Pilot - Northwest Passage


FADE IN:

INT. LOG LADY'S CABIN - DAY

Seated at a dining table beside a tea set we see a woman, 'LOG LADY' MARGARET LANTERMEN. In her arms she carries a wooden log. She is speaking to us.

LOG LADY

FADE OUT:




INTRO:




FADE IN:

TUNE: TWIN PEAKS THEME 

CREDITS run with the scenes of a bird in a tree, the mill machinery at work, the road into town with the welcome sign, the hotel by the falls and the river.

TUNE ENDS: TWIN PEAKS THEME 

FADE OUT:




FADE IN:

EXT. LAKESHORE BY THE BLUE PINE LODGE - DAY

Dawn breaks over the lake with the sounds of birds and a distant foghorn. Ducks can be seen on the lake.




CUT TO:

TUNE: LAURA PALMER'S THEME  

INT. BLUE PINE LODGE - DAY

We FOCUS on a black porcelain figure of two dogs. We PAN to a nearby mirror and see JOSIE PACKARD, a beautiful Asian woman, in the reflection. Dressed in a pink robe, she is humming as she applies her makeup.




CUT TO:

INT. BLUE PINE LODGE - DAY

CATHERINE MARTELL, a stout woman with curly red hair, is sipping coffee in the kitchen as her husband PETE MARTELL, wearing a hat and tugging fishing gear, walks in. PETE walks up to CATHERINE, kisses his palm and pats her on the cheek. She gives no response. In a dour voice he says ...

PETE

He raps his knuckles on the counter and walks out the door.




CUT TO:

INT. BLUE PINE LODGE - DAY

In her room, JOSIE hears a door close and looks around still humming.




CUT TO:

EXT. BLUE PINE LODGE - DAY

PETE, carrying a fishing pole and tackle box, is walking away from his house along a walkway near the lakeshore. There is a sound of a distant foghorn.

PETE

He stops walking, turns to look out onto the lake and from a distance sees some plastic alongside a colossal cut tree log laying on the lakeside. He slowly walks over to the item and discovers that it is a human form wrapped in plastic.

TUNE ENDS: LAURA PALMER'S THEME  




CUT TO:

INT. BLUE PINE LODGE - DAY

In the kitchen, PETE is on the phone and is visibly shaken.

PETE



CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

SHERIFF HARRY S. TRUMAN is pouring himself a cup of coffee. LUCY MORAN, in her office, tells SHERIFF TRUMAN which phone to pick up and he stands bewildered in the process.

LUCY

The black phone rings and SHERIFF TRUMAN answers it.

SHERIFF TRUMAN



CUT TO:

INT. BLUE PINE LODGE - DAY

PETE



CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

SHERIFF TRUMAN

TRUMAN hangs up the phone and walks over to LUCY.

SHERIFF TRUMAN

LUCY

SHERIFF TRUMAN

LUCY gives a shocked look; SHERIFF TRUMAN points at her and says...

SHERIFF TRUMAN



CUT TO:

EXT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

SHERIFF TRUMAN walks out of the department building and enters his patrol cruiser. He starts it up, turns on the police lights and siren then takes off.




CUT TO:

EXT. LAKESHORE BY THE BLUE PINE LODGE - DAY

TUNE: LAURA PALMER'S THEME  

PETE leads SHERIFF TRUMAN, DR. WILL HAYWARD and DEPUTY ANDY BRENNAN, carrying a camera, to the body wrapped in plastic.

PETE

DR. HAYWARD

SHERIFF TRUMAN

DR. HAYWARD

ANDY

SHERIFF TRUMAN

ANDY

SHERIFF TRUMAN

ANDY

ANDY takes a few snapshots and then begins to cry.

DR. HAYWARD

SHERIFF TRUMAN

DR. HAYWARD

ANDY

SHERIFF TRUMAN

ANDY

SHERIFF TRUMAN

ANDY

SHERIFF TRUMAN watches ANDY walk off.

DR. HAYWARD

SHERIFF TRUMAN and DR. HAYWARD roll the body over and crouch beside it. TRUMAN pauses and looks at DR. HAYWARD before uncovering the plastic. They slowly pull the layers of plastic away from the face of the body.

DR. HAYWARD

SHERIFF TRUMAN



CUT TO:

INT. PALMER HOUSE - DAY

We see SARAH PALMER, LAURA'S mother, in her kitchen with a cigarette in hand as she shouts to the upper floor.

SARAH

She exhales and speaks softly.

SARAH

SARAH walks over to the stairs and peers up. The ceiling fan is on.

SARAH

SARAH goes up the stairs and checks LAURA's bedroom.

SARAH

Laura's room is empty. SARAH walks over to bathroom.

SARAH

SARAH peers into LAURA'S bedroom and finds the bed unmade and the room empty.




CUT TO:

INT. PALMER HOUSE - DAY

We view a CLOSEUP of the ceiling fan as it revolves.




CUT TO:

INT. PALMER HOUSE - DAY

In the kitchen, SARAH picks up the phone and starts dialing with a cigarette still in hand.

TUNE ENDS: LAURA PALMER'S THEME  




CUT TO:

INT. BRIGGS HOUSE - DAY

MAJOR GARLAND BRIGGS, a plump, bald man dressed in an Air Force uniform, is seated at the kitchen table as his wife BETTY BRIGGS picks up the ringing phone.

BETTY



CUT TO:

INT. PALMER HOUSE - DAY

SARAH



CUT TO:

INT. BRIGGS HOUSE - DAY

BETTY



CUT TO:

INT. PALMER HOUSE - DAY

SARAH



CUT TO:

INT. BRIGGS HOUSE - DAY

BETTY



CUT TO:

INT. PALMER HOUSE - DAY

SARAH



CUT TO:

INT. BRIGGS HOUSE - DAY

BETTY



CUT TO:

INT. PALMER HOUSE - DAY

SARAH

SARAH hangs up the phone.



CUT TO:

INT. BRIGGS HOUSE - DAY

BETTY shows some concern as she hangs up the phone.



CUT TO:

INT. TWIN PEAKS HIGH SCHOOL - DAY

Football coach MAX HARTMAN answers SARAH's questions from a phone inside the boy's locker room.

MAX

MAX hangs up the phone and shrugs after being rudely cut off.




CUT TO:

INT. PALMER HOUSE - DAY

We see SARAH with a disturbed look on her face. She dials another number on the telephone.




CUT TO:

EXT. GREAT NORTHERN HOTEL- DAY

We view the front of the hotel and the waterfall.




CUT TO:

EXT. GREAT NORTHERN HOTEL - DAY

TUNE: AUDREY'S DANCE

AUDREY HORNE, a young and very pretty brunette, approaches a car that is to chauffeur her to school. As she takes a seat we view a CLOSEUP of her shoes as the driver closes the door behind her.

TUNE ENDS: AUDREY'S DANCE




CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

Beside a roaring fire, BENJAMIN HORNE, a tall man with curly black hair, is talking business with LELAND PALMER, LAURA'S father, who is seated on a couch in front of the fire.

BENJAMIN

LELAND

BENJAMIN hocks a loogey and spits it into the fire causing it to spark and crackle. LELAND turns away at the sight of this.

BENJAMIN

LELAND



CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

BENJAMIN HORNE is animatedly speaking to Norwegian businessmen. Sitting beside him is a translator that is interpreting his selling speech.

BENJAMIN

After the translation the crowd laughs.

JULIE, a hotel employee, approaches LELAND and whispers.

JULIE

In the background the translator is speaking to the crowd in Norwegian and again the crowd laughs.

LELAND

BENJAMIN



CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

LELAND is led by JULIE to a phone in a different room.

JULIE

LELAND

TUNE: LAURA PALMER'S THEME  

The telephone rings and LELAND picks up the receiver.
LELAND

SARAH

LELAND

SARAH

Outside the window behind LELAND we see SHERIFF TRUMAN'S police cruiser parking. LELAND does not notice it.

LELAND



CUT TO:

INT. PALMER HOUSE - DAY

SARAH



CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

LELAND



CUT TO:

INT. PALMER HOUSE - DAY

SARAH



CUT TO:

INT. GREAT NORTHERN HOTEL- DAY

LELAND



CUT TO:

INT. PALMER HOUSE - DAY

SARAH



CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

LELAND

SHERIFF TRUMAN walks up to JULIE'S counter and asks her...

SHERIFF TRUMAN

JULIE

LELAND



CUT TO:

INT. PALMER HOUSE - DAY

SARAH



CUT TO:

INT. GREAT NORTHERN - DAY

LELAND puts the phone to his chest as SHERIFF TRUMAN comes toward him.

SARAH



CUT TO:

INT. PALMER HOUSE - DAY

SARAH



CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

SHERIFF TRUMAN

LELAND

SHERIFF TRUMAN

LELAND lets out a sigh.

SARAH

LELAND drops the phone and begins to cry.




CUT TO:

INT. PALMER HOUSE - DAY

SARAH hears the phone crash to the floor.

SARAH



CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

SHERIFF TRUMAN

BENJAMIN

LELAND



CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

We view a CLOSEUP on the phone. We PAN to follow the phone cord to the receiver lying on the floor with the cries from SARAH emanating from it.




CUT TO:

INT. PALMER HOUSE - DAY

SARAH tugs at her hair and shrieks in grief.

TUNE ENDS: LAURA PALMER'S THEME  

FADE OUT:




FADE IN:

EXT. DOUBLE R DINER - DAY

We watch a car pull up to a parking spot at the diner and see HEIDI, a stocky woman dressed in a waitress uniform, get out.




CUT TO:

INT. DOUBLE R DINER - DAY

HEIDI enters the diner. Behind the counter, we see SHELLY JOHNSON, a thin and beautiful brunette. Next to her is NORMA JENNINGS, the owner of the diner. Sitting near SHELLY at the counter is BOBBY BRIGGS, wearing a black leather jacket.

SHELLY

HEIDI

SHELLY

HEIDI produces a silly and odd giggle.

BOBBY

HEIDI continues to giggle.

NORMA

BOBBY

SHELLY

BOBBY

SHELLY looks at NORMA. NORMA is already looking at her, studying her expression.

SHELLY

BOBBY pays in loose change tossed on the counter. On the way out he approaches the jukebox.

BOBBY

NORMA

BOBBY

As he leaves out the door the jukebox plays a tune very loudly.

TUNE: I'm Hurt Bad   42K




CUT TO:

EXT. DOUBLE R DINER - DAY

The tune on the jukebox can still be heard but not as loudly as BOBBY and SHELLY enter BOBBY'S car.

BOBBY

SHELLY

The two look deeply into each other eyes and then nervously peer around to see if anyone is watching, then they kiss.

TUNE ENDS: I'm Hurt Bad   42K




CUT TO:

EXT. ROAD TO JOHNSON'S HOUSE - DAY

BOBBY and SHELLY watch a police car past them at high speed with its siren on. After the cop car passes SHELLY takes a drink from a flask.

TUNE: AUDREY'S DANCE

SHELLY

BOBBY

SHELLY

SHELLY moves the flask to BOBBY lips so that he can take a drink.

BOBBY

SHELLY

BOBBY

SHELLY

TUNE ENDS: AUDREY'S DANCE

BOBBY'S eyes widen and he slams on the brakes as he sees LEO JOHNSON'S rig parked next to the house.

BOBBY

SHELLY

BOBBY immediately backs up the car and again slams his brakes.

SHELLY

SHELLY exits the car and BOBBY turns his car around and peels out as he drives off.




CUT TO:

INT. CALHOUN MEMORIAL HOSPITAL - DAY

SHERIFF TRUMAN escorts LELAND up a long corridor of the hospital. They come upon DR. HAYWARD, who is waiting just outside the examining room.

DR. HAYWARD

LELAND

DR. HAYWARD gives LELAND a hug.

SHERIFF TRUMAN

LELAND

SHERIFF TRUMAN

SHERIFF TRUMAN and LELAND enter the dark examining room where the body is covered with a sheet. The sheet is pulled back and the table light is turned on. LELAND cries at the sight of his daughter.

LELAND

SHERIFF TRUMAN



CUT TO:

INT. CALHOUN MEMORIAL HOSPITAL - DAY

We view a CLOSEUP of LAURA PALMER'S face.




CUT TO:

EXT. WOODS - DAY

We view a CLOSEUP of a pine tree being blown in the wind.




CUT TO:

INT. TWIN PEAKS HIGH SCHOOL - DAY

TUNE: AUDREY'S DANCE

We see kids walking around to their lockers and to their classes. All appears normal. DONNA HAYWARD is approaching her locker. As she opens it, she notices AUDREY at her locker. AUDREY is changing her shoes to red pumps and then lights a cigarette. DONNA and AUDREY exchange smiles. In the background a school bell rings as DONNA is attending to her locker. JAMES HURLEY, a friend of her's dressed in black jeans and a black leather jacket, walks up to her.

JAMES

DONNA

JAMES

DONNA

DONNA closes her locker and walks off to class. In the hall background, kids are scrambling to class but one kid can be seen doing an odd dance as he moves away from his locker.




CUT TO:

INT. TWIN PEAKS HIGH SCHOOL - DAY

BOBBY has just entered the building. We see two girls huddled together talking. One of them says ...

HIGH SCHOOL GIRL

BOBBY

HIGH SCHOOL GIRL

BOBBY

BOBBY raises his arms and makes a crowd cheering-like sound. He slowly walks over to his friend MIKE NELSON, who is leaning against a wall in the hallway.

BOBBY

MIKE

BOBBY

MIKE

BOBBY

From behind BOBBY a MRS. JACKSON, the principal's secretary, calls out.

MRS. JACKSON

BOBBY turns his head around toward the voice and answers...

BOBBY

MRS. JACKSON

MIKE

BOBBY

BOBBY slowly moves in half-steps, a mock jog, toward the office.

TUNE ENDS: AUDREY'S DANCE




CUT TO:

INT. TWIN PEAKS HIGH SCHOOL - DAY

We FOCUS on AUDREY'S red pumps and then PAN up to her face and then view the whole room. A teacher, MS. ALICE BRADY, is taking roll.

ALICE

TERRY

ALICE

MARTHA

ALICE

DONNA

ALICE

AUDREY

ALICE

JAMES

A POLICE OFFICER appears at the door and catches ALICE'S attention.

POLICE OFFICER

ALICE

POLICE OFFICER

ALICE

POLICE OFFICER

ALICE

ALICE and the POLICE OFFICER huddle to a conversation. A second POLICE OFFICER #2 enters the room and talks to the POLICE OFFICER. A girl screams. We get a view outside through a window in the room and see that girl running as she screams.

POLICE OFFICER

DONNA and JAMES look at each other and then to LAURA'S empty desk. They both have a look of shock in their eyes. DONNA grabs her hand and begins to cry.

DONNA

ALICE

JAMES is so shocked he snaps a pencil in his hand with his thumb. DONNA cries uncontrollably. AUDREY appears to have no concern but shows a slight interest in it all.




CUT TO:

INT. TWIN PEAKS HIGH SCHOOL - DAY

In the principal's office, BOBBY is seated at a round table next to DEPUTY ANDY and DEPUTY TOMMY 'HAWK' HILL. SHERIFF TRUMAN and MRS. JACKSON enter the room.

BOBBY

TUNE: AUDREY'S DANCE

HAWK

ANDY

BOBBY

MRS. JACKSON

SHERIFF TRUMAN

MR. WOLCHEZK

SHERIFF TRUMAN

MR. WOLCHEZK

BOBBY

TUNE ENDS: AUDREY'S DANCE

SHERIFF TRUMAN

BOBBY

SHERIFF TRUMAN

BOBBY

SHERIFF TRUMAN

BOBBY

TUNE: LAURA PALMER'S THEME  

BOBBY struggles to free himself of ANDY'S grip but SHERIFF TRUMAN also grabs BOBBY and holds him. BOBBY stops struggling.

SHERIFF TRUMAN



CUT TO:

INT. TWIN PEAKS HIGH SCHOOL - DAY

The principal of the school MR. WOLCHEZK sits next to the microphone for the school's intercom system.

MR. WOLCHEZK



CUT TO:

INT. TWIN PEAKS HIGH SCHOOL - DAY

We PAN a view of an empty school hallway.

MR. WOLCHEZK



CUT TO:

INT. TWIN PEAKS HIGH SCHOOL - DAY

We see DONNA crying and JAMES in shock and teary eyed.

MR. WOLCHEZK


CUT TO:

INT. TWIN PEAKS HIGH SCHOOL - DAY

We watch MR. WOLCHEZK as he speaks.

MR. WOLCHEZK

He shuts off intercom and uncontrollably begins to sob.




CUT TO:

INT. TWIN PEAKS HIGH SCHOOL - DAY

We see DONNA crying and being consoled by several friends. James is still in shock and teary eyed.




CUT TO:

INT. TWIN PEAKS HIGH SCHOOL - DAY

We view a CLOSEUP on LAURA PALMER'S homecoming picture in the school trophy case.

TUNE ENDS: LAURA PALMER'S THEME  

FADE OUT:




FADE IN:

INT. PALMER HOUSE - DAY

We view a CLOSEUP of a photograph of LAURA PALMER.




CUT TO:

INT. PALMER HOUSE - DAY

SARAH is crying on the couch but quiets down as a sedative given by DR. HAYWARD calms her down. SHERIFF TRUMAN is also in the room waiting for SARAH to calm down. DEPUTY ANDY is standing in the background.

DR. HAYWARD

DR. HEYWARD sits beside SARAH and holds her arm.

SHERIFF TRUMAN

SARAH

SHERIFF TRUMAN

SARAH

She looks at the stairs, then to the ceiling and hears footsteps; the ceiling fan is revolving.

SARAH

SHERIFF TRUMAN

SARAH



CUT TO:

INT. PALMER HOUSE - DAY

Upstairs in LAURA'S bedroom, we see DEPUTY HAWK looking over her possessions. LELAND is seated on LAURA'S bed with a pillow in his lap. DEPUTY HAWK lifts a book up, looks it over and then asks LELAND...

HAWK

LELAND

HAWK

LELAND

HAWK

HAWK places the diary in a box. Next, he opens a box on LAURA's desk. He finds and takes out a video camera.




CUT TO:

INT. PALMER HOUSE - DAY

SARAH is sitting back on the couch in her living room, calmed down by the sedative. SHERIFF TRUMAN sits by her. DEPUTY ANDY and DR. HAYWARD stand in the background.

SHERIFF TRUMAN

SARAH

A telephone rings in the background. SHERIFF TRUMAN nods to ANDY to get the phone. ANDY goes to another room, out of sight, to answer it.

SHERIFF TRUMAN

SARAH

SHERIFF TRUMAN

SARAH

ANDY

SHERIFF TRUMAN stands up and walks over to ANDY.

ANDY



CUT TO:

INT. PACKARD SAW MILL - DAY

We view several machines at work as they process timber.




CUT TO:

EXT. PACKARD SAW MILL - DAY

We see a bird's eye view of the mill.




CUT TO:

INT. PACKARD SAW MILL - DAY

In the accounting office inside the mill, PETE MARTELL is seated at a desk doing some paperwork.

PETE

Suddenly, PETE is distracted by the yelling of CATHERINE.




CUT TO:

INT. PACKARD SAW MILL - DAY

Outside the office but still inside the mill building, JOSIE and CATHERINE are making their way to the office.

CATHERINE

JOSIE and CATHERINE enter the office. JOSIE turns around to face CATHERINE and says...

JOSIE

CATHERINE

JOSIE

CATHERINE

JOSIE

CATHERINE

PETE has been watching the confrontation between both women.

PETE

A whistle sounds and machines start to power down. JOSIE moves over to the mill intercom microphone. CATHERINE leaves the office.

JOSIE



CUT TO:

INT. PACKARD SAW MILL - DAY

Outside the office but still inside the mill building, CATHERINE is walking down the stairs from the office. JOSIE can be heard over the intercom.

JOSIE

CATHERINE

JOSIE

CATHERINE stops near the bottom of the stairs and looks at a nearby MILL WORKER, who is looking back at her.

CATHERINE

JOSIE

MILL WORKER

JOSIE

CATHERINE



CUT TO:

INT. PACKARD SAW MILL - DAY

We see MR. PULASKI being escorted to a police car by a cop.

JOSIE



CUT TO:

INT. PACKARD SAW MILL - DAY

We view several areas in the mill as workers stand around and listen to JOSIE over the speakers.

JOSIE



CUT TO:

INT. PACKARD SAW MILL - DAY

We view a huge circular saw blade come to a complete stop.



CUT TO:

EXT. TRAIN BRIDGE - DAY

TUNE: LAURA PALMER'S THEME  

With the sound of the wind blowing, we see a young girl, RONETTE PULASKI, walking slowly along the train tracks of a bridge. She is wearing only slip that is dirty. Her makeup is smeared and there are tied loops of twine around each wrist that have been cut and are hanging free. Nearby, at the end of the bridge, an ENGINEER is arranging the track switch. Out of the corner of his eye he spots RONETTE.

ENGINEER



CUT TO:

TUNE: THE BOOKHOUSE BOYS (1:12 - 2:11)

TUNE ENDS: LAURA PALMER'S THEME  

EXT. BIG ED'S GAS FARM - DAY

JAMES HURLEY is on his motorcycle and he pulls in to his uncle's gas station. As he drives in, JAMES sets off a bell alerting 'BIG' ED HURLEY, a very tall man dressed in a plaid flannel and blue jeans, who comes out of the station to meet him. JAMES parks his motorcycle but doesn't get off it.

JAMES

BIG ED

JAMES

BIG ED

JAMES

JAMES hands BIG ED a folded piece of paper.

BIG ED

NADINE

JAMES starts up his motorcycle and drives off. NADINE HURLEY, BIG ED'S wife who has a patch over her left eye, is yelling to BIG ED from their home behind the gas station.

TUNE ENDS: THE BOOKHOUSE BOYS (1:12 - 2:11)

NADINE

BIG ED walks over to his truck, gets in, starts it up and drives off.




CUT TO:

INT. CAR - DAY

TUNE: DANCE OF THE DREAM MAN

We view the interior of FBI SPECIAL AGENT DALE COOPER'S car as he is driving along the highway. He is alone in his car and is talking into a mini tape recorder that he is holding in his left hand.

COOPER



CUT TO:

EXT. ROAD INTO TWIN PEAKS - DAY

COOPER continues to talk as he passes the 'Welcome to Twin Peaks' sign.

COOPER

TUNE ENDS: DANCE OF THE DREAM MAN




CUT TO:

INT. CALHOUN MEMORIAL HOSPITAL - DAY

SHERIFF TRUMAN and AGENT COOPER meet for the first time in a hallway of the hospital.

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER clears his throat and they both proceed to walk up the hall.

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER now moves a little closer to SHERIFF TRUMAN and sports a grin.

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER



CUT TO:

INT. CALHOUN MEMORIAL HOSPITAL - DAY

SHERIFF TRUMAN and COOPER meet with DR. SHELVY at the open office station in the intensive care area of the hospital.

SHERIFF TRUMAN

DR. SHELVY

COOPER

DR. SHELVY

COOPER

DR. SHELVY

DR. SHELVY leads the way to RONETTE'S bed as COOPER and SHERIFF TRUMAN follow her.




CUT TO:

INT. CALHOUN MEMORIAL HOSPITAL - DAY

DR. SHELVY, COOPER and SHERIFF TRUMAN are beside RONETTE'S bed. RONETTE is lying on the hospital bed unconscious. She is hooked up to several machines that are beeping.

COOPER

DR. SHELVY

COOPER

DR. SHELVY

COOPER

SHERIFF TRUMAN

COOPER

DR. SHELVY

COOPER

DR. SHELVY

COOPER

DR. SHELVY looks at SHERIFF TRUMAN with a puzzled look. SHERIFF TRUMAN shrugs and gives a blank stare.

DR. SHELVY

COOPER moves over to RONETTE and grabs her left hand. With a small magnifying glass he looks at her fingernails.

SHERIFF TRUMAN

COOPER

As COOPER puts her hand down RONETTE mumbles.

RONETTE

DR. SHELVY

COOPER

RONETTE is again unconscious.




CUT TO:

INT. CALHOUN MEMORIAL HOSPITAL - DAY

COOPER and SHERIFF TRUMAN are in an elevator, we watch a man with one arm walk inside. The doors close. On the next floor the doors open and the ONE-ARMED MAN steps out. In front of the open door stand two nurses behind a counter and DR. LAWRENCE JACOBY. DR. JACOBY is talking to the nurses.

DR. JACOBY

DR. JACOBY tries to get COOPER'S and SHERIFF TRUMAN'S attention but is cut off by the closing of the elevator doors.




CUT TO:

INT. CALHOUN MEMORIAL HOSPITAL - DAY

As COOPER and SHERIFF TRUMAN exit the elevator on their intended floor. They are met by DR. JACOBY who used the stairs to get to them.

DR. JACOBY

SHERIFF TRUMAN

DR. JACOBY

SHERIFF TRUMAN

DR. JACOBY stands quietly with his hands in his pockets and with large ear plugs in his ears. He wants to be greeted with COOPER.

SHERIFF TRUMAN

DR. JACOBY pulls out one of his ear plugs. Having misheard TRUMAN, he asks...

DR. JACOBY

SHERIFF TRUMAN

DR. JACOBY

COOPER

DR. JACOBY

COOPER

SHERIFF TRUMAN

DR. JACOBY

COOPER

DR. JACOBY

COOPER and SHERIFF TRUMAN look at each other and then walk off. COOPER turns his head to look at DR. JACOBY and then to SHERIFF TRUMAN as they walk down the hospital hallway.

COOPER

SHERIFF TRUMAN



CUT TO:

INT. CALHOUN MEMORIAL HOSPITAL- DAY

In the examining room with LAURA, COOPER is seated to the left side of LAURA and SHERIFF TRUMAN sits opposite of him. To the foot of the table, and in the background, is a DOCTOR'S ASSISTANT. The overhead fluorescent lights are flickering and are producing a buzzing sound.

DOCTOR'S ASSISTANT

COOPER

COOPER moves the table light to LAURA'S left hand that he is examining with his little magnifying glass.

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

DOCTOR'S ASSISTANT

COOPER

DOCTOR'S ASSISTANT

The DOCTOR'S ASSISTANT leaves and closes the door behind himself. COOPER grabs a tweezer from the doctor's tool pan.




CUT TO:

INT. CALHOUN MEMORIAL HOSPITAL - DAY

We view a CLOSEUP of LAURA'S left ring finger as COOPER probes underneath the fingernail with the tweezer. He slowly pulls out a piece of paper from underneath the fingernail.




CUT TO:

INT. CALHOUN MEMORIAL HOSPITAL - DAY

The overhead fluorescent lights are still flickering and buzzing. AGENT COOPER retrieves his mini tape recorder from his pocket and turns it on.

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

COOPER places the piece of paper on a small sheet of glass and flattens out the piece of paper. The small piece of paper has a single letter on it.

COOPER

SHERIFF TRUMAN

COOPER

FADE OUT:




FADE IN:

EXT. BIG ED'S GAS FARM - DAY

We watch a truck being driven by BIG ED ring the service bell as he pulls into his gas station. DONNA is sitting in a parked car near the station building. She gets out and walks over to BIG ED, who has just come out of his truck.

DONNA

BIG ED

BIG ED gives DONNA a big hug.

BIG ED

DONNA

BIG ED

DONNA

BIG ED

DONNA

BIG ED

BIG ED gives DONNA the note JAMES gave him. DONNA opens the note and it reads.

'Meet Me At The Roadhouse After 9:30.'

A car, driven by MIKE NELSON, approaches the gas station and pulls in. He does not leave his vehicle or shut off the engine.

MIKE

DONNA

MIKE

DONNA

MIKE

BIG ED

MIKE

BIG ED

MIKE

MIKE revs the engine of his car and drives off, setting off the station bell and squealing his tires as he goes onto the road.

DONNA



CUT TO:

EXT. HURLEY HOUSE - DAY

NADINE sneaks her head outside the front doorway and yells out to BIG ED.

NADINE



CUT TO:

EXT. BIG ED'S GAS FARM - DAY

BIG ED and DONNA are standing together near the entrance to the gas station. He turns around to look at NADINE.

BIG ED



CUT TO:

EXT. HURLEY HOUSE - DAY

NADINE pokes her head back inside the house and slams the door.




CUT TO:

EXT. BIG ED'S GAS FARM - DAY

BIG ED

DONNA

BIG ED

DONNA

She walks off back to her car.




CUT TO:

EXT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

We view the front of the building as we hear booming thunder.




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

TUNE: FRESHLY SQUEEZED (0:00 - 0:25)

AGENT COOPER and SHERIFF TRUMAN are sitting next to each other at a long table in a conference room. They are examining the items collected from LAURA'S room. COOPER is holding a videocassette.

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

With his thumbs, COOPER forces the diary open. This breaks the locking mechanism and shoots the mechanical parts out which chime as they dance across the table. COOPER looks at SHERIFF TRUMAN.

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

COOPER stares at SHERIFF TRUMAN as he puts down the diary. He grabs the next item on the table.

COOPER

TUNE ENDS: FRESHLY SQUEEZED (0:00 - 0:25)




CUT TO:

EXT. WOODS - DAY

TUNE: LAURA PALMER'S THEME  

We PAN a view of the forest under a stormy sky with the sound of thunder rumbling.




CUT TO:

EXT. ABANDONED TRAIN CAR - DAY

Under a stormy sky, several police officers and police dogs are wandering around an abandoned train car. DEPUTY ANDY is sitting just outside the train car and is speaking into his portable radio.

ANDY

LUCY

ANDY

LUCY



CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

We see LUCY seated in the reception office as she talks to ANDY over a headset. She tries to console him.

LUCY



CUT TO:

EXT. ABANDONED TRAIN CAR - DAY

ANDY



CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

LUCY



CUT TO:

EXT. ABANDONED TRAIN CAR - DAY

ANDY

TUNE ENDS: LAURA PALMER'S THEME  




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

SHERIFF TRUMAN and COOPER sit next to each other at the table in the conference room. Sitting opposite of them is BOBBY and his lawyer, GILMAN WHITE. At the end of the table is a television with a built-in videocassette player.

COOPER

BOBBY

COOPER

BOBBY

COOPER

BOBBY

GILMAN

BOBBY

COOPER

BOBBY

COOPER

BOBBY

COOPER turns his head and looks at SHERIFF TRUMAN with a grin. Then he turns to BOBBY, still wearing the grin.

COOPER

Again COOPER turns his head and looks at SHERIFF TRUMAN with the grin. COOPER grabs the remote control for the videocassette player and plays the tape from LAURA'S camera. BOBBY watches the video of LAURA and DONNA having a picnic in the mountains.

COOPER

BOBBY

COOPER

The video shows LAURA and DONNA prancing around together near a picnic spread.

COOPER

BOBBY

GILMAN

COOPER grabs an electronic notebook, a calculator-like device, on the table and starts typing in info with one hand.

COOPER

COOPER hands the device to SHERIFF TRUMAN who looks at the display and reads ...




CUT TO:

ELECTRONIC NOTEBOOK

We see SHERIFF TRUMAN'S POV of the display.

'HE DID NOT DO IT'




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

COOPER

BOBBY

COOPER

BOBBY looks at the monitor and leans in closer, he mumbles 'J'.

BOBBY

COOPER



CUT TO:

INT. GREAT NORTHERN - DAY

AUDREY and JULIE are seated at the concierge's desk. AUDREY is pushing a pencil into to bottom of a Styrofoam cup filled with coffee. A hotel employee, BOB, comes up to the desk.

BOB

JULIE

BOB

AUDREY

JULIE

AUDREY then pulls the pencil out of the bottom of the cup of coffee and coffee pours out onto the concierge's desk.

JULIE

JULIE scrambles to mop up the spilled coffee with her already wet office papers. AUDREY smiles and taps the pencil on the desk.

AUDREY

AUDREY stands up and walks into the next room where the meeting is taking place.

JULIE



CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

TUNE: NAUGHTY AUDREY   35K

AUDREY enters the room where the business meeting is being held. Inside the room is a table laden with food. The Norwegians are all seated and facing the leader of the group. AUDREY walks over to the table of food, then wanders over near the door she came in and leans against the wall. Slowly, one by one, the Norwegians spot AUDREY and she eventually attracts the attention of the whole group. The leader of the group, SVEN, speaks.

SVEN

AUDREY

SVEN looks at the group and the group looks at him then they all suddenly look back at AUDREY.

TUNE ENDS: NAUGHTY AUDREY   35K




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

In the hallway, BOBBY walks up to his friend MIKE, who is leaning against a wall near the reception office.

MIKE

BOBBY

MIKE

BOBBY

MIKE

BOBBY

MIKE

BOBBY peers into the open door of LUCY'S reception office. LUCY looks back at BOBBY.

BOBBY

BOBBY and MIKE walk towards the front door. MAJOR BRIGGS, BETTY and their LAWYER are near the front door.

MAJOR BRIGGS

BOBBY

MAJOR BRIGGS

BETTY



CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

TUNE: LAURA PALMER'S THEME  

COOPER is sitting on the table next to the television in the conference room. Sitting in a chair next to him is DONNA. COOPER is playing the tape of the picnic for her to see.

COOPER

DONNA

COOPER

DONNA

COOPER

DONNA

COOPER

DONNA

COOPER

DONNA

COOPER

LUCY

COOPER

DONNA

She leaves the room.

TUNE ENDS: LAURA PALMER'S THEME  

LUCY and SHERIFF TRUMAN enter the conference room.

SHERIFF TRUMAN

LUCY

COOPER nods at her to get to the point.

LUCY

COOPER

LUCY

SHERIFF TRUMAN

COOPER rewinds the videotape, plays it and then pauses it.




CUT TO:

TELEVISION

We view a CLOSEUP of the television which shows a closeup of LAURA'S eye. In the reflection of LAURA'S eye a motorcycle can be seen.




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

COOPER

SHERIFF TRUMAN

LUCY

TUNE: LAURA PALMER'S THEME  




CUT TO:

TELEVISION

We again view a CLOSEUP of the television which shows the reflection of the motorcycle in LAURA'S eye.




MORPH TO:

EXT. MOUNTAINS NEAR TWIN PEAKS- DAY

We FOCUS on a motorcycle. We PAN and see JAMES HURLEY next to the motorcycle sitting on the grass. The area looks like the picnic spot seen in the video from LAURA'S room.

TUNE ENDS: LAURA PALMER'S THEME  




CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

TUNE: NAUGHTY AUDREY   35K

In the lobby, the Norwegians are hastily going out the door while bell hops are scuttling their baggage around. The CONCIERGE is behind the lobby counter and is a ringing a bell for the bell hops.

CONCIERGE



CUT TO:

EXT. GREAT NORTHERN HOTEL - DAY

BENJAMIN HORNE stops SVEN near a car that SVEN is packing with his baggage. The Norwegian TRANSLATOR is right behind BENJAMIN.

SVEN

BENJAMIN

SVEN

The TRANSLATOR steps in to talk to SVEN. BENJAMIN turn to him and madly says ...

BENJAMIN



CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

Inside the lobby, AUDREY peers out the window to her father and laughs.

TUNE ENDS: NAUGHTY AUDREY   35K




CUT TO:

EXT. WOODS - DAY

TUNE: NIGHT LIFE IN TWIN PEAKS

We PAN a view of the forest under a stormy sky with the sound of thunder rumbling.




CUT TO:

INT. ABANDONED TRAIN CAR - DAY

TUNE: LAURA PALMER'S THEME  

TUNE ENDS: NIGHT LIFE IN TWIN PEAKS

COOPER and SHERIFF TRUMAN are inside the abandoned train car and are examining the dark interior with a flashlight. Blood can be seen scattered about the floor. Against one wall is a plywood box, on top of it is a bloodied towel. They search the floor and find a bloodied hammer. In the center of the train car they find a mound of dirt.

COOPER

TUNE ENDS: LAURA PALMER'S THEME  




CUT TO:

EXT. MOUNTAINS NEAR TWIN PEAKS- DAY

JAMES HURLEY sits on the grass with his motorcycle parked behind him. He is looking at the gold half heart with a leather necklace that he is holding with both hands.




CUT TO:

EXT. GREAT NORTHERN HOTEL- DAY

We view the front of the hotel and the waterfall.




CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

In the HORNE residency of the hotel, JOHNNY HORNE is wearing an Indian headdress and is seated on the floor near a large doll house. JOHNNY is banging his head against the doll house. Near him, at the dining table sits SYLVIA HORNE, his mother, and AUDREY together drinking coffee. From behind them, a NURSE descends a spiral staircase from the floor above.

NURSE

SYLVIA

The NURSE quietly walks back up the spiral staircase.




CUT TO:

INT. TWIN PEAKS BANK - DAY

MARGARET HONEYCUTT, a bank employee carrying a safety deposit box, leads COOPER and SHERIFF TRUMAN to a small room within the bank. As they enter the room they see a deer head trophy laying on the table.

MARGARET

She hands the safety deposit box to SHERIFF TRUMAN.

COOPER

MARGARET

COOPER

MARGARET

COOPER

MARGARET

COOPER stares at her.

MARGARET

COOPER

MARGARET

COOPER

Using LAURA'S key from her diary, he opens the safety deposit box and sees a magazine.

COOPER

SHERIFF TRUMAN

COOPER reaches into the box to remove the magazine. As he picks up the magazine he finds a stash of money, COOPER picks it up and thumbs through it.

COOPER

Sporting a grin, COOPER looks at the magazine again and finds a dogeared page.

COOPER

He opens the magazine to the marked page. At the bottom right corner of the page there is a photo of RONETTE posed in lingerie. The ad has been circled with a marker.

COOPER

SHERIFF TRUMAN

On the opposite page is a black and white picture of LEO JOHNSON'S rig parked outside his home.




MORPH TO:

EXT. JOHNSON HOUSE - DAY

We view LEO'S rig parked outside his home.




CUT TO:

INT. JOHNSON HOUSE - DAY

SHELLY, wearing a robe, is sitting in front of the television and is watching a news report about the murder. LEO is sitting on the sofa. He is looking over different cigarette butts in the ash tray.

LEO

SHELLY

LEO

SHELLY gets up and shuts off the television.

LEO

SHELLY

LEO

He shows her a different cigarette butt.

TUNE: WALKING IN THE DARK   32K

SHELLY

LEO

SHELLY

LEO

SHELLY

LEO

TUNE ENDS: WALKING IN THE DARK   32K




CUT TO:

EXT. BIG ED'S GAS FARM - NIGHT

We view a CLOSEUP of BIG ED'S neon sign for his gas station that has a duck perched above the lettering and a smoke stack emitting smoke on the top of the sign.




CUT TO:

INT. BIG ED'S GAS FARM - NIGHT

A phone rings and BIG ED answers it.

BIG ED



CUT TO:

INT. DOUBLE R DINER - NIGHT

In the kitchen, NORMA is on the phone and is speaking to BIG ED.

NORMA



CUT TO:

INT. BIG ED'S GAS FARM - NIGHT

NORMA

BIG ED checks out the window toward his house. All is clear.

BIG ED



CUT TO:

INT. DOUBLE R DINER - NIGHT

NORMA



CUT TO:

INT. BIG ED'S GAS FARM - NIGHT

BIG ED

BIG ED hangs up the phone and looks around to his house. In the window he sees NADINE opening and closing, opening and closing the drapes. BIG ED looks down to the ground and shakes his head in bewilderment.




CUT TO:

INT. TWIN PEAKS TOWN HALL - NIGHT

COOPER and SHERIFF TRUMAN sit next to each other at a large table for speakers at one end of the room, opposite the entrance. The room is filled with the chatter of people.

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

COOPER scans the room filling with people and spots an Asian woman walking forward.

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

TRUMAN gestures to the woman, CATHERINE MARTELL, who is sitting on the other side of her husband, PETE MARTELL, that MRS. JOSIE PACKARD is sitting next to.

SHERIFF TRUMAN

COOPER

COOPER gestures to a man that has come up to JOSIE and is holding her hand.

SHERIFF TRUMAN

MAYOR DWAYNE MILFORD, an elderly man, is at the podium banging a gavel. The lights in the room flicker on and off as a woman holding a log is switching them on and off to get people's attention.

COOPER

SHERIFF TRUMAN

The lights continue to flicker on and off as people slowly start to quiet down.

MAYOR

SHERIFF TRUMAN

SHERIFF TRUMAN moves to the podium and adjusts the microphone as the MAYOR sits down.

SHERIFF TRUMAN

SHERIFF TRUMAN gestures to AGENT COOPER to come to the microphone. COOPER clears his throat as he approaches the podium.

COOPER



CUT TO:

EXT. STREET LIGHT - NIGHT

A lonely street light, being blown in the wind, changes signals from green, to yellow and to red.




CUT TO:

INT. HAYWARD HOUSE - NIGHT

TUNE: LAURA PALMER'S THEME  

EILEEN HAYWARD, in her motorized wheelchair, is next to DR. HAYWARD who is seated beside her in the living room.

DR. HAYWARD

EILEEN

DR. HAYWARD



CUT TO:

INT. HAYWARD HOUSE - NIGHT

Upstairs, DONNA is listening in on the conversation below.

DR. HAYWARD

DONNA returns to her room which she shares with her sister HARRIET HAYWARD. HARRIET is sitting up in bed with paper and pencil in hand.

HARRIET

DONNA

HARRIET

DONNA

HARRIET

DONNA

HARRIET

DONNA

HARRIET

DONNA grabs her stuffed toy and playfully rubs it at her nose.

HARRIET

DONNA

DONNA walks over to the bedroom window and open it. She climbs out the window and starts down.

DONNA

HARRIET

DONNA

HARRIET

TUNE ENDS: LAURA PALMER'S THEME  




CUT TO:

EXT. HAYWARD HOUSE - NIGHT

TUNE: AUDREY'S DANCE

BOBBY and MIKE pull up to the HAYWARD HOUSE in BOBBY'S car. As they get out they throw beer cans out of the car and MIKE walks up to the front door while BOBBY stands on top of the hood of his car.

BOBBY

MIKE

MIKE reaches the front door and rings the bell.




CUT TO:

INT. HAYWARD HOUSE - NIGHT

HARRIET opens her bedroom door to listen on the conversation below.




CUT TO:

EXT. HAYWARD HOUSE - NIGHT

DR. HAYWARD answers the door.

MIKE

DR. HAYWARD

DR. HAYWARD looks past MIKE and sees BOBBY. BOBBY is pretending to surf on the hood of his car with a beer in hand.

DR. HAYWARD

MIKE

DR. HAYWARD

DR. HAYWARD closes the door on MIKE.




CUT TO:

INT. HAYWARD HOUSE - NIGHT

HARRIET has been listening from her bedroom. She closes her door and sits on her bed expecting her father.

HARRIET



CUT TO:

EXT. HAYWARD HOUSE - NIGHT

We see BOBBY on the hood of his car as yells to MIKE, who is waiting at the door.

BOBBY

MIKE shrugs on the holdup. BOBBY drinks some beer and continues to surf on the hood of his car.




CUT TO:

INT. HAYWARD HOUSE - NIGHT

DR. HAYWARD opens the door of DONNA'S bedroom and enters but finds only HARRIET in the room.

DR. HAYWARD

HARRIET

DR. HAYWARD

HARRIET

She gestures to the window that DONNA went out of. DR. HAYWARD points at her.

DR. HAYWARD



CUT TO:

EXT. HAYWARD HOUSE - NIGHT

DR. HAYWARD opens the front door and speaks to MIKE who was smoking a cigarette and hastily threw it away.

DR. HAYWARD

MIKE

DR. HAYWARD

MIKE

MIKE walks over to BOBBY'S car.

MIKE

MIKE and BOBBY get into the car and take off.




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - NIGHT

In her office, LUCY is talking to SHERIFF TRUMAN over the police radio.

LUCY



CUT TO:

INT. SHERIFF TRUMAN'S POLICE CRUISER - NIGHT

We see SHERIFF TRUMAN and AGENT COOPER sitting in SHERIFF TRUMAN'S police cruiser.

LUCY

SHERIFF TRUMAN



CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - NIGHT

LUCY



CUT TO:

INT. SHERIFF TRUMAN'S POLICE CRUISER - NIGHT

DR. HAYWARD

SHERIFF TRUMAN

DR. HAYWARD

SHERIFF TRUMAN

LUCY

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN



CUT TO:

EXT. BOOKHOUSE - NIGHT

We view the front of the BOOKHOUSE. Several different motorcycles are parked in front.

TUNE ENDS: AUDREY'S DANCE




CUT TO:

INT. ROADHOUSE - NIGHT

SONG: FALLING

On the stage a FEMALE SINGER is singing a song.




CUT TO:

INT. ROADHOUSE - NIGHT

We view the interior of the Roadhouse which is packed with several different kinds of people seated at the bar, the tables and the booths. We FOCUS on a booth where BIG ED and NORMA are seated.

BIG ED

NORMA

BIG ED

NORMA

BIG ED

NORMA

BIG ED

NORMA playfully grabs his nose and then lets go.

NORMA

BIG ED

They both smile at each other and hold hands.




CUT TO:

INT. ROADHOUSE - NIGHT

We view a CLOSEUP on the FEMALE SINGER as she is singing.

FEMALE SINGER



CUT TO:

INT. SHERIFF TRUMAN'S POLICE CRUISER - NIGHT

We see SHERIFF TRUMAN and COOPER sitting in a police cruiser staked out by the Bookhouse. COOPER is whittling a piece of wood with his pocketknife.

COOPER

SHERIFF TRUMAN

COOPER

SONG ENDS: FALLING




CUT TO:

EXT. ROADHOUSE - NIGHT

TUNE: FRESHLY SQUEEZED (0:00 - 0:25)

SHERIFF TRUMAN and COOPER watch a car pull into the parking lot of the ROADHOUSE which is just across from the BOOKHOUSE.




CUT TO:

INT. SHERIFF TRUMAN'S POLICE CRUISER - NIGHT

SHERIFF TRUMAN

COOPER

TUNE ENDS: FRESHLY SQUEEZED (0:00 - 0:25)




CUT TO:

INT. ROADHOUSE - NIGHT

SONG: THE NIGHTINGALE

On the stage we see a FEMALE SINGER singing a song.




CUT TO:

INT. ROADHOUSE - NIGHT

MIKE and BOBBY enter the ROADHOUSE and scan the room for DONNA. BOBBY plays with the zipper on his sleeve. They walk over to the bar and have a seat. JOEY, a bookhouse boy, spots MIKE and BOBBY and tells his friend SCOTTY, another bookhouse boy.

JOEY

SCOTTY turns around to see MIKE and BOBBY. He turns to JOEY and says ...

SCOTTY


CUT TO:

INT. SHERIFF TRUMAN'S POLICE CRUISER - NIGHT

SHERIFF TRUMAN and COOPER see DONNA on her bicycle.

COOPER

COOPER finishes whittling and blows on his whittled whistle.

COOPER

SHERIFF TRUMAN

LUCY

COOPER gives SHERIFF TRUMAN a thumbs up.




CUT TO:

INT. ROADHOUSE - NIGHT

DONNA enters the ROADHOUSE and scans the room for JAMES but is spotted by MIKE.

MIKE

MIKE and BOBBY get off their bar stools and walk over to DONNA. MIKE grabs hold of DONNA.

MIKE

DONNA

MIKE

DONNA

MIKE

DONNA

MIKE

DONNA

As DONNA and MIKE struggle BIG ED comes over from his booth.

BIG ED

DONNA

BOBBY sneaks around BIG ED and hits him from behind with brass knuckles.

BOBBY

BIG ED falls to the floor. SCOTTY, JOEY and a few other Bookhouse boys leave their seats and fight with MIKE and BOBBY. MIKE is quickly overpowered as BOBBY continues to fight but is also overwhelmed. JOEY grabs DONNA.

JOEY



CUT TO:

EXT. ROADHOUSE - NIGHT

SHERIFF TRUMAN and COOPER watch JOEY and DONNA run out of the ROADHOUSE and climb onto a motorcycle. Police sirens can be heard in the background.

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

JOEY and DONNA take off on the motorcycle and SHERIFF TRUMAN follows them.




CUT TO:

INT. ROADHOUSE - NIGHT

We see BOBBY and MIKE under restraint of several Bookhouse boys and are now getting beat up.

SONG ENDS: THE NIGHTINGALE




CUT TO:

EXT. ROADHOUSE - NIGHT

Several police cars pull in to the parking lot of the ROADHOUSE.




CUT TO:

EXT. ROAD - NIGHT

We watch JOEY and DONNA on a motorcycle. JOEY is driving really fast to avoid the cops.

JOEY


CUT TO:

INT. SHERIFF TRUMAN'S POLICE CRUISER - NIGHT

We watch SHERIFF TRUMAN and COOPER as they pursue the motorcycle with JOEY and DONNA.

SHERIFF TRUMAN

COOPER



CUT TO:

EXT. ROAD - NIGHT

We view SHERIFF TRUMAN'S police cruiser driving on a deserted road.




CUT TO:

INT. SHERIFF TRUMAN'S POLICE CRUISER - NIGHT

SHERIFF TRUMAN and COOPER have lost sight of the motorcycle with JOEY and DONNA.

TUNE: LAURA PALMER'S THEME  

COOPER

SHERIFF TRUMAN sticks his right arm out over COOPER'S chest to silence him.

SHERIFF TRUMAN

They hear a sound coming from the woods.

COOPER

SHERIFF TRUMAN

COOPER



CUT TO:

EXT. WOODS - NIGHT

JOEY drops off DONNA with JAMES who was waiting alongside a dirt road in the forest.

JAMES

JOEY

JOEY takes off on his motorcycle. JAMES is standing next to his motorcycle. DONNA moves to stand very close to him.

DONNA

JAMES

DONNA

JAMES

DONNA

JAMES

DONNA

JAMES

DONNA

JAMES

DONNA

JAMES

DONNA

JAMES

DONNA

JAMES starts to kiss DONNA on the cheek and then they both kiss. JAMES suddenly pulls away.

DONNA

JAMES

DONNA

JAMES

They look into each others eyes and kiss again.

DONNA

JAMES

DONNA

JAMES

DONNA

JAMES

DONNA

JAMES

DONNA

JAMES

DONNA

JAMES

DONNA

JAMES and DONNA bend down towards the ground. JAMES lifts a rock off the ground and digs below it. They place the necklace into the hole, cover it with dirt and place the rock on top.

JAMES

JAMES and DONNA get on his motorcycle and drive off.




CUT TO:

EXT. ROAD - NIGHT

We see JAMES and DONNA riding on his motorcycle.

TUNE ENDS: LAURA PALMER'S THEME  




CUT TO:

TUNE: THE BOOKHOUSE BOYS (1:12 - 2:11)

INT. SHERIFF TRUMAN'S POLICE CRUISER - NIGHT

SHERIFF TRUMAN, eating a donut, and COOPER are seated in the parked police cruiser as JAMES and DONNA drive on by.

COOPER

SHERIFF TRUMAN

SHERIFF TRUMAN turns on the police siren and pursues the motorcycle. JAMES pulls his motorcycle to the side of the road and stops.

SHERIFF TRUMAN

TRUMAN grabs his microphone for the cruiser's loudspeaker.

COOPER

SHERIFF TRUMAN

JAMES complies by getting off his bike and, facing them, puts his hands on his heads. DONNA moves towards the police cruiser.

DONNA

COOPER

SHERIFF TRUMAN, slightly annoyed, looks at COOPER and then exits his vehicle.

DONNA



CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - NIGHT

Having just entered the building, we see JAMES in handcuffs and being escorted by SHERIFF TRUMAN. Behind them is DONNA and COOPER. As they enter the building they meet DR. HAYWARD. LUCY, DEPUTY ANDY and DEPUTY HAWK are also present in the room.

SHERIFF TRUMAN

DR. HAYWARD

SHERIFF TRUMAN

DONNA

JAMES

ANDY and HAWK escort JAMES to the prison cells.

TUNE ENDS: THE BOOKHOUSE BOYS (1:12 - 2:11)




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - NIGHT

TUNE: AUDREY'S DANCE

In the prison cell, ANDY and HAWK escort JAMES to his cell. In another cell of the same room are MIKE and BOBBY. MIKE and BOBBY stare at JAMES as he passes by.

BOBBY

HAWK

ANDY and HAWK place JAMES in his cell. As they walk away they both stare down BOBBY.

BOBBY

BOBBY and MIKE grip the cell bars as they stare down JAMES who lays against the wall in his cell staring back at them.

TUNE ENDS: AUDREY'S DANCE




CUT TO:

INT. DR. HAYWARD'S VEHICLE - NIGHT

DONNA and DR. HAYWARD are sitting in his vehicle and are having a somber conversation.

DONNA

DR. HAYWARD

TUNE: LAURA PALMER'S THEME  

DR. HAYWARD

DONNA

DR. HAYWARD

DONNA

DR. HAYWARD

TUNE ENDS: LAURA PALMER'S THEME  




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - NIGHT

SHERIFF TRUMAN and COOPER enter the conference room holding cups of coffee and find the table laden with stacked donuts of all varieties.

COOPER

SHERIFF TRUMAN

LUCY

SHERIFF TRUMAN

COOPER breaks up his powdered donut, by hand, into little bite size pieces.

COOPER

COOPER eats a piece of donut and immediately wipes his hands with a paper napkin.

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

As COOPER heads out of the room he pulls out his mini tape recorder and turns it on.

COOPER

SHERIFF TRUMAN remains seated at the conference table laden with donuts and smiles to himself as he hears COOPER walk off.




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - NIGHT

TUNE: AUDREY'S DANCE

BOBBY and MIKE are still gripping the cell bars and staring down JAMES who lays against the wall in his cell staring back at them.

BOBBY

BOBBY and MIKE then start to loudly bark (sounds like 'arf') like dogs at JAMES. Before they stop barking, BOBBY lets off a howling shout that turns into an odd howling scream that slowly trails off in volume. JAMES continues to just stare back at them.

TUNE ENDS: AUDREY'S DANCE




CUT TO:

EXT. BLACK LAKE - NIGHT

We look out onto the lake. In the background is the large log that LAURA was found near by. The lake and surroundings are lit with the light of the moon and there is a sound of a distant foghorn.




CUT TO:

EXT. BLUE PINE LODGE - NIGHT

SHERIFF TRUMAN walks up to the BLUE PINE LODGE and finds JOSIE, wearing a mink coat, waiting for him at the front porch.

JOSIE

SHERIFF TRUMAN

JOSIE

A distant foghorn blows in background as JOSIE and TRUMAN kiss.




CUT TO:

INT. BLUE PINE LODGE - NIGHT

CATHERINE, in a nightgown, is seated near the front window with a telephone to her mouth. She peers at SHERIFF TRUMAN and JOSIE outside.

CATHERINE

BENJAMIN

CATHERINE



CUT TO:

INT. GREAT NORTHERN HOTEL- NIGHT

TUNE: LAURA PALMER'S THEME  

BENJAMIN HORNE hangs up the phone.

BENJAMIN



CUT TO:

EXT. BLUE PINE LODGE - NIGHT

SHERIFF TRUMAN and JOSIE hold each other and look towards the large log that LAURA was found near by. In the background is the moonlit lake with the sound of a distant foghorn.

SHERIFF TRUMAN

JOSIE

TUNE ENDS: LAURA PALMER'S THEME  




CUT TO:

TUNE: WALKING IN THE DARK   32K

EXT. STREET LIGHT - NIGHT

We see a lonely street light, being blown in the wind, showing red.




CUT TO:

INT. PALMER HOUSE - NIGHT

SARAH is lying on the couch in her living room with her eyes closed.




CUT TO:

INT. PALMER HOUSE - NIGHT

We view the dark stairs that lead to the upper story. The fan is on and the blades are circulating.




CUT TO:

INT. PALMER HOUSE - NIGHT

SARAH is lying on the couch with her eyes closed and starts to grimace. She is having a vision.




CUT TO:

EXT. WOODS - NIGHT

We view a CLOSEUP of a moving flashlight spot on the ground of the forest floor. It moves until it comes to the rock where the half heart necklace is buried.




CUT TO:

INT. PALMER HOUSE - NIGHT

SARAH sits up on the couch and shrieks at the image of the rock in the forest.




CUT TO:

EXT. WOODS - NIGHT

We watch a gloved hand reach out and move the rock where the half heart necklace is buried.




CUT TO:

INT. PALMER HOUSE - NIGHT

SARAH puts her hand to her mouth and continues to shriek with the sight of the vision.




CUT TO:

EXT. WOODS - NIGHT

The gloved hand pulls out the half heart necklace buried in the dirt.

TUNE ENDS: WALKING IN THE DARK   32K

FADE OUT:




CLOSE:




FADE IN:

TUNE: LAURA PALMER'S THEME  

We view LAURA PALMER'S homecoming picture as the end credits roll.

TUNE ENDS: LAURA PALMER'S THEME  

FADE TO BLACK: