Episode 23 - The Condemned Woman


FADE IN:

INT. LOG LADY’S CABIN - DAY

MUSIC: CALL OF THE BLACK LODGE    272K

As she speaks directly to us, the ‘LOG LADY’ MARGARET LANTERMEN holds her wooden log in her arms like a baby. The LOG LADY sits with her back to the fireplace of her cabin and beside a table.

LOG LADY


CLOSE ON: LOG LADY

We FOCUS on a CLOSE-UP on the face of the LOG LADY.

LOG LADY

MUSIC ENDS: CALL OF THE BLACK LODGE    272K

FADE OUT:




INTRO:




FADE IN:

MUSIC: TWIN PEAKS THEME  

CREDITS run with the scenes of a bird in a tree, the mill machinery at work, the road into town with the welcome sign, the hotel by the falls and the river.

MUSIC ENDS: TWIN PEAKS THEME  

FADE OUT:




FADE IN:

INT. SHERIFF TRUMAN’S OFFICE - DAY

MUSIC: WINDOM EARLE’S THEME

We FOCUS on a CLOSE-UP of an ornamental owl in a small glass case sitting on the corner edge of TRUMAN'S desk. WINDOM EARLE'S voice emanates from a recording.

WINDOM (OFF SCREEN)

We PAN RIGHT to a CLOSE-UP on a chessboard sitting atop TRUMAN'S desk.

WINDOM (OFF SCREEN)

We PAN RIGHT to a CLOSE-UP on a white mask, the mask taken from COOPER'S hotel room.

WINDOM (OFF SCREEN)

We PAN RIGHT to a CLOSE-UP on the mini tape recorder WINDOM EARLE left along with the white mask in COOPER'S hotel room.

WINDOM (OFF SCREEN)

We ZOOM OUT. SHERIFF HARRY S. TRUMAN sits behind his desk drinking a cup of coffee as he listens to WINDOM'S tape.

WINDOM (OFF SCREEN)

MUSIC ENDS: WINDOM EARLE’S THEME

Dressed in a plaid flannel shirt and khakis, DEPUTY DALE COOPER sits a chair in front of TRUMAN'S desk. COOPER reaches out and shuts off the mini tape player.

SHERIFF TRUMAN

COOPER

TRUMAN nods his head for yes.

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

TRUMAN slides the speakerphone unit over to himself and depresses a button.

SHERIFF TRUMAN

COOPER places his cup of coffee on top of TRUMAN'S desk and looks at the white mask lying on the table.

MUSIC: QUESTION IN A WORLD OF BLUE (NO VOCALS)

LUCY (OFF SCREEN)

TRUMAN notices that COOPER is starring at the white mask.

SHERIFF TRUMAN

COOPER nods his head for yes slightly and then looks at TRUMAN.

COOPER

COOPER returns to starring at the white mask.


INSERT: CLOSE-UP WHITE MASK

We FOCUS on a CLOSE-UP of the delicate white plaster mask of CAROLINE POWELL EARLE'S face lying on TRUMAN'S desk.




DISSOLVE TO:

INT. BLUE PINE LODGE - DAY

As the last scene of the CLOSE-UP on the white mask FADES OUT, we FADE IN to the next scene. Standing in the kitchen, PETE MARTELL talks to LUCY MORAN on the telephone.

PETE

MUSIC ENDS: QUESTION IN A WORLD OF BLUE (NO VOCALS)

PETE

PETE hangs up the phone. PETE briefly looks over his shoulder and smiles before he picks up two plates of food from the kitchen counter. PETE carries the plates over to the dining room table. Grinning, PETE quietly places one of the plates of food before his wife CATHERINE MARTELL.

We PAN RIGHT as PETE holds the other plate in front of ANDREW PACKARD, who is sitting across the table from his sister CATHERINE. ANDREW erupts into laughter as he sees the plate of food. PETE laughs along with ANDREW. With his white hair a mess and dressed in a robe, having just woken up, ANDREW holds the plate out so that CATHERINE can see it.


INSERT: CLOSE-UP PLATE OF FOOD

We FOCUS on a CLOSE-UP of the plate of food ANDREW is holding. The food on the plate is arranged to form a face: two eggs sunny side up with a drop of Tabasco for eyes, cut toast for ears, strips of bacon for a mouth and a single prune for a nose.

ANDREW (OFF SCREEN)


BACK TO SCENE:

CATHERINE is not amused one bit but PETE and ANDREW laugh hysterically. CATHERINE breaks it up by commanding …

CATHERINE

PETE

PETE walks into the kitchen to fetch a salt and pepper shaker. ANDREW sets his plate down and starts eating. CATHERINE coldly looks over to ANDREW.

CATHERINE

ANDREW

CATHERINE

PETE walks back to the table and sets a salt and pepper shaker on top of the table. PETE clasps his hands and announces …

PETE

Jokingly, PETE reaches out as if to kiss ANDREW goodbye. ANDREW quickly responds by leaning back, juts his right elbow and growls at PETE. PETE throws out his left shoulder and arm as if to hit ANDREW. The two quickly turn to laughing a little.

PETE walks to the other side of the table, kisses his palm and pats CATHERINE'S chin. PETE walks to the front door, grabs his hat and coat and put his hat and coat on.

PETE

PETE leaves.

CATHERINE quietly grabs a roll and cuts it with a knife.

ANDREW

CATHERINE

ANDREW

The front door opens.

ANDREW

Wearing a long sleeve plaid flannel jacket and jeans, JOSIE PACKARD steps inside holding a bundle of kindling sticks. JOSIE does not immediately notice ANDREW as she closes the door behind herself.

ANDREW

MUSIC: PACKARD THEME    31K

JOSIE stops dead in her tracks as she sees ANDREW, who she thought was dead. Shocked, JOSIE drops the bundle of kindling sticks.

ANDREW

JOSIE faints and falls to the floor.

ANDREW

CATHERINE, relishing the moment, boldly laughs.

CATHERINE

ANDREW

CATHERINE

ANDREW erupts into a hard, gasping laughter.




CUT TO:

INT. SHERIFF TRUMAN’S OFFICE - DAY

We FOCUS on a CLOSE-UP on the edge of TRUMAN'S desk. We PAN UP. SHERIFF TRUMAN sits behind his desk reading a newspaper.


INSERT: CLOSE-UP NEWSPAPER

We FOCUS on a CLOSE-UP of the newspaper that TRUMAN is reading. There is an article in the paper about the murder of JONATHAN KUMAGI. The article has a photograph of JONATHAN and the headline reads …


There is a KNOCK at TRUMAN'S office door.


BACK TO SCENE:

We FOCUS on a WIDE SHOT of TRUMAN'S office interior.

SHERIFF TRUMAN

MUSIC ENDS: PACKARD THEME    31K

HANK JENNINGS, with the help of crutches, enters TRUMAN’S office. He is followed by DEPUTY TOMMY 'THE HAWK’ HILL.

HANK

SHERIFF TRUMAN

HANK

SHERIFF TRUMAN

HANK

SHERIFF TRUMAN

HANK

HANK snaps his fingers.

HANK

SHERIFF TRUMAN

HANK

SHERIFF TRUMAN

HANK

Teasingly, HANK makes a monkey sound, ‘Ooh-hoo ooh-hoo.’ SHERIFF TRUMAN is furious. Tight lipped, TRUMAN glances over to HAWK. HAWK senses his anger and takes it out on HANK by nonchalantly kicking away HANK’S left crutch. HANK falls face down on TRUMAN’S desk. HAWK pulls HANK up from the collar of his leather jacket.

HAWK

SHERIFF TRUMAN

MUSIC: PACKARD THEME    31K

SHERIFF TRUMAN

HAWK picks up HANK'S left crutch off the ground and hands it to HANK.

HANK

HANK jerks the crutch away from HAWK. HANK and HAWK leave the room.

Hot headed, SHERIFF TRUMAN punches his right fist into the open palm of his left hand.




CUT TO:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - DAY

We FOCUS on a CLOSE-UP of a clear plastic packet containing a bullet point that FBI SPECIAL AGENT ALBERT ROSENFIELD is holding.

ALBERT

ALBERT holds into view another clear plastic packet containing a bullet point.

ALBERT

We ZOOM OUT. In the conference room of the building, DEPUTY COOPER stands next to AGENT ALBERT. ALBERT opens his metal briefcase, tosses the two packets inside and closes the briefcase.

ALBERT

COOPER holds his right hand up to halt ALBERT.

COOPER

ALBERT

COOPER

ALBERT

COOPER agrees and nods his head for yes.

COOPER

ALBERT

ALBERT jerks his briefcase as he whips it off the conference tabletop and briskly leaves the room.

MUSIC ENDS: PACKARD THEME    31K




CUT TO:

INT. THE GREAT NORTHERN HOTEL - DAY

We FOCUS on a CLOSE-UP of the beautiful legs of a WOMAN standing in the lobby of the hotel. We PAN UP. Dressed in a tan business suit, AUDREY HORNE stands in the lobby clutching a manila folder atop of which is a document she briefly glances over.

AUDREY walks up to the concierge desk where the concierge, RANDY ST. CROIX, is seated. RANDY stands up as AUDREY walks up to him and hands him a document.

AUDREY

RANDY tosses the document to the desktop.

RANDY

AUDREY

RANDY hands AUDREY a nametag.

RANDY

RANDY picks up an envelope from the desktop and hands it to AUDREY.

RANDY

RANDY walks off.

Disheartened, AUDREY takes a seat behind the concierge desk and sorts her notebooks on the desktop. She then grabs the nametag and pins it on her suit lapel.

MUSIC: JOHN WHEELER’S THEME    50K

A customer, JOHN JUSTICE WHEELER, walks up to the concierge desk.

JOHN

Occupied with a foul mood from her conversation with RANDY, AUDREY fiddles with her nametag. As she ignores the customer, AUDREY grumbles ...

AUDREY

JOHN

Still not having looked up and seen the customer, AUDREY rudely asks ...

AUDREY

AUDREY finally looks up and is smitten by JOHN’S handsome looks.

JOHN

JOHN starts to back off and walk away but AUDREY quickly answers.

AUDREY

AUDREY fiddles with some notebooks on her desk. JOHN returns to her desk.

JOHN

JOHN peers at her nametag.

JOHN

AUDREY looks down at her nametag and straightens it. John briefly studies AUDREY'S face and recognizes her.

JOHN

AUDREY

JOHN

AUDREY

AUDREY takes notes on a small black notepad.

JOHN

AUDREY tilts her head in a saucy fashion.

AUDREY

JOHN

He starts to walk away but quickly returns and answers.

JOHN

AUDREY

JOHN

JOHN closes his eyes.

JOHN

Slightly embarrassed, AUDREY peers down at her desk.

JOHN

As JOHN turns to walk away, he gazes back at AUDREY for a moment. AUDREY stares at her desktop as she recalls the memory JOHN revealed.

AUDREY

AUDREY looks up and sees that JOHN has walked away.

AUDREY

In the lobby, JOHN reaches down to the floor, picks up a brochure that an ELDERLY WOMAN has dropped and hands it to her. JOHN waves goodbye to AUDREY with a pair of gloves he holds in his left hand and walks off.

MUSIC ENDS: JOHN WHEELER’S THEME    50K

Disappointed, AUDREY returns her attention to her desktop. She finds the envelope RANDY handed her, rips off the short end's edge of the envelope, props it open and removes the letter from inside.

MUSIC: WINDOM EARLE’S THEME


INSERT: CLOSE-UP TORN LETTER

We FOCUS on a CLOSE-UP of the letter as AUDREY opens it to reveal that the letter is a torn segment. The torn letter has some handwriting in pencil.



BACK TO SCENE:

We FOCUS on AUDREY as she shakes her head slightly, unable to make sense of the torn letter. AUDREY reads a note card, that came with the torn letter, aloud.

AUDREY


INSERT: CLOSE-UP NOTE CARD

We FOCUS on a CLOSE-UP of the note card. The note card is written in the same handwriting and pencil as the torn letter.

MUSIC ENDS: WINDOM EARLE’S THEME




CUT TO:

INT. HURLEY HOUSE - DAY

‘BIG’ ED HURLEY straightens out nick-nacks on the newly repaired shelving / divider. NADINE HURLEY enters the house.

BIG ED

Wearing her high school cheerleading outfit, NADINE gingerly walks into the room holding her books closes to her chest.

BIG ED

BIG ED walks up to NADINE.

BIG ED

BIG ED puts his left hand on NADINE'S shoulder. NADINE gestures for BIG ED to stop.

NADINE

NADINE walks away slightly and then stops with her back to BIG ED.

BIG ED

MUSIC: TWIN PEAKS THEME  

NADINE

NADINE turns around to face BIG ED.

BIG ED

NADINE

NADINE lowers her head. For a moment, BIG ED mulls it over.

BIG ED

NADINE

NADINE brandishes a distant look with a joyful smile.

BIG ED

NADINE drops the smile and looks at BIG ED.

NADINE

BIG ED

NADINE

NADINE moves to BIG ED arms and holds him close. Stunned, BIG ED stares over NADINE'S head, wide-eyed.

MUSIC ENDS: TWIN PEAKS THEME  




CUT TO:

INT. BLUE PINE LODGE - DAY

MUSIC: LAURA PALMER’S THEME  

In the kitchen, we FOCUS on a CLOSE-UP of a closed wooden shutter. CATHERINE reaches out and opens the shutter to peer into the next room. In the next room, DEPUTY COOPER sits on the couch with JOSIE.

COOPER

JOSIE

We FOCUS on a CLOSE-UP of CATHERINE'S face as she listens in on the conversation between COOPER and JOSIE.

COOPER

CATHERINE smiles in delight of that news. CATHERINE walks off.

MUSIC ENDS: LAURA PALMER’S THEME  

We FOCUS on a WIDE SHOT of the living room of the Blue Pine Lodge where COOPER and JOSIE are talking. COOPER is wearing a long sleeve plaid flannel shirt, jean pants and a sleeveless vest jacket. JOSIE is wearing her maid uniform. Two wooden ducks sit atop the coffee table in front of the couch.

MUSIC: VISION OF YOU (LIGHT DRAMATIC VARIANT)    80K

COOPER

JOSIE

JOSIE stands up, with her back to COOPER.

COOPER

COOPER walks off and leaves. Slightly trembling, JOSIE is saddened by the confrontation.

MUSIC ENDS: VISION OF YOU (LIGHT DRAMATIC VARIANT)    80K

MUSIC: PACKARD THEME    31K

A side door opens and CATHERINE bursts into the room.

CATHERINE

Still shaken, JOSIE breathes deeply.

CATHERINE

JOSIE puts a hand on her chest and holds herself as she begins to tremble.

JOSIE

CATHERINE

JOSIE

CATHERINE

JOSIE

CATHERINE walks over to the nearby bookshelf.

CATHERINE

JOSIE looks over to CATHERINE.

CATHERINE

CATHERINE turns to the bookshelf and removes a book from the bookshelf. JOSIE peers into the cache revealed by CATHERINE. CATHERINE turns back to face JOSIE.

CATHERINE

CATHERINE turns back to the bookshelf and grabs a pair of keys from the cache.

CATHERINE

CATHERINE walks away from the bookshelf jiggling the keys as she passes by JOSIE, starring at her the whole while. CATHERINE walks up to the shutter wall/divider to the kitchen and pushes it open slightly. CATHERINE pauses to look back at JOSIE. JOSIE walks up to the bookshelf, reaches into the cache and pulls out a handgun. JOSIE smiles in relief and holds the gun close to her chest.

MUSIC ENDS: PACKARD THEME    31K




CUT TO:

EXT. WATERFALL - DAY

An establish shot. We FOCUS on the waterfall on a cold and cloudy day. We PAN UP and to the LEFT to FOCUS on the Great Northern Hotel perched on the nearby cliff.




CUT TO:

INT. BENJAMIN HORNE'S OFFICE - DAY

We FOCUS on a CLOSE-UP of a telephone on top of BENJAMIN HORNE'S desk. We ZOOM OUT. BOBBY BRIGGS, dressed in office attire, is on the phone as he looks at a document in an open folder. BENJAMIN HORNE, dressed in a jogging suit and eating a stalk of celery, stands nearby. BOBBY returns the phone to its cradle and relays a message ...

BOBBY

BENJAMIN

BOBBY tosses the folder to the desktop, picks up his suit jacket and puts it on.

BOBBY

BENJAMIN

BENJAMIN puts an arm around BOBBY and leads him to office entrance where JERRY HORNE and AUDREY are standing.

BENJAMIN

BEN removes his arm from around BOBBY.

BENJAMIN

The four are now huddled together. JERRY offers his drink to his brother BEN.

BENJAMIN

JERRY holds a tray of hors d’oeuvres in his right hand. BOBBY reaches out to grab the tray and JERRY passes it on. As BOBBY scans over the hors d'oeuvres, JERRY points out one he should try.

BENJAMIN

The doors to the office open and JOHN WHEELER steps inside.

JOHN

BENJAMIN

BEN walks up to JOHN.

JOHN

BENJAMIN

Happily reunited the two welcome each other with a big hug and a pat on the back.

BENJAMIN

JOHN

BENJAMIN

JOHN

JOHN looks over to AUDREY.

JOHN

AUDREY quietly nods yes. JERRY is stuffing his face with hors d’oeuvres. BEN smiles and points at AUDREY.

BENJAMIN

AUDREY

BENJAMIN

AUDREY

JOHN feels the remark as he looks over to her.

BENJAMIN

Holding the tray of hors d’oeuvres in his right hand and his drink in the left, JERRY walks up to JOHN and offers him an hors d’oeuvre.

JOHN

JERRY

JOHN grabs an hors d’oeuvre from the tray and holds it in his left hand.

BENJAMIN

JOHN

BOBBY

JOHN and BOBBY shake hands.

JOHN

BENJAMIN

JERRY, JOHN, AUDREY and BOBBY sit together on the couch in front of BEN'S desk. JOHN continues to hold his hors d’oeuvre in his left hand while JERRY munches away on the hors d’oeuvres on the tray.

BENJAMIN

BEN takes a seat next to his desk.

BENJAMIN

JOHN

Unable to speak because his mouth is full, JERRY pats JOHN'S right shoulder and nods approval to him. BEN stands up and moves behind his desk.

BENJAMIN

JOHN peers to his left where AUDREY is sitting and glances at her. He returns his attention to BEN.

BENJAMIN

AUDREY peers to her right and briefly glances at JOHN.

BENJAMIN

MUSIC: FRESHLY SQUEEZED (0:27 - 3:48)

Puzzled, JERRY holds an odd expression as if frozen with a possible answer.

BENJAMIN

BOBBY holds a puzzled but disbelieving expression while AUDREY holds a puzzled but questioning expression.

BENJAMIN

BEN throws the cover off of a large poster on an easel to reveal a black and white picture of a ferret.

BENJAMIN

BOBBY and AUDREY turn to look at each other, worried.

BENJAMIN

JERRY

BEN clears his throat and points at the poster with his celery stalk as he speaks.

BENJAMIN

BOBBY

BEN sits down in a chair in front of the poster.

BENJAMIN

JERRY

JERRY shakes his head slightly and laughs. JOHN looks at JERRY'S expression.

BENJAMIN

BEN stands back up and points at the poster with his celery stalk.

BENJAMIN

BEN takes a bite from his celery stalk and walks over to the front of his desk.

AUDREY

BENJAMIN

BEN takes another loud, crunchy bite from his celery stalk.

MUSIC ENDS: FRESHLY SQUEEZED (0:27 - 3:48)




CUT TO:

EXT. DOUBLE R DINER - DAY

An establish shot. From a perspective across the street on a dark, cloudy day, a logging truck drives by as we FOCUS on the diner with a glimpse of it café sign to the side.




CUT TO:

INT. DOUBLE R DINER - DAY

MUSIC: BIG ED AND NORMA’S SONG    38K

SHELLY JOHNSON works the cash register as she handles the bill for an ELDERLY CUSTOMER.

SHELLY

The ELDERLY CUSTOMER waves goodbye and quietly walks off. SHELLY picks up empty soft drink bottles as she walks back to the kitchen. As she does so, she passes WINDOM EARLE who is in a thin disguise as he eats at the island counter. NORMA JENNINGS is on the telephone at the back of the island counter near the service window. WINDOM pays his bill and tosses the tip in change on the counter. Before he quietly leaves, WINDOM leaves behind an envelope addressed to SHELLY JOHNSON.

NORMA

SHELLY returns from the kitchen carrying a large but shallow plastic bin. She stands next to NORMA.

NORMA

SHELLY

NORMA

SHELLY and NORMA walk over to the area where WINDOM was sitting. They clean up the area by placing the dirty dishes into the bin.

SHELLY

NORMA

SHELLY

NORMA

NORMA spots an envelope on the counter next to the dirty plate.

NORMA

NORMA hands the envelope to SHELLY.

SHELLY

NORMA

SHELLY rips the envelope open and pulls out a torn segment from a letter and a note card.

MUSIC: WINDOM EARLE’S THEME

SHELLY


INSERT: CLOSE-UP TORN SEGMENT

We FOCUS on a CLOSE-UP of the torn segment.


CLOSE ON: SHELLY'S FACE

We FOCUS on a CLOSE-UP of SHELLY'S face as she reads the torn segment aloud.

SHELLY


BACK TO SCENE:

SHELLY casts a questioning gaze at NORMA. NORMA quietly looks over the torn segment in SHELLY'S hand. SHELLY reads the note card aloud.

SHELLY

NORMA

MUSIC ENDS: WINDOM EARLE’S THEME

NORMA picks up the tip, left in change, off the counter.

SHELLY

SHELLY checks the torn segment, the note card and the envelope for a name

The bell at the front door rings as BIG ED walks into the diner. NORMA glows with a wide smile as she spots him. BIG ED walks into the island counter service area by opening the flip-up counter door, walks behind NORMA, twirls her around and caresses her in his arms.

BIG ED

NORMA

BIG ED

BIG ED holds NORMA close as they passionately kiss.

SHELLY, standing nearby, quietly walks off to give them some privacy but not without checking out the kiss between the two as she sneaks a peak back at them.

MUSIC ENDS: BIG ED AND NORMA’S SONG    38K

FADE OUT:




FADE IN:

EXT. EARLE'S CABIN - DAY

MUSIC: WINDOM EARLE’S THEME

We FOCUS on a large pine tree. We PAN DOWN to where LEO JOHNSON, wearing pajamas and a robe, is sitting at the end of a large pine log. LEO is whittling wood from a long thin piece of pine with a knife. FOCUSING on LEO, we MOVE LEFT until the front door of Earle's cabin comes into view.

Still wearing his disguise from the diner, WINDOM EARLE, wearing a baseball cap, dark blue sweater, jeans and a jacket, walks out of the cabin and up to LEO, singing ...

WINDOM

MUSIC ENDS: WINDOM EARLE’S THEME

MUSIC: LAURA PALMER’S THEME  

WINDOM

WINDOM pats LEO’S back

WINDOM

WINDOM grabs the stick LEO had been whittling and looks it over.

WINDOM

WINDOM bends down to look LEO in the eye. LEO mindlessly continues to whittle on another stick of pine.

WINDOM

WINDOM stands back up.

WINDOM

WINDOM reaches into his jacket pocket and fetches a metal arrowhead point.

WINDOM

MUSIC ENDS: LAURA PALMER’S THEME  

MUSIC: WINDOM EARLE’S THEME

As WINDOM twists the arrowhead point on the end of the long pine shaft LEO whittled, he pricks himself on the sharp edges.

WINDOM

With a childlike smile, LEO looks up at WINDOM.

WINDOM

WINDOM stares at the arrow point as he slowly spins the shaft in his hands.




CUT TO:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - DAY

In the jail cellblock at the basement of the building, we FOCUS inside one of the jail cells at the end of a lower bunk bed. We PAN RIGHT. Starring at the ceiling, HANK JENNINGS lays quietly on his back in the lower bunk bed.

MUSIC ENDS: WINDOM EARLE’S THEME

MUSIC: BIG ED AND NORMA’S SONG    38K

From inside HANK'S jail cell, we FOCUS on the cellblock door near the floor as it opens. A WOMAN walks inside. All that is visible of her is a pair of white pump shoes and the trail of a long coat. We PAN UP. The WOMAN is NORMA JENNINGS.

HANK

NORMA moves closes to the bars at HANK'S cell.

NORMA

HANK

HANK feigns pain as he stands up and moves to NORMA.

NORMA

HANK

Recognizing his sweetened drivel, NORMA looks away.

HANK

NORMA

Gently, HANK reaches out and holds NORMA'S coat collar.

HANK

NORMA

HANK

NORMA

HANK

NORMA

HANK

NORMA

HANK

NORMA looks away.

HANK

Still holding NORMA'S collar, HANK jerks her towards him to the cell bars.

MUSIC ENDS: BIG ED AND NORMA’S SONG    38K

MUSIC: LAURA PALMER’S THEME  

HANK

NORMA

HANK releases his grip on NORMA.

HANK

HANK kisses his finger's and waves her off - a kiss goodbye.

HANK

NORMA

NORMA walks off and leaves the jail cellblock. Furious, HANK grips his jail cell bars and rattles them wildly.

HANK

MUSIC ENDS: LAURA PALMER’S THEME  




CUT TO:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - DAY

We FOCUS on a CLOSE-UP of a chessboard sitting on top of the conference room table. We ZOOM OUT.

PETE

A tray laden with a variety of donuts sits on the tabletop near the chessboard along with several coffee mugs and a speakerphone. PETE stands at the short end of the conference room table. DEPUTY COOPER is standing to the right of the table and SHERIFF TRUMAN stands on the opposite side of the table. In the background is a chalkboard with a map of the town drawn in chalk.

PETE

Chomping on a donut, COOPER raises a finger to stop PETE'S babble.

COOPER

PETE

PETE puts his coffee mug down on the table and slowly sits down in his chair as he looks over the chessboard. TRUMAN touches a switch on the speakerphone.

SHERIFF TRUMAN

LUCY (OFF SCREEN)

SHERIFF TRUMAN

LUCY (OFF SCREEN)

PETE

PETE moves a chess piece on the chessboard, P to QN-3.

PETE

COOPER

TRUMAN bends down to look closely at the chessboard.

PETE

COOPER finishes his donut and wipes his face with a hanky.

SHERIFF TRUMAN

COOPER neatly folds his hanky up and places it in his pants pocket.

COOPER

SHERIFF TRUMAN

ALBERT

AGENT ALBERT, wearing a long raincoat and holding a steel briefcase, stands in the open doorway to the conference room. Having just arrived, ALBERT removes his sunglasses and motions for COOPER to join him outside the office.

COOPER

MUSIC: VISION OF YOU (LIGHT DRAMATIC VERSION)    80K

COOPER turns back to PETE and gives him a thumbs up hand sign. Worried about the news he brings, TRUMAN stares at ALBERT.

COOPER

COOPER walks off with ALBERT out of the office. SHERIFF TRUMAN stares at them as they leave.

Outside the conference room, COOPER and ALBERT walk up the hallway as they speak.

ALBERT

COOPER stops ALBERT in the hall.

COOPER

COOPER and ALBERT look back at the open doorway to the conference room as SHERIFF TRUMAN walks out, stops and looks up the hallway at them for a moment before walking off. ALBERT pats COOPER'S left arm and remarks …

ALBERT



CUT TO:

INT. BLUE PINE LODGE - DAY

We FOCUS on a mirror and the reflection of JOSIE PACKARD, wearing a delicate black robe and with her hair nicely styled, as she applies lipstick to her lips with a brush.

There's a knock at her bedroom door.

JOSIE turns her head to the door to answer.

JOSIE


CLOSE ON: JOSIE'S FACE

We FOCUS on CLOSE-UP of JOSIE'S face as she gasps slightly as the door opens.


BACK TO SCENE:

We FOCUS on a WIDE SHOT of the interior of JOSIE'S bedroom as JOSIE stands up to greet ANDREW PACKARD. Wearing a gray suit, ANDREW carries two filled champagne glasses.

ANDREW

ANDREW hands a glass to JOSIE.

ANDREW

ANDREW raises his glass for a toast.

ANDREW

ANDREW takes a drink from his glass.

JOSIE

JOSIE lowers her head.

ANDREW

ANDREW takes a seat in a nearby chair in the room and sets his glass down on an adjoining table.

ANDREW

JOSIE kneels on the ground before ANDREW.

JOSIE

ANDREW

JOSIE motions forward for a reply but is cut short.

ANDREW

JOSIE shakes her head for no.

JOSIE

ANDREW

Again, JOSIE shakes her head for no.

ANDREW

ANDREW stands up and reaches out with left hand to delicately touch JOSIE'S chin.

ANDREW

MUSIC ENDS: VISION OF YOU (LIGHT DRAMATIC VERSION)    80K

MUSIC: PACKARD THEME    31K

ANDREW walks towards the bedroom door to leave. Before he exits the room, JOSIE calls out ...

JOSIE

Holding the door open, ANDREW turns to JOSIE and answers …

ANDREW

ANDREW leaves the room and closes the door behind himself. Still kneeling on the ground, JOSIE bows her head. Feeling the pressure of the situation she is in, JOSIE puts a hand to her forehead.

MUSIC ENDS: PACKARD THEME    31K




CUT TO:

EXT. WOODS - DAY

MUSIC: QUESTION IN A WORLD OF BLUE (NO VOCALS)

From a DISTANT SHOT we FOCUS on DONNA HAYWARD as she stands alone surrounded by the tall pines in the woods. JAMES HURLEY rides up the hill and next to DONNA in his motorcycle. JAMES parks his motorcycle and shuts the engine off.

DONNA

JAMES

JAMES gets down from his motorcycle, takes a look around the area and comments …

JAMES

DONNA

JAMES removes his gloves and stands next to DONNA.

DONNA

DONNA leads JAMES through the trees to a nearby picnic spot she has already laid out complete with a sheet covering the ground, a picnic basket and food.

DONNA

DONNA and JAMES take a seat on the picnic sheet.

JAMES

DONNA stares and plays with the ring on her left hand. JAMES notices.

JAMES

DONNA

JAMES

DONNA looks up into JAMES'S eyes.

DONNA

JAMES

DONNA

JAMES

DONNA

JAMES

DONNA looks down at the ground.

DONNA

DONNA looks back up at JAMES and smiles.

JAMES

DONNA

JAMES

DONNA

JAMES

DONNA

JAMES

Teary eyed, DONNA stares longingly at JAMES. The two move to each other, embrace and kiss.

Pine needles twinkle from the surrounding trees as the sun filters through them, we ZOOM OUT as we FOCUS on JAMES and DONNA as they kiss.

MUSIC ENDS: QUESTION IN A WORLD OF BLUE (NO VOCALS)




CUT TO:

INT. BLUE PINE LODGE - NIGHT

Reading a book in her left hand and holding a cup of coffee in her right, CATHERINE sits in a sofa chair in the living room of the cabin. A distant fog horn blows. There's a knock at the front door. CATHERINE casts her gaze away from her book to her right. We PAN RIGHT to FOCUS on PETE as he sits in sofa chair working on a fly fishing lure with its clamp bench on his lap. PETE looks over to CATHERINE and notices that she's not budging. There's another knock at the door.

PETE

PETE picks the fly lure clamp bench off of his lap and puts it down on a small endtable next to the chair. There's another knock at the door. CATHERINE scowls slightly at PETE. PETE walks off to the front door.

PETE

PETE opens the door and SHERIFF TRUMAN bursts inside past PETE looking into the cabin.

SHERIFF TRUMAN

PETE

PETE closes the front door.

PETE

MUSIC: VISION OF YOU (LIGHT DRAMATIC VERSION)    80K

CATHERINE quickly joins PETE'S side.

CATHERINE

PETE

CATHERINE casts a glare to PETE. PETE returns the gaze.

CATHERINE

SHERIFF TRUMAN

CATHERINE stares at PETE.

PETE

PETE returns CATHERINE'S stare.

SHERIFF TRUMAN

CATHERINE

SHERIFF TRUMAN

MUSIC ENDS: VISION OF YOU (LIGHT DRAMATIC VERSION)    80K

MUSIC: PACKARD THEME    31K

PETE stares at CATHERINE as she answers …

CATHERINE

SHERIFF TRUMAN quickly opens the front door and rushes off.

CATHERINE

PETE closes the front door and continues to stare at CATHERINE as she walks off into the room.




CUT TO:

INT. THE GREAT NORTHERN - NIGHT

The exterior door of the elevator opens. THOMAS ECKHARDT slides open the folding gate door to the elevator, steps inside and closes the folding door. Without looking at the elevator operator, THOMAS orders …

THOMAS

The exterior door of the elevator closes and the elevator moves up.


CLOSE ON: HAND

We FOCUS on a CLOSE-UP of a hand as it reaches out and operates the stop switch for the elevator, stopping the elevator between floors.


BACK TO SCENE:

We FOCUS on THOMAS as the operator, ANDREW PACKARD, steps forward.

ANDREW

THOMAS looks to his side and, with a grimaced, stunned expression, stares at ANDREW. ANDREW removes his eyeglasses.

ANDREW

THOMAS smiles and then looks away.

THOMAS

ANDREW

ANDREW bends close to THOMAS and stares into his eyes.

ANDREW

THOMAS looks at ANDREW only briefly.

THOMAS

ANDREW

THOMAS

ANDREW

THOMAS

ANDREW

THOMAS

ANDREW

ANDREW laughs lightly. THOMAS twists in his footsteps.

THOMAS

ANDREW

ANDREW

ANDREW operates the switch that sends the elevator moving again.

ANDREW

ANDREW looks at THOMAS.

ANDREW

THOMAS

A bell in the elevator rings signaling a stop at the designated floor. ANDREW peers up at the floor level indicator. The exterior door of the elevator opens automatically.

ANDREW

ANDREW opens the folding gate door of the elevator for THOMAS. THOMAS walks out of the elevator.

ANDREW

THOMAS stops and turns around to face ANDREW. ANDREW puts his eyeglasses back on.

ANDREW

ANDREW closes the folding gate door and presses the down switch. The exterior doors of the elevator closes. A little worried, THOMAS turns back around and faces the lobby.

MUSIC ENDS: PACKARD THEME    31K




CUT TO:

INT. TIMBER ROOM - NIGHT

MUSIC: LOVE THEME (PIANO SOLO)

Just finishing dessert, BENJAMIN, AUDREY and JOHN sit together at a round table near the fireplace in the dining area of the Great Northern hotel. A WAITRESS walks by as she handles an order for another table in the busy dining area. We ZOOM IN on the table BEN, AUDREY and JOHN are at.

BENJAMIN

AUDREY begins to cough at the mention of the word virgin. BEN and JOHN look to her as AUDREY grabs her glass of water to clear her throat.

BENJAMIN

AUDREY nods her head for yes.

AUDREY

JOHN

BENJAMIN

BEN lights up a cigar.

BENJAMIN

BEN looks at this cigar and then snuffs it out in the ashtray.

BENJAMIN

AUDREY looks at BEN and smiles.

JOHN

BEN takes a last bite of pie from his plate as a WAITER comes up to the table and whispers an urgent message into BEN’S ear.

BENJAMIN

BEN stands up.

BENJAMIN

BEN leans down towards AUDREY.

BENJAMIN

BEN walks off to attend to his brother.

AUDREY turns to JOHN. The two smile at each other. JOHN picks up his cup of coffee but before he can take a sip AUDREY asks …

AUDREY

JOHN

AUDREY

JOHN

JOHN takes a sip from his cup and puts it down.

AUDREY

Discouraged, JOHN lowers his gaze. JOHN slyly looks at AUDREY.

JOHN

AUDREY

JOHN

AUDREY

JOHN smiles and nods his approval.

AUDREY

MUSIC ENDS: LOVE THEME (PIANO SOLO)

AUDREY pats her lips with her cloth napkin. JOHN stares into AUDREY'S eyes.

JOHN

MUSIC: JOHN WHEELER’S THEME    50K

AUDREY

JOHN and AUDREY look deeply into each other eyes'.

JOHN

As he gazes at AUDREY, JOHN takes another sip from his cup of coffee.

AUDREY

JOHN bunches his eyebrows and leans his cheek against the palm of his right hand.

JOHN

Embarrassed, AUDREY looks down at the table.

AUDREY

AUDREY stands up. JOHN politely stands up in turn.

AUDREY

JOHN

AUDREY

JOHN

Feeling dejected once again, JOHN, still standing, looks down at the table. AUDREY walks off but stops a few steps away and turns around.

AUDREY

JOHN looks up, smiles and answers …

JOHN

AUDREY turns back around and leaves. Feeling better, JOHN continues to smile as he watches her leave.

MUSIC ENDS: JOHN WHEELER’S THEME    50K




CUT TO:

INT. ROADHOUSE - NIGHT

MUSIC: COUNTRY #3    49K

We FOCUS on a CLOSE-UP of two mugs of beer as the BARTENDER picks them up. We ZOOM OUT and PAN LEFT as the BARTENDER moves the mugs of beer to the bar counter. DONNA walks up to the bar. We PAN LEFT as we FOCUS on DONNA as she walks up to SHELLY. Wearing a brown leather jacket, SHELLY is sitting at the bar smoking a cigarette.

DONNA

SHELLY

DONNA

SHELLY

SHELLY offers her cigarette to DONNA, who takes a drag off it.

SHELLY

DONNA

DONNA reaches into her purse and takes out the torn segment from a letter she received.

SHELLY

SHELLY shows DONNA a similarly torn segment from a letter that she already holds in her hand.


INSERT: CLOSE-UP TORN SEGMENTS

We FOCUS on a CLOSE-UP of the torn segments on the bar top as DONNA and SHELLY place their pieces together. AUDREY offers her torn segment and slides it next to the others.

AUDREY

The three torn segments fit together, completing the letter.


BACK TO SCENE:

From the bartender's station, we FOCUS on AUDREY, SHELLY and DONNA at the bar as they look down at the assembled message.

DONNA

SHELLY reads the assembled message aloud.

MUSIC: WINDOM EARLE’S THEME

SHELLY

SHELLY

DONNA

FOCUSING on SHELLY we MOVE LEFT to get a view down the bar. At the end of the bar sits WINDOM EARLE, in disguise, as he watches AUDREY, SHELLY and DONNA look over his puzzle.

MUSIC ENDS: COUNTRY #3    49K

MUSIC ENDS: WINDOM EARLE’S THEME




CUT TO:

EXT. WATERFALL - NIGHT

We FOCUS on a CLOSE-UP of the water from the falls as it cascades down.




CUT TO:

INT. DALE COOPER’S HOTEL ROOM - NIGHT

Sitting on his bed, DEPUTY COOPER looks at a book on fly fishing instruction in his left hand as he practices his fly fishing casting by constantly jerking a pine pole with a thick red yarn, as a practice fishing line, in his right hand. The telephone rings and COOPER continues to practice his casting as he drops the book on the bed to answer the phone.

COOPER

COOPER stop casting, drops the pole on the bed and moves to sit on the edge of the bed.

COOPER

COOPER hangs up the phone.

MUSIC: NIGHT LIFE IN TWIN PEAKS (0:00 - 0:10)

COOPER opens a drawer of the nightstand, takes out his revolver and checks that the gun is loaded.




CUT TO:

INT. THE GREAT NORTHERN - NIGHT

COOPER turns a corner and walks up a hallway in the hotel. Just outside the door to ECKHARDT’S suite, COOPER hears ...

JOSIE

THOMAS

JOSIE

COOPER opens his vest jacket and draws his revolver, tucked at the top of his pants.

THOMAS

JOSIE

COOPER moves closer to the door to ECKHARDT'S suite and listens.

THOMAS

A gun shot blasts inside ECKHARDT'S suite. COOPER forces the door open by slamming his shoulder against the door.




CUT TO:

INT. THOMAS ECKHARDT’S HOTEL SUITE - NIGHT

With the door forced open COOPER rushes inside. He holds his position with his gun drawn and pointed at the couple in bed. JOSIE lays motionless beside THOMAS in bed. THOMAS moves his head and slowly gets up from the bed. As THOMAS stands up his robe opens and a blotch of red blood is revealed on his pajamas at his chest. Starring at COOPER, THOMAS chuckles slightly as he walks towards COOPER.

COOPER

THOMAS continues to laugh. Suddenly he takes two short gasping breathes and then falls to the floor, dead. Hiding behind THOMAS, as he was standing in front of COOPER, JOSIE is now kneeling in bed with a gun pointed at COOPER.

JOSIE

COOPER

COOPER takes a step towards JOSIE.

JOSIE

COOPER

JOSIE

SHERIFF TRUMAN enters through the open door and stands beside COOPER with his gun drawn and pointed at JOSIE.

SHERIFF TRUMAN

JOSIE

SHERIFF TRUMAN

JOSIE

In a nearly choking gasp, JOSIE holds the gun to her breast. She appears very distraught, pained, gasping for air.

JOSIE collapses to the bed. SHERIFF TRUMAN drops his gun, rushes to her, sits down on the bed beside her, picks her up and holds her close.

SHERIFF TRUMAN

Mystified, COOPER lowers his gun and quietly looks on. TRUMAN looks at JOSIE'S face.

SHERIFF TRUMAN

TRUMAN looks up at COOPER.

SHERIFF TRUMAN

For a moment, COOPER looks down at the ground in remorse. As COOPER looks back up, the image of TRUMAN holding JOSIE fades away and room becomes dark.

SOUND EFFECT: SPIRIT PRESENCE RINGING   2K

COOPER is having a vision. A spotlight brightens the room.

BOB

BOB, the man with long grayish hair and wearing a jean jacket, slithers from underneath the bed and moves to kneel on the edge of the bed.

BOB

BOB fades away.

MUSIC: DANCE OF THE DREAM MAN

The LITTLE MAN FROM ANOTHER PLACE, wearing a red suit, slowly materializes and dances in place on top of the bed to the music from COOPER'S dream. The LITTLE MAN FROM ANOTHER PLACE fades away.

MUSIC ENDS: DANCE OF THE DREAM MAN

SOUND EFFECT ENDS: SPIRIT PRESENCE RINGING    2K

The bright spotlight fades away and the room returns to normal as the vision comes to an end. The image of TRUMAN holding JOSIE returns.

COOPER blinks his eyes as he tries to comprehend what he just saw.

SHERIFF TRUMAN

TRUMAN weeps over the loss of his love as he holds JOSIE in his arms.

SHERIFF TRUMAN

FOCUSING on TRUMAN, we PAN RIGHT to the nightstand beside the bed and ZOOM IN on the drawer pull of the pine wood nightstand.

JOSIE'S face materializes on the knob of the drawer pull. JOSIE cries out, trapped within the confines of the wood. JOSIE'S face extends out of wooden knob, pushing the material outward as if it were plastic. JOSIE'S face turns and contorts as she shrieks and strains to get out.

SOUND EFFECT: WRETCHING WOOD    40K

MUSIC ENDS: NIGHT LIFE IN TWIN PEAKS (0:00 - 0:10)

FADE OUT:




CLOSE:




FADE IN:

MUSIC: LAURA PALMER’S THEME  

We view LAURA PALMER’S homecoming picture as the end credits roll.

MUSIC ENDS: LAURA PALMER’S THEME  

FADE TO BLACK: