands together.

HANK

HANK leads the CUSTOMER to the bathroom. NORMA smiles as she listens to HANK.

HANK

Behind NORMA in the background, TOAD is eating out of one of the large cooking pots.

TOAD

NORMA turns around and sees TOAD eating out of the pot with a big stirring spoon.

NORMA

NORMA rushes into the kitchen.

NORMA

With his mouth full, TOAD backs off as NORMA enters the kitchen.

TOAD

MUSIC ENDS: VIOLINS

MUSIC: HANK’S THEME #2

HANK walks back out into the diner. HANK looks over to the kitchen. All clear, HANK moves over to the CUSTOMER’S jacket. Using a rag, HANK pretends to be cleaning the booth as he reaches into the pocket of the jacket and takes out a wallet. HANK hides the wallet under his rag and walks away.

We FOCUS on a sign, in the shape of a soup kettle, that reads:


We PAN RIGHT to FOCUS on a chocolate pie under glass. We MOVE UP and look over the pie to see DONNA and MADELEINE FERGUSON sitting opposite each other at a booth. DONNA is smoking a cigarette.

MADELEINE

DONNA

MADELEINE

DONNA

MADELEINE leans forward.

MADELEINE

DONNA

MADELEINE

DONNA

MADELEINE shakes her head.

MADELEINE

DONNA

MADELEINE

DONNA

MADELEINE looks away.

MADELEINE

DONNA

MADELEINE and DONNA uneasily stare at each other. We ZOOM OUT and FOCUS on a CLOSE-UP of HANK’S face as he steps into view. HANK opens the wallet he stole and looks down.


HANK’S POV:

From HANK’S POV we FOCUS on an identification badge.



BACK TO SCENE:

We ZOOM IN on HANK’S face as he looks back up and brandishes a wicked smile.

MUSIC ENDS: HANK’S THEME #2




CUT TO:

EXT. BLACK LAKE - NIGHT

Streaks of lightning illuminate the surface of Black Lake and thunder explodes and rattles through the air.




CUT TO:

INT. BLUE PINE LODGE - NIGHT


BIRDS’S-EYE POV:

Positioned near the ceiling, we look down at the living room. SHERIFF TRUMAN sits on the arm of a sofa chair. JOSIE enters the room directly behind him wearing a thin, black camisole covering a thin, black negligee that has a slit that runs to her upper thigh. JOSIE walks in front of TRUMAN and pulls the camisole down, revealing her bare shoulders.

JOSIE


BACK TO SCENE:

JOSIE sits on TRUMAN’S right knee. TRUMAN looks JOSIE over.

SHERIFF TRUMAN

JOSIE

JOSIE kisses TRUMAN.

SHERIFF TRUMAN

JOSIE puts her hands on TRUMAN’S face. Lightning brightens the room and thunder crashes just outside the lodge.

JOSIE

MUSIC: PACKARD THEME    31K

SHERIFF TRUMAN

JOSIE

JOSIE gestures to her multitude of boxes.

JOSIE

SHERIFF TRUMAN

JOSIE

SHERIFF TRUMAN

JOSIE

SHERIFF TRUMAN

JOSIE stands up.

JOSIE

TRUMAN holds his arms out.

SHERIFF TRUMAN

JOSIE

SHERIFF TRUMAN

JOSIE puts a hand to her mouth.

JOSIE

JOSIE clutches at her camisole and walks away. The room fills with blue light and thunder whips outside the lodge. TRUMAN walks to JOSIE. JOSIE has taken a seat on the couch by a window. TRUMAN takes a seat next to JOSIE.

SHERIFF TRUMAN

JOSIE

JOSIE guides TRUMAN’S arms around her back and hugs him.

JOSIE

TRUMAN lets go, moves back slightly and holds JOSIE’S face.

SHERIFF TRUMAN

JOSIE

SHERIFF TRUMAN

JOSIE kisses TRUMAN and then guides his hands to her camisole.

JOSIE

SHERIFF TRUMAN

JOSIE

SHERIFF TRUMAN hungrily tears JOSIE’S camisole in two from the back. TRUMAN and JOSIE embrace and kiss. JOSIE leans back on the couch. TRUMAN lies above her, kissing her. JOSIE runs her hands over TRUMAN’S back.

JOSIE

We PAN up to the window.

JOSIE

Lightning flashes and through the open Venetian blinds a figure is illuminated just outside the window looking inside the lodge and down at JOSIE and TRUMAN on the couch. Its JONATHAN KUMAGAI standing outside in the rain as thunder roars.

MUSIC ENDS: PACKARD THEME    31K

FADE OUT:




FADE IN:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - NIGHT

MUSIC: DELUSIONS   7K


INSERT: COFFEE STATION

We FOCUS on the coffee station. On the counter is a plate full of a variety of donuts, an open pink box of donuts, the coffee maker with a pot of coffee, a coffee mug and another mug, shaped with the face of an old man, being used to hold plastic stir sticks. Lightning flashes.


BACK TO SCENE:

Standing near the coffee station, LUCY takes a drink from her coffee mug and holds it close to keep warm. Lightning flashes and thunder rattles. The lights flicker and then go out but only briefly as the power return. LUCY looks up at the lights and her eye’s widen.

MUSIC ENDS: DELUSIONS   7K

In the background behind LUCY, a MAN enters the building. The MAN takes off his wet cowboy hat and slaps it against his dover. The MAN is JUDGE CLINTON STERNWOOD, a tall man with short gray hair.

JUDGE STERNWOOD

LUCY walks up to STERNWOOD.

LUCY

LUCY and STERNWOOD meet in front of the reception office window.

JUDGE STERNWOOD

LUCY bows her head slightly.

LUCY

JUDGE STERNWOOD

LUCY smiles and gives STERNWOOD a big hug. STERNWOOD holds LUCY.

JUDGE STERNWOOD

SHERIFF TRUMAN enters the building.

SHERIFF TRUMAN

JUDGE STERNWOOD

STERNWOOD and TRUMAN shake hands.

SHERIFF TRUMAN

TRUMAN appears distant. Squinting, STERNWOOD notices.

JUDGE STERNWOOD

SHERIFF TRUMAN

JUDGE STERNWOOD

TRUMAN gives STERNWOOD a discerning eye. AGENT COOPER, adjusting his suit jacket, steps out of SHERIFF TRUMAN’S office.

COOPER

SHERIFF TRUMAN

JUDGE STERNWOOD

COOPER

COOPER and STERNWOOD shake hands.

SHERIFF TRUMAN

TRUMAN gives COOPER a discerning eye as well.

JUDGE STERNWOOD

SHERIFF TRUMAN

TRUMAN leads the way and walks off.

JUDGE STERNWOOD

COOPER

JUDGE STERNWOOD

STERNWOOD follows TRUMAN.

COOPER

COOPER walks off. LUCY walks to window of her reception office. RICHARD ‘DICK’ TREMAYNE enters the building. LUCY notices DICK and tries to rush off, hoping not to be seen.

DICK

LUCY stops in her tracks.

LUCY

DICK

DICK walks right up behind LUCY. LUCY turns around to face DICK.

LUCY

DICK

LUCY stares into DICK’S eyes and hold her hands to her chest.

LUCY

DICK

LUCY

DICK reaches into the interior pocket of his trench coat and pulls out an envelope. DICK hands the envelope to LUCY.

DICK

LUCY opens the envelope.

LUCY

DICK

LUCY

DICK

LUCY wads the envelope and puts it in DICK’S hand.

LUCY

DICK opens his mouth to say something but LUCY interrupts him.

LUCY

DICK tries to speak again. LUCY jumps slightly and throws her hands to her mouth to muffle her nearly hysterical scream. DICK quietly exits. LUCY goes into SHERIFF TRUMAN’S office and slams the door behind herself.

LUCY (OFF SCREEN)

ANDY walks around the corner from the hallway escorting LELAND to the conference room. ANDY hears LUCY yelling in the office. ANDY stops by the door and leans toward it to try to catch what LUCY is saying but he has to move on. ANDY and LELAND walk up the hall.




CUT TO:

INT. SHERIFF’S DEPARTMENT CONFERENCE ROOM - NIGHT

JUDGE STERNWOOD sits at the end of the conference table with SHERIFF TRUMAN sitting to his right and AGENT COOPER to his left. In the background behind them is a chalkboard with a chalk sketch of the town map. LELAND, in handcuffs, and DEPUTY ANDY stand near the other end of the table. Lightning flashes the room.

JUDGE STERNWOOD

LELAND

JUDGE STERNWOOD

MUSIC: LAURA PALMER’S THEME (INSTRUMENT SOLO #1)

We slowly ZOOM IN on JUDGE STERNWOOD as he speaks.

JUDGE STERNWOOD

Lightning brightens the room in blue light and thunder crashes loudly.

LELAND

MUSIC ENDS: LAURA PALMER’S THEME (INSTRUMENT SOLO #1)

JUDGE STERNWOOD

LELAND nods his head for yes.

LELAND

JUDGE STERNWOOD looks at TRUMAN.

JUDGE STERNWOOD

SHERIFF TRUMAN

JUDGE STERNWOOD

LELAND

JUDGE STERNWOOD

ANDY moves to open the door to escort LELAND back to his cell.

LELAND

LELAND turns to leave but quickly turns back to JUDGE STERNWOOD and nods his head.

LELAND

LELAND and ANDY exit the room. JUDGE STERNWOOD, SHERIFF TRUMAN and AGENT COOPER remain seated.

JUDGE STERNWOOD

COOPER nods his agreement with STERNWOOD’S statement. COOPER and STERNWOOD take a sip from their cups of coffee. A young woman, SID enters the room. SID has long dark brown hair and wears a very colorful jacket. SID carries another jacket over her arm and the court calender in a portfolio.

SID

SHERIFF TRUMAN

TRUMAN stands up. COOPER quickly follows suit and stands up. SID looks at TRUMAN.

SID

JUDGE STERNWOOD

SID

COOPER

STERNWOOD stands up and walks over to SID. COOPER and SHERIFF TRUMAN give each other a look - a questioning gesture dealt towards STERNWOOD and SID.

JUDGE STERNWOOD

JUDGE STERNWOOD leaves the room. SID closes the door behind herself as she leaves with STERNWOOD. COOPER asks TRUMAN ...

COOPER

TRUMAN takes a drink from his coffee mug.

SHERIFF TRUMAN

COOPER looks back to the door where SID left.

COOPER

COOPER returns his attention to TRUMAN.

COOPER

SHERIFF TRUMAN

Lightning flashes the interior. SHERIFF TRUMAN looks toward the window as thunder booms. COOPER takes a drink from his coffee mug.




CUT TO:

EXT. GREAT NORTHERN HOTEL - NIGHT

An establish shot. We view the hotel perched on the ledge near the falls. Under the light of the moon a gush of mist from the falls blows in the air. Water can be heard cascading from the falls.




CUT TO:

INT. GREAT NORTHERN HOTEL - NIGHT

MUSIC: DANCE OF THE DREAM MAN (NO SAX)

In the lobby of the hotel, a GROUP of young women walk through dressed in one-piece yellow swim suits. BENJAMIN walks behind one of the young women and, while pointing to the girl in front of her, asks ...

BENJAMIN

The YOUNG WOMAN nods her head for yes. BEN calls to her.

BENJAMIN

KATRINA turns around and stands beside the YOUNG WOMAN. SOMEONE stands very close just to the right of our view but out of focus.

BENJAMIN

The DIRECTOR responsible for the girls walks up to them.

DIRECTOR

The DIRECTOR walks away with the girls BEN had been talking to. Straggling behind, a LARGE GIRL dressed in a swim suit like the others rushes past BEN. Disapproving of her, BEN looks away.

BENJAMIN

MR. TOJAMURA, a large Asian gentleman wearing a dark suit and holding a briefcase, looks at BEN from afar. BEN notices MR. TOJAMURA, smiles and then politely bows. MR. TOJAMURA returns the bow. BEN walks towards MR. TOJAMURA and past him, starring each other down the whole way. Behind the registration counter, LOUIS walks toward MR. TOJAMURA with some paperwork.

LOUIS

MR. TOJAMURA speaks in a low, gravely voice.

MR. TOJAMURA

LOUIS remembers the keyword and smiles.

LOUIS

MUSIC: DANCE OF THE DREAM MAN (WITH SAX)

LOUIS

MR. TOJAMURA

LOUIS

LOUIS digs into her pocket and pulls out a business card.

LOUIS

LOUIS hands the card to MR. TOJAMURA.

MR. TOJAMURA

MR. TOJAMURA walks off. LOUIS picks up the phone and dials a number.

LOUIS

LOUIS bends over the counter slightly to peer at MR. TOJAMURA.

MUSIC ENDS: DANCE OF THE DREAM MAN (WITH SAX)




CUT TO:

EXT. BLUE PINE LODGE - NIGHT

An establish shot. We view the front of the lodge. Bright lights emanate from the windows. Thunder whips through the air.

JOSIE (OFF SCREEN)

PETE (OFF SCREEN)




CUT TO:

INT. BLUE PINE LODGE - NIGHT

Just outside the kitchen, PETE holds a mounted scene of two stuffed animals, a snake wrapped around a ferocious looking weasel. JOSIE stands close to PETE and clings to his right arm as she introduces JONATHAN KUMAGAI.

JOSIE

PETE nods his head to JONATHAN then quickly turns to JOSIE to correct her.

PETE

JOSIE lets out a small laugh. PETE and JONATHAN smile.

PETE

PETE hands JONATHAN the mounted scene.

PETE

PETE turns to JOSIE once more.

PETE

JOSIE

JOSIE waves her index finger at PETE and lets out a small laugh. PETE walks into the kitchen and closes the shutter doors behind himself.

MUSIC: LOVE THEME FROM TWIN PEAKS

JONATHAN walks slightly away from the door to a nearby window. Distant lighting flashes inside.

JONATHAN

JONATHAN hands the mounted scene to JOSIE.

JOSIE

JONATHAN

JOSIE

JONATHAN

JOSIE

JONATHAN

JOSIE

JONATHAN

JOSIE walks away from JONATHAN and stands with her back to him.

JOSIE

JONATHAN

JOSIE

JONATHAN

JOSIE looks down at the mounted scene.

JOSIE

JONATHAN

Lighting brightly flashes and thunder rattles.

MUSIC ENDS: LOVE THEME FROM TWIN PEAKS




CUT TO:

INT. ROADHOUSE - NIGHT

MUSIC: TWIN PEAKS THEME  

From behind the bar we look out onto the bar floor. A BARMAID picks up a bottle and a pitcher of beer. We PAN RIGHT and watch the BARMAID walk away until we come upon AGENT COOPER, who is seated at the bar. In front of COOPER, on the bar top, are a bunch of match sticks laid out parallel to the bar and arranged to form an inverted triangle. A BARTENDER cleans the bar top nearby by putting a bunch of scattered matches back into the bowl where they belong. The BARTENDER then grabs one of two glasses of water laid out in front of COOPER and dumps its contents into the other. This distracts COOPER as SHERIFF TRUMAN, wearing a black leather jacket, walks in from the right and takes a seat next to him.

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER stares at TRUMAN. COOPER then slowly lifts his left arm, snaps his fingers and points at TRUMAN. COOPER and TRUMAN laugh slightly. COOPER shakes his head.

SHERIFF TRUMAN

COOPER

MUSIC ENDS: TWIN PEAKS THEME  

FADE OUT:




FADE IN:

INT. DOUBLE R DINER - NIGHT

There is a loud KNOCK at the front door in the dark interior of the diner. In his pajamas, HANK walks into the dark and empty diner towards the front door. Lighting brightly flashes the interior.

HANK

Thunder rattles as HANK reaches the front door of the diner and opens it.

HANK

There is nobody there. HANK looks around then closes the door and starts to head back. Halfway past the island counter, the power goes out and all the lights on the appliances and the interior go out. With light only coming in through the windows from the outside, HANK opens a nearby cabinet drawer and retrieves a large metal flashlight. HANK slams the flashlight into his hand and turns it on just as a bright streak of lighting illuminates the interior. HANK quickly turns around and points the light at the face of a PERSON standing in the dark. Thunder roars and lighting brightens the interior as we FOCUS on the face of JONATHAN, who is dressed in black with a black hat and dark sunglasses.

HANK

JONATHAN removes his sunglasses. HANK holds the flashlight up high in his left hand and shines it down on JONATHAN’S face. HANK move out from the island counter and towards JONATHAN.

HANK

Lighting fills the room. HANK throws a punch with his right hand. JONATHAN quickly makes a move and throws HANK over the island counter. HANK gets back up and leans on the counter.

HANK

HANK moves out from behind the island counter and towards JONATHAN. HANK swings the metal flashlight at JONATHAN once and then twice. HANK throws another right punch but JONATHAN makes another move that sends HANK flipping over onto the floor. HANK’S feet hit a nearby table and knock down a basket full of plates and utensils that break on the floor.

HANK quickly stands back up. HANK kicks his right foot into the air towards JONATHAN, misses and then throws a right punch. JONATHAN grabs HANK’S right arm, punches him in the stomach and then throws a punch into HANK’S face that sends him flying into the air and onto his back. JONATHAN reaches down and picks up the flashlight. HANK lifts his head from the floor but does not stand up. JONATHAN flashes the light down on HANK’S face.

HANK

HANK stretches his hand out in front of his face to block the glare of the flashlight from hitting his eyes. A small trail of blood runs from the corner of his mouth.

HANK

JONATHAN leans down and runs his thumb over the blood at the corner of HANK’S mouth. HANK quickly jerks away and grabs at JONATHAN’S hand. JONATHAN clenches HANK’S fingers into his fingers and palm of his hand. JONATHAN and HANK’S thumbs are pressed together with blood.

JONATHAN

JONATHAN lifts the flashlight up high into the air and then quickly swings down and smashes it beside HANK.

FADE OUT:




CLOSE:




FADE IN:

MUSIC: LAURA PALMER’S THEME  

We view LAURA PALMER’S homecoming picture as the end credits roll.

MUSIC ENDS: LAURA PALMER’S THEME  

FADE TO BLACK: