Episode 3 - Rest in Pain


FADE IN:

INT. LOG LADY'S CABIN - DAY

Seated at a dining table beside a tea set we see a woman, 'LOG LADY' MARGARET LANTERMEN. In her arms she carries a wooden log. She is speaking to us.

LOG LADY

FADE OUT:




INTRO:




FADE IN:

TUNE: TWIN PEAKS THEME  

CREDITS run with the scenes of a bird in a tree, the mill machinery at work, the road into town with the welcome sign, the hotel by the falls and the river.

TUNE ENDS: TWIN PEAKS THEME  

FADE OUT:




FADE IN:

EXT. GREAT NORTHERN HOTEL - DAY

TUNE: TWIN PEAKS THEME  

Dawn breaks over the hotel. We PAN to the nearby waterfall and down its cascading water.

TUNE ENDS: TWIN PEAKS THEME  




CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

TUNE: FRESHLY SQUEEZED (0:26 - 3:48)

AUDREY HORNE, wearing a red dress, lays against a wood pole in the lobby. In the background, FBI SPECIAL AGENT DALE COOPER is moving up a hallway toward the lobby. He is talking into his tape recorder.

COOPER

AUDREY peers around the pole to look at him. With a smile, she turns back and walks off.




CUT TO:

INT. TIMBER ROOM - DAY

We view a large carved wooden fish hanging above the fireplace wall in the dining area. We PAN down to see AUDREY standing and waiting for COOPER, who comes up to her. She salutes him and says ...

AUDREY

COOPER

AUDREY

COOPER

AUDREY

COOPER

He walks toward an open table then suddenly turns to her and says ...

COOPER

AUDREY

COOPER

AUDREY

AUDREY writes her name down on a napkin and COOPER watches. From his pocket, he removes the note that was slipped under his door and compares the handwriting to AUDREY'S signature as she writes it.

COOPER

AUDREY

COOPER

AUDREY

COOPER

AUDREY

COOPER

AUDREY

COOPER

AUDREY

COOPER

AUDREY

COOPER

AUDREY

COOPER

AUDREY

COOPER

AUDREY

COOPER

AUDREY

From behind AUDREY, COOPER sees SHERIFF HARRY S. TRUMAN and LUCY MORAN enter the dining area.

COOPER

AUDREY

AUDREY leaves. TRUDY, a waitress, comes by to take COOPER'S order as SHERIFF TRUMAN and LUCY reach the table and take a seat.

TUNE ENDS: FRESHLY SQUEEZED (0:26 - 3:48)

COOPER

TRUDY

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

LUCY

SHERIFF TRUMAN looks at what LUCY is writing as she repeats the line. She is a little embarrassed by it after she notices that she was being watched.

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER




CUT TO:

TUNE: DANCE OF THE DREAM MAN

INT. WAITING ROOM

We review the last portion from COOPER'S dream as we hear his voice describing the dream. A large, windowless, well-lit, sparsely furnished, red-draped room with a table and three easy chairs. DALE COOPER, twenty-five years older, sits in one of the chairs. A light, like a strobelight, flashes on and off. A BEAUTIFUL WOMAN who looks exactly like LAURA PALMER, slowly moves over to COOPER.

COOPER

SHERIFF TRUMAN

In the replay of dream, the BEAUTIFUL WOMAN gently kisses COOPER on the mouth and then whispers something in his ear.

COOPER

TUNE ENDS: DANCE OF THE DREAM MAN




CUT TO:

INT. TIMBER ROOM - DAY

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

LUCY

COOPER

SHERIFF TRUMAN'S police radio buzzes for an incoming call, he answers it.

SHERIFF TRUMAN

COOPER

COOPER'S breakfast had just arrived and he scans it over knowing he won't be able to enjoy it because he has to leave.




CUT TO:

INT. CALHOUN MEMORIAL HOSPITAL - DAY

We view a CLOSEUP of LAURA PALMER'S face. We ZOOM OUT to view that LAURA PALMER'S body is on an examining table covered with a sheet. On the other side of the table, in the background, BENJAMIN HORNE is looking down at her. We are in an examination room of the hospital in the morgue. AGENT ALBERT ROSENFIELD and DR. WILL HAYWARD stand near the table arguing. DEPUTY ANDY BRENNAN is standing behind DR. HAYWARD and watches the two argue.

DR. HAYWARD

ALBERT moves nearly face to face with DR. HAYWARD and points a surgical tool onto his chest.

ALBERT

DR. HAYWARD

ALBERT and DR. HAYWARD grab and jerk each other around in anger. BENJAMIN runs up between them and separates them. ANDY pulls DR. HAYWARD back.

BENJAMIN

ALBERT

ALBERT turns on the drill and moves over to LAURA'S head where he intends to work.

DR. HAYWARD

ALBERT

ALBERT takes his goggles off, slams them to the ground, rushes over to DR. HAYWARD and grabs at his jacket. They once again yell and jerk each other around. SHERIFF TRUMAN and COOPER pull a room divider curtain aside and see the two struggling.

COOPER

SHERIFF TRUMAN

ALBERT

ALBERT walks over to COOPER, on the other side of the table, grabs him by the arm and pulls him over to DR. HAYWARD.

ALBERT

DR. HAYWARD

SHERIFF TRUMAN stands next to DR. HAYWARD.

SHERIFF TRUMAN

ALBERT

SHERIFF TRUMAN

ALBERT

SHERIFF TRUMAN

SHERIFF TRUMAN winds up and hits ALBERT across the jaw that sends him spinning and landing face to face on top of the body of LAURA PALMER. ALBERT turns his head to face him and feels his sore jaw.

ALBERT

SHERIFF TRUMAN moves towards ALBERT but COOPER stops him.

COOPER

ALBERT slowly gets himself off the table and SHERIFF TRUMAN leaves the room.

ALBERT

COOPER

ALBERT

COOPER

ALBERT walks out of the room.

DR. HAYWARD

TUNE: LOVE THEME FROM TWIN PEAKS

DR. HAYWARD leaves the room. COOPER walks over to the body of LAURA PALMER and gently picks up her left arm, that is hanging off the table, and places it on top of her chest.

TUNE ENDS: LOVE THEME FROM TWIN PEAKS




CUT TO:

INT. PALMER HOUSE - DAY

TUNE: INVITATION TO LOVE   28K

Sitting on a couch in front of the television set in the living room, LELAND PALMER is given an injection in his right arm by a NURSE. They are both viewing a television program which can be heard.

ANNOUNCER

The door bell rings and the NURSE gets up to answer it.

ANNOUNCER

TUNE ENDS: INVITATION TO LOVE   28K

The front door of the PALMER HOUSE can be heard opening. We ZOOM IN on LELAND as he continues to watch the television. From the television we hear one of the programs characters, JARED.

JARED




CUT TO:

CLOSEUP OF THE TELEVISION

At a desk, JARED writes a note as we hear his thoughts out loud.

JARED

MADELEINE




CUT TO:

INT. PALMER HOUSE - DAY

On the couch in front of the television with his right arm positioned to hold a cotton ball at the needle cut, LELAND turns his attention from the television to the woman calling his name. The woman is his niece, MADELEINE FERGUSON. She has features similar to LAURA but has black, wavy hair and wears large rim glasses.

The television show can still be heard in the background. From the program, a knocking on a door can be heard. JADE speaks from outside the house on the show.

JADE

MADELEINE

JADE

LELAND

JARED

MADELEINE nods and smiles at him. LELAND turns off the television, stands up and walks over to her.

LELAND

MADELEINE

He hugs her as she begins to cry.

FADE OUT:




FADE IN:

EXT. DOUBLE R DINER - DAY

TUNE: FRESHLY SQUEEZED (0:26 - 3:48)

We view the front of the diner and its neon sign under a cloudy sky with a large truck rig parked outside loaded with lumber.




CUT TO:

INT. DOUBLE R DINER - DAY

At a booth in the diner, NORMA JENNINGS, in her waitress uniform, is seated across from a parol officer, WILSON MOONIE. He shows her a prisoner picture, the front and side views holding a prisoner number, of her husband.

MOONIE

NORMA

MOONIE

NORMA

MOONIE

NORMA

MOONIE

NORMA

MOONIE

TUNE ENDS: FRESHLY SQUEEZED (0:26 - 3:48)




CUT TO:

EXT. BLACK LAKE - DAY

We view and hear ducks on the lake.




CUT TO:

EXT. JOHNSON HOUSE - DAY

SHERIFF TRUMAN and COOPER stand in front of LEO JOHNSON'S rig looking out to the nearby lake.

COOPER

SHERIFF TRUMAN

They both walk up to LEO who is chopping wood outside his house.

SHERIFF TRUMAN

LEO

SHERIFF TRUMAN

LEO

COOPER

LEO

COOPER

LEO

COOPER

LEO

COOPER

LEO

COOPER

LEO

COOPER

LEO

COOPER

LEO

COOPER

LEO




CUT TO:

EXT. BRIGGS HOUSE - DAY

TUNE: THE BOOKHOUSE BOYS (1:12 - 2:11)

We view the front of the house and see an American flag on a flagpole.




CUT TO:

INT. BRIGGS HOUSE - DAY

In the dining room, BOBBY BRIGGS, wearing a suit, is facing a christian cross hanging on the wall. He is smoking a cigarette. At first he looks at the cross and then stretches his arms out, imitating. Then he slowly moves toward it, with both hands, as if to grab it. MAJOR GARLAND BRIGGS, in his usual Air Force uniform, enters the room from the side.

MAJOR BRIGGS

BOBBY

MAJOR BRIGGS

BOBBY takes one last drag, turns to the table and extinguishes his cigarette in a ash tray. He then takes a seat at the table. His father follows suit next to him.

MAJOR BRIGGS

BOBBY

MAJOR BRIGGS

BOBBY starts to play with his cigarette lighter; opening it, lighting it and closing it.

BOBBY

BOBBY lights the cigarette lighter and places it on the table. As his father speaks, BOBBY waves his hand over the flame.

MAJOR BRIGGS

BOBBY

MAJOR BRIGGS

BOBBY closes his lighter.

BOBBY

MAJOR BRIGGS

BOBBY

BOBBY is upset but composes himself. MAJOR BRIGGS sits with a disenchanted look. BETTY BRIGGS, putting on handgloves, enters the room smiling completely unaware of what has just conspired.

BETTY




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

COOPER and SHERIFF TRUMAN walk up a hallway in the building. DEPUTY TOMMY 'THE HAWK' HILL meets them as he enters the hall from a side door.

COOPER

HAWK

COOPER

HAWK splits. SHERIFF TRUMAN and COOPER walk up to the door to the conference room.

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

Together they enter the conference room where ALBERT is seated at the table.

COOPER

ALBERT

COOPER and SHERIFF TRUMAN sit together opposite ALBERT. Next to ALBERT is a television monitor and video cassette player along with a folder filled with the materials he has collected in his investigation of LAURA'S body.

SHERIFF TRUMAN

ALBERT gives him a smirk.

ALBERT

COOPER is astonished as he remembers a line from the beautiful woman in his dream.

COOPER

ALBERT

ALBERT acts out his description by showing how the hand would be under her neck to support it.

SHERIFF TRUMAN

ALBERT plays a video tape. The tape shows a closeup of scratches on LAURA'S body that he points out.

ALBERT

SHERIFF TRUMAN

ALBERT

COOPER doesn't react to his smartass remark. ALBERT shuts the monitor off.

ALBERT

COOPER

ALBERT

DEPUTY ANDY peers through the open door of the conference room.

ANDY

SHERIFF TRUMAN

SHERIFF TRUMAN leaves the room. COOPER also gets up to leave.

ALBERT

COOPER stops short of the door and closes it for privacy.

ALBERT

ALBERT hands him the document and COOPER scans it over.

COOPER

ALBERT

COOPER

ALBERT

COOPER

ALBERT, disgruntled, collects his paperwork and leaves the room, closing the door behind himself. COOPER, alone in the conference room, takes his tape recorder out of his pocket and looks at his watch.

COOPER

TUNE: HAPPY THOUGHTS  18K

COOPER shuts his tape recorder off, puts the recorder back in his pocket, places his hands behind his back and smiles at the idea.

TUNE ENDS: HAPPY THOUGHTS   18K

FADE OUT:




FADE IN:

INT. HURLEY HOUSE - DAY

TUNE: AUDREY'S DANCE

CLOSEUP and PAN of knick knacks on a wall divider/shelves near the living room. One of the knick knacks is a porcelain figure of a women with a patch. 'BIG' ED HURLEY is staring at one of the knick knacks. NADINE HURLEY runs into the room, throws her arm around him and kisses him.

NADINE

BIG ED

NADINE

TUNE ENDS: AUDREY'S DANCE

BIG ED

NADINE

NADINE hugs him and lays her head on his chest. BIG ED has a distant look on his face. A motorcycle can be heard outside the house.

NADINE

BIG ED

NADINE

JAMES enters the house and sees NADINE in BIG ED'S arms.

BIG ED

JAMES

BIG ED

JAMES

BIG ED

JAMES walks out the house. The shout from BIG ED disturbs NADINE slightly as she is resting in his arms.




CUT TO:

EXT. GREAT NORTHERN HOTEL - DAY

We view the sign outside the hotel with the sound of falling water from the nearby falls which are not in view.




CUT TO:

INT. GREAT NORTHERN HOTEL - DAY

We view AUDREY HORNE exit BENJAMIN'S office, walk over to the closed doors of the HORNE residence and lay her head against the door to listen in on the conversation inside.

BENJAMIN

TUNE: LAURA PALMER'S THEME  

SYLVIA

BENJAMIN

SYLVIA

BENJAMIN

TUNE ENDS: LAURA PALMER'S THEME  

AUDREY moves from the door, down the hall and pulls a ring inbeded in the wall that reveals a small panel door.

TUNE: BOOKHOUSE BOYS (2:12 - 2:31)




CUT TO:

INT. AUDREY'S SECRET SPYHOLE - DAY

She enters a small space within the walls between the hallway and the Horne residency. Out of sight but in the HORNE residency of the hotel, BENJAMIN and SYLVIA HORNE are arguing over JOHNNY HORNE who is being helped by DR. LAWRENCE JACOBY.

BENJAMIN

SYLVIA

BENJAMIN

SYLVIA

AUDREY removes a wood panel from the wall to reveal a knot hole in the wood wall in the other room.

BENJAMIN

We can hear BENJAMIN and SYLVIA continue to argue as we get AUDREY'S POV of JOHNNY and DR. JACOBY as she peers through the knot hole. JOHNNY is sitting on the floor wearing a large Indian headdress of feathers. DR. JACOBY sits opposite of him, very close and nearly face to face, as he whispers to him.

DR. JACOBY

SYLVIA

DR. JACOBY tries to remove JOHNNY'S headdress.

JOHNNY

DR. JACOBY

SYLVIA

Slowly JOHNNY removes the headdress and puts it on the floor. DR. JACOBY runs his hands through his hair to brush it down. JOHNNY is distressed and DR. JACOBY leans his forehead against his to comfort him.

BENJAMIN

AUDREY covers up the knot hole with the wood slat.

TUNE ENDS: BOOKHOUSE BOYS (2:12 - 2:31)




CUT TO:

EXT. GHOSTWOOD MEMORIAL PARK - DAY

We view a CLOSEUP of pine trees being blown in the wind with the sound of it rustling.




CUT TO:

TUNE: LAURA PALMER'S THEME  

EXT. GHOSTWOOD MEMORIAL PARK - DAY

We start with a CLOSEUP of REVEREND CLARENCE'S face as he gives the sermon. Our view then switches to a bird's eye view of the crowd around casket. As REVEREND CLARENCE BROCKLEHURST gives his sermon, we view several different faces in the crowd starting with COOPER, DONNA HAYWARD, BOBBY and BIG ED. Next as the sermon continues we view COOPER follow BOBBY'S eyes to JAMES who has just arrived. BOBBY scornfully looks at JAMES. DONNA and JAMES look at each other. PETE has tears in his eyes as he looks at the casket. AUDREY and COOPER look at each other and smile.

REVEREND CLARENCE

JOHNNY

REVEREND CLARENCE

BOBBY

From the back of the crowd BOBBY moves himself forward pushing people out of the way.

BOBBY

From the other side of the crowd, behind the crowd, JAMES rushes over to confront BOBBY. BOBBY sees him and reciprocates. MIKE NELSON also runs over. We view the action as COOPER, SHERIFF TRUMAN, DEPUTY HAWK, MAJOR BRIGGS and BIG ED rush to catch, and stop them from fighting.

BOBBY

Our view of the scene is now SLOWED down as COOPER and BIG ED hold back JAMES, SHERIFF TRUMAN and MAJOR BRIGGS hold BOBBY and HAWK holds MIKE back.

BOBBY

SHERIFF TRUMAN

BOBBY

The action returns to NORMAL. JAMES stops his attempt as he is held back by COOPER and BIG ED but he stares down BOBBY. BOBBY continues to wrestle with his father and SHERIFF TRUMAN as he yells at JAMES.

BOBBY

Near the casket, LELAND is crying heavily for his daughter. Suddenly he spreads his arms out and throws himself onto the casket. SARAH PALMER screams. The casket, being held above the bottom of the grave by straps connected to a motor, starts to move down. The mechanical system is overwhelmed by the extra weight and generates a screeching metal sound as it fails.

LELAND

LELAND hugs the casket as it slowly moves down into the grave but the mechanical system kicks in again. It starts to raise the casket out of the grave but fails again and the casket goes down again. Again and again the mechanical system tries to lift the casket and fails producing the sound of screeching metal each time. SHERIFF TRUMAN and COOPER try to grab LELAND.

SHERIFF TRUMAN

REVEREND CLARENCE

SARAH

LELAND

COOPER and SHERIFF TRUMAN try to reach for LELAND as the casket continues to move up and down in the grave.

TUNE ENDS: LAURA PALMER'S THEME  

FADE OUT:




FADE IN:

EXT. STREET INTERSECTION - NIGHT

We view a lonely street intersection with its lights changing signals with the sound of blowing wind.




CUT TO:

EXT. DOUBLE R DINER - NIGHT

TUNE: DANCE OF THE DREAM MAN (VARIANT)

We view a CLOSEUP of the 'RR' red neon sign.




CUT TO:

INT. DOUBLE R DINER - NIGHT

At the counter, SHELLY JOHNSON retells the scene at the funeral to two customers having a meal. Using a metal napkin dispenser and her hand, making an inverted peace sign, she visually shows what happened.

SHELLY

With her hand, SHELLY uses it to look like a small man on the edge of the counter. With her free hand she is holding the napkin dispenser off the counter but to the edge. Next, she shows how LELAND jumped on the casket by dropping her 'small man' onto the dispenser.

SHELLY

She finishes by raising and lowering the napkin dispenser with her 'small man' on top. SHELLY also provides the sound effects of crying and of the broken machinery. The two customers laugh at it all.

We PAN to a booth in the background were BIG ED, SHERIFF TRUMAN and DEPUTY HAWK are seated. The table has three empty pie plates and cups of coffee.

BIG ED

SHERIFF TRUMAN

BIG ED

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

BIG ED waves to NORMA.

COOPER

NORMA

Before she leaves, she looks at BIG ED and smiles. BIG ED has been starring at her and returns the smile. COOPER immediately makes the connection.

COOPER

Completely surprised, BIG ED doesn't say a word. He just looks over to HAWK and SHERIFF TRUMAN, who is smiling.

TUNE ENDS: DANCE OF THE DREAM MAN (VARIANT)

SHERIFF TRUMAN

BIG ED grabs the check on the table.

COOPER

BIG ED

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

BIG ED

COOPER

SHERIFF TRUMAN

COOPER looks at SHERIFF TRUMAN, a little surprised, then returns to BIG ED.

COOPER

BIG ED

SHERIFF TRUMAN

NORMA arrives with COOPER'S pie and a pot of coffee. COOPER digs right into his pie as she fills his cup with coffee.

SHERIFF TRUMAN

NORMA

COOPER

TUNE: LAURA PALMER'S THEME  

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

TUNE ENDS: LAURA PALMER'S THEME  

COOPER

TUNE: WALKING IN THE DARK   32K

SHERIFF TRUMAN

BIG ED, SHERIFF TRUMAN and HAWK look at each other, raise an index finger to their temple and drag it down. This is a secret sign for the Bookhouse Boys.

TUNE ENDS: WALKING IN THE DARK   32K




CUT TO:

INT. BOOKHOUSE - NIGHT

BIG ED, HAWK, SHERIFF TRUMAN and COOPER enter the Bookhouse, a darkly lit log building with a bar on one side of the room. Shelves, floor to ceiling, loaded with books divide the space, opposite the bar, into compartments.

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN leads COOPER to a compartment where JAMES HURLEY and JOEY PAULSON guard a young man tied up in a chair with a gag over his mouth. The young man is BERNARD RENAULT a younger brother of JACQUES.

SHERIFF TRUMAN

JAMES

COOPER

SHERIFF TRUMAN

COOPER

JOEY nods to COOPER.

COOPER

SHERIFF TRUMAN

JOEY removes the gag over BERNARD'S mouth.

COOPER

BERNARD speaks with a heavy French-Canadian accent.

BERNARD

SHERIFF TRUMAN

BERNARD

SHERIFF TRUMAN

BERNARD

COOPER

SHERIFF TRUMAN

BERNARD

SHERIFF TRUMAN

BERNARD

SHERIFF TRUMAN

BERNARD

COOPER




CUT TO:

EXT. ROAD - NIGHT

Along a road near the Roadhouse, JACQUES RENAULT, a fat man in jeans and a plaid shirt, is walking. As he walks, he stops and looks at ...




CUT TO:

EXT. ROADHOUSE - NIGHT

We view JACQUES POV of the Roadhouse with its neon sign of a gun and the words bang-bang blinking. On top of the roof a small red light is blinking.




CUT TO:

EXT. ROAD - NIGHT

We view a CLOSEUP of JACQUES fat face as he stares at the light.




CUT TO:

EXT. ROADHOUSE - NIGHT

We view a CLOSEUP of a red flashing light on the roof.




CUT TO:

EXT. ROAD - NIGHT

We view a CLOSEUP of JACQUES fat face as he recognizes the red beacon as a warning. He turns around and runs off into the direction he came from.




CUT TO:

INT. JOHNSON HOUSE - NIGHT

TUNE: THE BOOKHOUSE BOYS (1:12 - 2:11)

LEO JOHNSON is working in the kitchen with a knife cutting the bottom of a boot. The phone rings and he answers it while still working.

LEO

JACQUES




CUT TO:

EXT. CASH N' CARRY - NIGHT

At a payphone on the outside wall of the convenience store, JACQUES speaks, with a slight French-Canadian accent, to LEO.

JACQUES

LEO

JACQUES




CUT TO:

INT. JOHNSON HOUSE - NIGHT

LEO

JACQUES




CUT TO:

EXT. CASH N' CARRY - NIGHT

JACQUES




CUT TO:

INT. JOHNSON HOUSE - NIGHT

LEO

JACQUES




CUT TO:

EXT. CASH N' CARRY - NIGHT

JACQUES




CUT TO:

INT. JOHNSON HOUSE - NIGHT

LEO

SHELLY JOHNSON enters the kitchen through the back door of the house. LEO puts the knife and boot down. He stares at her.

SHELLY

LEO grabs a bag and his jacket off the table and heads toward the door past SHELLY.

SHELLY

LEO

LEO heads out the door. SHELLY places her purse on the kitchen table. LEO'S Corvette can be heard starting up and take off outside with a squeal from the tires. SHELLY removes a handgun from her purse and walks over to a cabinet. She pries apart a small panel above the doors from the cabinet, lays the gun inside beside the bloody shirt and replaces the panel.

TUNE ENDS: THE BOOKHOUSE BOYS (1:12 - 2:11)




CUT TO:

EXT. BLACK LAKE - NIGHT

We view the lake and the mountains beyond lit by moonlight with the sound of a distant fog horn and crickets. Lights from cabins along the lake shore can also be seen.




CUT TO:

EXT. BLUE PINE LODGE - NIGHT

We view the front of the lodge. Crickets can be heard.




CUT TO:

INT. BLUE PINE LODGE - NIGHT

In the living room seated on the couch, SHERIFF TRUMAN stares at JOSIE, who looks down at the ground.

SHERIFF TRUMAN

JOSIE

SHERIFF TRUMAN

JOSIE takes a drink from her wine glass. SHERIFF TRUMAN stares longingly at her.

SHERIFF TRUMAN

She turns to him and smiles but returns to looking at the floor, somewhat sad.

SHERIFF TRUMAN

JOSIE

SHERIFF TRUMAN

TUNE: LOVE THEME FROM TWIN PEAKS

JOSIE

SHERIFF TRUMAN

We PAN to a nearby house intercom panel on the wall just above SHERIFF TRUMAN.

JOSIE




CUT TO:

INT. BLUE PINE LODGE - NIGHT

In her bedroom, CATHERINE MARTELL listens in on the conversation from the house intercom.

JOSIE

SHERIFF TRUMAN

JOSIE

TUNE ENDS: LOVE THEME FROM TWIN PEAKS




CUT TO:

INT. BLUE PINE LODGE - NIGHT

JOSIE and SHERIFF TRUMAN walk into the library. JOSIE shows him where the hidden safe is at behind a swing out section of the book shelves.

JOSIE

SHERIFF TRUMAN

JOSIE looks into the safe and sees only one book, not the two she expects to find. She pulls out the one book and hands it to SHERIFF TRUMAN, who looks it over.

JOSIE

SHERIFF TRUMAN

JOSIE




CUT TO:

INT. BLUE PINE LODGE - NIGHT

In her room, CATHERINE listens to JOSIE and SHERIFF TRUMAN over the intercom while holding the missing account book.

JOSIE

CATHERINE turns the intercom off and walks over to her desk. She lifts a drop panel that reveals a secret, hidden compartment where she places the corrupt account book. PETE MARTELL walks in and sees her at her desk. PETE tries to back out unnoticed but she sees him. He knows he's been caught but tries to cover it up.

PETE

CATHERINE

PETE

PETE backs up out the door and closes it behind him.




CUT TO:

EXT. GHOSTWOOD MEMORIAL PARK - NIGHT

We view COOPER standing in the graveyard.




CUT TO:

EXT. GHOSTWOOD MEMORIAL PARK - NIGHT

We view COOPER'S POV of LAURA PALMER'S grave from a distance as DR. JACOBY walks up to it. LAURA'S grave has some flowers in vases. DR. JACOBY, wearing a cape and hat, also brings flowers for her grave. He stands near her grave. COOPER walks up to him. DR. JACOBY, unaware, is spooked by COOPER when he speaks nearby to him.

COOPER

DR. JACOBY




CUT TO:

TUNE: DARK TIMES

EXT. BLUE PINE LODGE - NIGHT

In the living room, JOSIE sits in SHERIFF TRUMAN'S arms with her back to his chest. He leans his face against hers.

JOSIE

SHERIFF TRUMAN

JOSIE

TUNE ENDS: DARK TIMES

TUNE: TWIN PEAKS THEME  

SHERIFF TRUMAN gently moves JOSIE around so that they are face to face. He cups her face with his hands and says ...

SHERIFF TRUMAN

JOSIE and SHERIFF TRUMAN kiss and kiss with a growing passion. They move to the floor and continue kissing.

FADE OUT:




FADE IN:

EXT. FULL MOON - NIGHT

We view the full moon with a few thin clouds being blown in the sky. Cascading water can be heard from the nearby falls.




CUT TO:

INT. TIMBER ROOM - NIGHT

In the dining area of the hotel, COOPER and DEPUTY HAWK sit back in their chairs at a table drinking beers. They watch people dancing on the dance floor adjacent to the tables in the dining area.

COOPER

HAWK

COOPER




CUT TO:

INT. TIMBER ROOM - NIGHT

On the dance floor next to the dining area, we view LELAND standing, with his eyes closed, in the middle of the dance floor as couples dance all around him. We hear HAWK and COOPER as we watch LELAND.

HAWK

COOPER

HAWK

COOPER

HAWK

TUNE ENDS: TWIN PEAKS THEME  

TUNE: IN THE MOOD   28K

As a big band tune starts we see LELAND smile and start to dance in place to the music.




CUT TO:

INT. TIMBER ROOM - NIGHT

At a table in the dining area, we view COOPER and HAWK.

COOPER

HAWK and COOPER touch bottles in remembrance for LAURA.

COOPER




CUT TO:

INT. TIMBER ROOM - NIGHT

On the dance floor, LELAND wanders from COUPLE to COUPLE on the dance floor asking to dance. Each COUPLE he asks turns away, LELAND becomes frustrated and beggingly asks to be danced with.

LELAND

COUPLE I

LELAND

COUPLE II

LELAND

COOPER and HAWK see LELAND crying and upsetting people. They both get up and walk over to him.

TUNE ENDS: IN THE MOOD   28K

When they reach him, LELAND is hunched over and crying.

COOPER

HAWK

LELAND straightens up and puts his hands on the shoulders of COOPER and HAWK.

COOPER

LELAND

TUNE: LOVE THEME FROM TWIN PEAKS

COOPER and HAWK slowly lead him off the dance floor.




CUT TO:

EXT. TRAFFIC LIGHT - NIGHT

We view a CLOSEUP of a traffic light signaling red and moving slightly in the breeze.

TUNE ENDS: LOVE THEME FROM TWIN PEAKS

FADE OUT:




CLOSE:




FADE IN:

TUNE: LAURA PALMER'S THEME  

We view LAURA PALMER'S homecoming picture as the end credits roll.

TUNE ENDS: LAURA PALMER'S THEME  


FADE TO BLACK: