Episode 4 - The One-Armed Man


FADE IN:

INT. LOG LADY'S CABIN - DAY

Seated at a dining table beside a tea set we see a woman, 'LOG LADY' MARGARET LANTERMEN. In her arms she carries a wooden log. She is speaking to us.

LOG LADY

FADE OUT:




INTRO:




FADE IN:

TUNE: TWIN PEAKS THEME  

CREDITS run with the scenes of a bird in a tree, the mill machinery at work, the road into town with the welcome sign, the hotel by the falls and the river.

TUNE ENDS: TWIN PEAKS THEME  

FADE OUT:




FADE IN:

TUNE: LAURA PALMER'S THEME  

EXT. PALMER HOUSE - DAY

We view the front of the house.




CUT TO:

INT. PALMER HOUSE - DAY

In the living room, we view a photograph of LAURA PALMER as the homecoming queen. Our view PANS the room to a sketch that DEPUTY ANDY BRENNAN, using a charcoal pencil and a pad of paper, is drawing from a description that SARAH PALMER is giving to him of the frightening man she saw in her vision. SHERIFF HARRY S. TRUMAN sits in a chair opposite them. DONNA HAYWARD sits next to SARAH.

SARAH

MADELEINE FERGUSON walks up to SHERIFF TRUMAN with a silver coffee set and offers him some coffee. He grabs a cup of the tray and looks at her. MADELEINE, with her long black hair and thick rim glasses, smiles.

SARAH

SHERIFF TRUMAN

SARAH

LELAND PALMER enters the room, wearing a robe, looking like he just woke up.

LELAND

SHERIFF TRUMAN

LELAND

SHERIFF TRUMAN

SARAH

SARAH stops roughly where he was standing.

SHERIFF TRUMAN

She turns to SHERIFF TRUMAN and tells her earlier vision.

SARAH

DONNA listens and appears disturbed from the realization of SARAH'S vision.

TUNE ENDS: LAURA PALMER'S THEME  




CUT TO:

TUNE: INVITATION TO LOVE   28K

TELEVISION

We view a CLOSEUP on the television and see the end of the intro for the television program 'Invitation to Love' as its tune swells down over a blue background with a note shown with a scarlet red flowing script that writes out the program's title on virgin white paper.

ANNOUNCER

TUNE ENDS: INVITATION TO LOVE   28K

The INTRO for the show FADES OUT. The show FADES IN to a nerdy looking man, CHET, with thin greasy hair and glasses, and to EMERALD, a woman with long hair and wearing a lot of costume jewelry. CHET is seated and EMERALD stands beside him running her fingers though his hair.

EMERALD

CHET

EMERALD




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

In the reception office, we see that it is LUCY MORAN, chewing on a pencil top, is watching the program very closely. SHERIFF TRUMAN and DEPUTY ANDY enter the building and walk up to the reception window.

SHERIFF TRUMAN

LUCY

SHERIFF TRUMAN

LUCY

SHERIFF TRUMAN

SHERIFF TRUMAN walks off toward the conference room. ANDY moves closer to the reception window.

ANDY

LUCY

ANDY shies away from LUCY'S cold reply.




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

In the conference room, DR. LAWRENCE JACOBY sits at the long end of the table with the blackboard, with a map of Tibet, in the background. He wears a pair of glasses with one red lens and one blue lens. AGENT COOPER sits at the other end of the table sternly watching DR. JACOBY perform a magic trick. The magic trick has two white balls between the fingers on one hand. He taps that hand against his head and one ball disappears. He opens his mouth to reveal the ball. DR. JACOBY performs the trick twice before COOPER asks ...

COOPER

DR. JACOBY

COOPER

DR. JACOBY

COOPER

DR. JACOBY

DR. JACOBY stands up, walks over to the blackboard with the map of Tibet and looks it over.

DR. JACOBY

COOPER

DR. JACOBY

COOPER

DR. JACOBY moves toward COOPER.

DR. JACOBY

SHERIFF TRUMAN enters the room. Now close to COOPER, DR. JACOBY bends slightly to him and says ...

DR. JACOBY

SHERIFF TRUMAN

DR. JACOBY

COOPER

DR. JACOBY looks as if he is going to proudly say yes but sighs and says ...

DR. JACOBY

COOPER

DR. JACOBY

The intercom unit buzzes. LUCY'S voice can be heard over the speaker.

LUCY

COOPER

DR. JACOBY heads out but is stopped at the door by a question.

SHERIFF TRUMAN

DR. JACOBY

DR. JACOBY gives a hang loose hand sign and leaves the room.

COOPER

COOPER moves to a small table along the wall, picks up the intercom unit and places it on the table.

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER composes himself before turning the intercom unit on. The man speaking over the intercom is GORDON COLE, COOPER'S superior.

COOPER

GORDON

SHERIFF TRUMAN, a little worried, walks over to the window.

COOPER

GORDON

COOPER

GORDON

SHERIFF TRUMAN

GORDON

COOPER

GORDON

A little agitated, COOPER stands up and becomes rather animated as he talks.

COOPER

GORDON

COOPER

GORDON

COOPER

DEPUTY ANDY walks into the room.

GORDON

COOPER

COOPER presses the button on intercom unit to hang up.

SHERIFF TRUMAN

COOPER

ANDY hands COOPER the drawing he produces using SARAH'S description from her vision.

COOPER

SHERIFF TRUMAN

COOPER

The intercom buzzes and LUCY can be heard from the speaker.

LUCY

COOPER picks up a nearby phone.

COOPER

COOPER hangs up the phone and turns to SHERIFF TRUMAN and ANDY.

COOPER

SHERIFF TRUMAN and ANDY answer simultaneously.

ANDY

SHERIFF TRUMAN

ANDY

COOPER




CUT TO:

EXT. TIMBER FALLS MOTEL - DAY

TUNE: FRESHLY SQUEEZED (0:26 - 3:48) (UP TEMPO VARIANT)   28K

We view the front of the motel. A maid is pushing a cart near the rooms. A woodpecker can be heard in the background.




CUT TO:

EXT. TIMBER FALLS MOTEL - DAY

In a parked car in the parking lot of the motel, JOSIE takes photographs. A woodpecker can be heard in the background.




CUT TO:

INT. TIMBER FALLS MOTEL - DAY

In one of the motel rooms, we view a CLOSEUP of CATHERINE MARTELL, in a robe. We PAN down to see that she is rubbing the back of BENJAMIN HORNE, who is laying face down bare back on a bed. In the background, the television program 'Invitation to Love' can be heard.

CATHERINE

TUNE ENDS: FRESHLY SQUEEZED (0:26 - 3:48) (UP TEMPO VARIANT)   28K

CATHERINE

BENJAMIN

CATHERINE

MONTANA

EMERALD

CATHERINE

CATHERINE and BENJAMIN take a sip of wine. We can hear the television program.

MONTANA

CATHERINE

BENJAMIN

CATHERINE




CUT TO:

EXT. TIMBER FALLS MOTEL - DAY

SHERIFF TRUMAN and COOPER drive up in TRUMAN'S police cruiser. DEPUTY TOMMY 'THE HAWK' HILL comes up to them as they drive up. A woodpecker can be heard in the background. As SHERIFF TRUMAN steps out, HAWK points and says ...

HAWK




CUT TO:

INT. TIMBER FALLS MOTEL ROOM - DAY

BENJAMIN and CATHERINE lie at the foot of the bed.

BENJAMIN

CATHERINE laughs. He nudges her on.

BENJAMIN




CUT TO:

EXT. TIMBER FALLS MOTEL - DAY

SHERIFF TRUMAN, with his gun drawn, walks up towards the motel room door where the ONE-ARMED MAN, PHILLIP MICHAEL GERARD, is staying. As he walks, he passes a timber truck rig full of large tree logs. AGENT COOPER and DEPUTY ANDY are right behind him. ANDY has his hand on his gun, still in its holster. COOPER draws his gun and stands behind ANDY. SHERIFF TRUMAN knocks on the door.

SHERIFF TRUMAN

ANDY fumbles with his gun to pull it out of the holster and drops it. The revolver discharges when it hits the ground. SHERIFF TRUMAN and COOPER jump. COOPER is furious for the loss of control in a serious situation. He spins around and shouts.

COOPER

SHERIFF TRUMAN ducks down, picks up the gun and hands it to ANDY.




CUT TO:

INT. TIMBER FALLS MOTEL ROOM - DAY

BENJAMIN gets out of bed and moves to the window to see what has happened outside. CATHERINE calmly lays back on the bed.

CATHERINE

BENJAMIN turns to her with a look of seriousness.




CUT TO:

EXT. TIMBER FALLS MOTEL - DAY

SHERIFF TRUMAN, AGENT COOPER and DEPUTY ANDY are still standing outside the door of the ONE-ARMED MAN, MR. GERARD. They all have their guns drawn and directed toward the door.

SHERIFF TRUMAN

SHERIFF TRUMAN kicks the door in.




CUT TO:

INT. TIMBER FALLS MOTEL ROOM - DAY

SHERIFF TRUMAN and COOPER rush in to the room and find MR. GERARD at the closet drawer wearing only boxer shorts.

SHERIFF TRUMAN

ONE-ARMED MAN

SHERIFF TRUMAN

Slowly MR. GERARD moves away from the closet drawer to reveal a missing left arm that was concealed behind the closet door. He stands with his right arm raised. SHERIFF TRUMAN and COOPER lower their guns and look at each other.




CUT TO:

INT. TIMBER FALLS MOTEL ROOM - DAY

BENJAMIN moves away from the window holding a small figure. CATHERINE is still in bed.

BENJAMIN

We see what BENJAMIN is holding a small doll with the likeness of Elvis. He picks up his folded clothes off the bed. Unknowingly something falls out of the pocket of his pants to the floor. CATHERINE notices it. BENJAMIN wiggles the doll in his hand at her and says ...

BENJAMIN

He puts the doll in his robe pocket and walks to the bathroom.

TUNE: THE BOOKHOUSE BOYS (2:12 - 2:31) (DRAMATIC VARIANT)   32K

CATHERINE gets up to pick up the item and sees that it is a poker chip. A thousand dollar poker chip from One-Eyed Jacks.

TUNE ENDS: THE BOOKHOUSE BOYS (2:12 - 2:31) (DRAMATIC VARIANT)   32K




CUT TO:

TUNE: LAURA PALMER'S THEME  

INT. TIMBER FALLS MOTEL ROOM - DAY

SHERIFF TRUMAN and COOPER stand next to a seated ONE-ARMED MAN, MR. GERARD, who is looking at the drawing of the man from SARAH'S vision.

SHERIFF TRUMAN

ONE-ARMED MAN

TUNE ENDS: LAURA PALMER'S THEME  

ONE-ARMED MAN

COOPER

ONE-ARMED MAN

COOPER

ONE-ARMED MAN

SHERIFF TRUMAN

ONE-ARMED MAN

COOPER

ONE-ARMED MAN

HAWK is on the phone near a bedside stand.

HAWK

HAWK tosses MR. GERARD'S wallet to SHERIFF TRUMAN, who hands it to COOPER. COOPER scans it over before handing it to MR. GERARD. SHERIFF TRUMAN gives HAWK an order.

SHERIFF TRUMAN

We watch DEPUTY ANDY nervously move and peer at a closed suitcase standing atop a table.

COOPER

ONE-ARMED MAN

COOPER

ONE-ARMED MAN

A commotion of rumbling comes from the side of the room. We view ANDY slightly embarrassed as he fumbled in opening the suitcase causing its contents of shoes to spill out onto the table and the floor.

ONE-ARMED MAN

ANDY

ONE-ARMED MAN

COOPER

ONE-ARMED MAN

SHERIFF TRUMAN

COOPER

ONE-ARMED MAN




CUT TO:

EXT. TIMBER FALLS MOTEL - DAY

In the parking lot, SHERIFF TRUMAN, COOPER and ANDY walk over to their cars. DEPUTY HAWK, kneeling near a puddle of oil, calls SHERIFF TRUMAN over. In the background a woodpecker can be heard.

HAWK

SHERIFF TRUMAN

HAWK




CUT TO:

TUNE: FRESHLY SQUEEZED

EXT. TWIN PEAKS HIGH SCHOOL - DAY

We view the front of the school and its sign.




CUT TO:

INT. TWIN PEAKS HIGH SCHOOL - DAY

In a girl's bathroom, DONNA applies lipstick as AUDREY walks in and lights up a cigarette. The bathroom has one wall lined with mirrors and sinks. The other side of the room is lined with toilet stalls. The walls and doors of the bathroom are decorated with two red lines that wrap around the room and form two peaks at intervals.

AUDREY

DONNA

AUDREY

DONNA

AUDREY

DONNA

AUDREY

TUNE ENDS: FRESHLY SQUEEZED

AUDREY

DONNA is now combing her hair.

DONNA

AUDREY

DONNA

AUDREY

DONNA

AUDREY

DONNA

AUDREY

DONNA

AUDREY

DONNA

AUDREY

DONNA

AUDREY

DONNA

AUDREY

DONNA

AUDREY

TUNE: HAPPY THOUGHTS   18K

As she walks off, AUDREY throws her cigarette into a sink. DONNA watches her leave, walks up to the sink with the cigarette and turns on the water to douse it out.

TUNE ENDS: HAPPY THOUGHTS   18K




CUT TO:

EXT. STATE PRISON - DAY

We view a tall chain link and barbed wire fence of the prison.




CUT TO:

INT. STATE PRISON - DAY

In a hallway near parole hearing rooms, WILSON MOONIE, a parole officer, exits the hearing room and talks to NORMA JENNINGS, who is standing in the hall.

MOONIE

NORMA




CUT TO:

TUNE: HANK'S THEME   39K

INT. STATE PRISON - DAY

Escorted by a guard from a separate room, HANK JENNINGS, wearing prison garb, walks over to NORMA.

HANK

NORMA

HANK

NORMA

HANK leans to her slightly.

HANK

TUNE ENDS: HANK'S THEME   39K




CUT TO:

INT. STATE PRISON - DAY

In a parole hearing room, we view a guard standing next to an American flag. Our view PANS to three parole judges sitting at one end of the room. HANK, in handcuffs, and WILSON MOONIE sit at a table positioned in the middle of the room. Behind them, to the back wall of the room, sits NORMA.

HANK

PAROLE JUDGE #1

HANK

PAROLE JUDGE #2

HANK

PAROLE JUDGE #2

NORMA

PAROLE JUDGE #2

NORMA

PAROLE JUDGE #1

TUNE: HANK'S THEME   39K

PAROLE JUDGE #2




CUT TO:

INT. STATE PRISON - DAY

We view a CLOSEUP of a double three domino in HANK'S cuffed hands. Our view PANS up to see his shifty eyes.




CUT TO:

INT. STATE PRISON - DAY

The PAROLE JUDGES all leave together. HANK is escorted by a guard out of the room. HANK speaks to NORMA as he passes her on the way out.

TUNE ENDS: HANK'S THEME   39K

HANK




CUT TO:

EXT. ONE STOP STORE - DAY

We see two old gas pumps labeled 'Indian Head' as SHERIFF TRUMAN and COOPER drive up in TRUMAN'S police cruiser and park along side them. Before they exit the vehicle, COOPER peers outside the window above the store and says ...

COOPER

SHERIFF TRUMAN

They both exit the vehicle and walk to the building next to the convenience store. In the background, HAWK gives a high five to a FRIEND.

FRIEND

COOPER stops as ANDY walks up to him. SHERIFF TRUMAN walks on up the steps of the entrance and looks at the pet a small girl holds, who is sitting on the steps.

COOPER

ANDY

ANDY walks off. COOPER walks to the building next door, a veterinarian clinic. The log building has a sign above it, 'Aid to the Beast Incarnate'. COOPER and SHERIFF TRUMAN climb the stairs to the entrance and walk in.




CUT TO:

INT. LYDECKER VETERINARY CLINIC - DAY

Inside the building we see several people with different animals, including a llama, waiting to be served.




CUT TO:

INT. LYDECKER VETERINARY CLINIC - DAY

At the reception window, COOPER talks to the RECEPTIONIST and shows her the sketch of the frighting man from SARAH'S vision..

RECEPTIONIST

COOPER

RECEPTIONIST

SHERIFF TRUMAN pulls COOPER away from the window to speak to him.

SHERIFF TRUMAN

COOPER

A llama disrupts AGENT COOPER as he speaks with SHERIFF TRUMAN by walking between them and even nearly touching his face with its face. The llama snorts as it walks by.

COOPER

ANDY walks up to COOPER and SHERIFF TRUMAN.

COOPER

COOPER briefly scans it and then hands it to SHERIFF TRUMAN. SHERIFF TRUMAN studies it and looks at ANDY as COOPER walks off to the reception window.

COOPER

RECEPTIONIST

COOPER returns to SHERIFF TRUMAN.

COOPER

FADE OUT:




FADE IN:

EXT. JOHNSON HOUSE - DAY

We view the front of the house with the sounds of ducks from the nearby lake.




CUT TO:

TUNE: FRESHLY SQUEEZED (0:26 - 3:48)

INT. JOHNSON HOUSE - DAY

In the kitchen, we view BOBBY BRIGGS seated on a chair. SHELLY JOHNSON, in her waitress uniform, is sitting on his lap. They are seductively kissing each other.

SHELLY

BOBBY

SHELLY

BOBBY

SHELLY

BOBBY

SHELLY

She continues to kiss. BOBBY'S mind is elsewhere as he thinks about what she just said.

BOBBY

SHELLY

BOBBY

SHELLY

BOBBY gets up from chair, lifting SHELLY. She is a little confused by his actions.

BOBBY

SHELLY

BOBBY

SHELLY

BOBBY

SHELLY

BOBBY

SHELLY

BOBBY

SHELLY

She walks over to a cabinet, pries off a panel and takes out the bloody shirt that she had stashed there.

SHELLY

BOBBY

She fiddles with the shirt trying to find the collar and reveals 'LJ'.

SHELLY

BOBBY

SHELLY

BOBBY

SHELLY

BOBBY

She moves back to the cabinet, reaches into the stash compartment and pulls out a gun.

SHELLY

BOBBY

SHELLY opens the top of her waitress uniform, revealing some lingerie, and holds the gun to her chest.

SHELLY

BOBBY lustily stares at her, spits his gum out to the floor and moves to her.

TUNE ENDS: FRESHLY SQUEEZED (0:26 - 3:48)




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

We view AGENT COOPER, SHERIFF TRUMAN, DEPUTY HAWK and DEPUTY ANDY enter the building. COOPER, HAWK and ANDY are carrying boxes of files from the veterinarian clinic.

SHERIFF TRUMAN

SHERIFF TRUMAN moves to the reception window to speak to LUCY.

SHERIFF TRUMAN

LUCY

SHERIFF TRUMAN

LUCY




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

In the conference room, we watch HAWK, ANDY and COOPER place the boxes of files, marked 'Lydecker Clinic', on and around the conference table. ANDY speaks to COOPER.

ANDY

COOPER

ANDY

COOPER

SHERIFF TRUMAN pokes his head through the open door of the conference room.

SHERIFF TRUMAN

COOPER pats ANDY'S shoulder before he and SHERIFF TRUMAN walk off.




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

In the hallway, COOPER and SHERIFF TRUMAN pass LUCY, who is carrying a plant watering pitcher. ANDY enters the hall and moves over to LUCY.

ANDY

LUCY

ANDY

LUCY

LUCY walks off. ANDY is again bothered by LUCY'S cold reply.




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - DAY

In the pistol range, we watch COOPER, SHERIFF TRUMAN and DEPUTY HAWK enter and pass Christmas decorations stored at the sides of the entrance to the room. COOPER is loading his gun as he speaks.

COOPER

HAWK notices COOPER'S gun before he puts it back in its holster.

HAWK

COOPER

SHERIFF TRUMAN

COOPER

ANDY walks in.

SHERIFF TRUMAN

ANDY

COOPER

ANDY

SHERIFF TRUMAN

ANDY

COOPER

HAWK

HAWK puts on his ear protection cover.

SHERIFF TRUMAN

The rest also put on their ear protection cover.

COOPER

HAWK confidently and quickly fires his gun at the practice target down the gunnery range. ANDY has a hard time just holding on to the gun as he quickly fires. When their finished, the target sheets are retrieved from the distant shooting area by a motorized line. They all remove their ear protectors and rest them on their shoulders around their neck. HAWK collects the target sheets and hands them to COOPER. COOPER checks over the target sheets to see how they scored.

COOPER

SHERIFF TRUMAN

HAWK and ANDY walk to opposite sides of the room.

COOPER

SHERIFF TRUMAN

SHERIFF TRUMAN pulls out his gun and checks it.

TUNE: LAURA PALMER'S THEME (ONE INSTRUMENT V2)

COOPER

Confidently and without blinking COOPER quickly discharges his gun at the target. SHERIFF TRUMAN also confidently fires. After firing, the target sheets are retrieved. They remove their ear protection and retrieve their target sheets. Before they look them over HAWK says ...

HAWK

COOPER

HAWK

COOPER, impressed, whistles. He returns his attention to the target sheets.

COOPER

SHERIFF TRUMAN silently looks over COOPER target sheet and then hands it to HAWK.

HAWK

COOPER

We view the target sheet and see two holes where the eyes and where the nostrils would be in the human form of the target sheet.

HAWK

LUCY speaks over the intercom.

LUCY

COOPER

LUCY

SHERIFF TRUMAN

LUCY

COOPER realizes that finding the bird is going to take quite a while.

COOPER




CUT TO:

INT. DOUBLE R DINER - DAY

At the counter, NORMA picks up a dirty plate and silverware as TOAD, a large and usual customer, drops some change for a tip. A country music tune plays in the background.

NORMA

SHELLY enters the diner, lifts the counter-door, passes and drops it behind her with a slam.

NORMA

SHELLY walks up to NORMA.

SHELLY

NORMA

SHELLY

NORMA

SHELLY

NORMA

SHELLY

NORMA

SHELLY




CUT TO:

INT. DOUBLE R DINER - DAY

At front door, we see JAMES HURLEY enter and walk over to the pay phone just to his left on the wall.




CUT TO:

INT. DOUBLE R DINER - DAY

NORMA

SHELLY

NORMA




CUT TO:

INT. DOUBLE R DINER - DAY

At the pay phone inside the diner, JAMES is speaking to DONNA.

JAMES

DONNA




CUT TO:

INT. HAYWARD HOUSE - DAY

On the phone in the living room, DONNA is speaking to JAMES. In the background, we can see DR. WILL HAYWARD in the kitchen, with an apron draped on his arm, holding a cookbook. He yells to DONNA from the kitchen.

DR. HAYWARD

DONNA

DR. HAYWARD

DONNA

DR. HAYWARD

DONNA

DR. HAYWARD

DONNA

DR. HAYWARD

DONNA




CUT TO:

INT. DOUBLE R DINER - DAY

JAMES

DONNA

A bell rings from the opening of the front door to the diner. JAMES turns his head to look at who has entered. He sees a dark haired woman walk to the counter of the diner.

DONNA

JAMES

DONNA

JAMES

DONNA

JAMES hangs up the phone and walks over to the woman. Its MADELEINE standing by the counter waiting for her food order to arrive. JAMES stands right to the side of her and stares at her. At first she doesn't notice but then turns to face him and says ...

MADELEINE

JAMES

MADELEINE

JAMES

MADELEINE

JAMES

SHELLY

MADELEINE

SHELLY

MADELEINE picks up her food order and holds it in her arms as she speaks to JAMES.

TUNE: LAURA PALMER'S THEME (ONE INSTRUMENT V1)

MADELEINE

JAMES still stares at her.

MADELEINE

JAMES

MADELEINE

They shake hands.

JAMES

TUNE ENDS: LAURA PALMER'S THEME (ONE INSTRUMENT V1)




CUT TO:

INT. DOUBLE R DINER - DAY

On the phone at the end of the counter near the kitchen, NORMA leans behind a large machine as she listens to the outcome of the parole hearing.

NORMA

She hangs up the phone, disappointed by the results. SHELLY, carrying two mugs and a plate with a half eaten pie, comes up to her.

SHELLY

NORMA

TUNE: LOVE THEME FROM TWIN PEAKS

She looks down at the ground.

NORMA

TUNE ENDS: LOVE THEME FROM TWIN PEAKS




CUT TO:

INT. BENJAMIN HORNE'S OFFICE - DAY

We view a CLOSEUP on a chandelier made with deer antlers. We PAN and ZOOM OUT to see BENJAMIN, dressed in a jogging suit, having a workout on a motion cycle in front of the fireplace. As he pedals, he speaks to someone on a portable phone. As he speaks, AUDREY walks into the room.

BENJAMIN

He continues to pedal and just barely notices AUDREY at his side.

BENJAMIN

AUDREY

BENJAMIN

AUDREY

BENJAMIN

AUDREY

BENJAMIN

AUDREY

BENJAMIN

AUDREY

BENJAMIN

AUDREY

BENJAMIN

AUDREY

BENJAMIN

AUDREY

BENJAMIN

AUDREY

BENJAMIN

He turns and holds out his arms. AUDREY moves to him and gives him a hug.

TUNE: LOVE THEME FROM TWIN PEAKS

As she hugs her father she sees a photograph of LAURA PALMER and herself, dressed in heavy winter clothing, on his desk. The telephone rings. They separate as BENJAMIN moves over to the phone to answers it.

BENJAMIN

The phone call requires privacy. He covers the mouth piece with his hands and says ...

BENJAMIN

AUDREY

Slowly she walks toward the door but before she exits she turns around to look at him. BENJAMIN peers at her to make sure she's leaves before he talks.

BENJAMIN

AUDREY finally leaves. BENJAMIN returns to the phone.

BENJAMIN

TUNE ENDS: LOVE THEME FROM TWIN PEAKS




CUT TO:

EXT. TWIN PEAKS SHERIFF'S DEPARTMENT - NIGHT

We view a CLOSEUP of the sign above the entrance to the building with the sound of crickets in the background.




CUT TO:

INT. TWIN PEAKS SHERIFF'S DEPARTMENT - NIGHT

In the conference room, DEPUTY ANDY, SHERIFF TRUMAN and AGENT COOPER sort out the files from the veterinarian clinic. All three have paper cups of coffee in front of them. SHERIFF TRUMAN appears exhausted, COOPER downs his coffee while ANDY works diligently.

ANDY

SHERIFF TRUMAN

LUCY

SHERIFF TRUMAN stands up to stretch his back. COOPER presses a button on the intercom unit in front of him to handle the call.

COOPER

GORDON

COOPER hangs up by pressing the button on the intercom unit. DEPUTY HAWK walks up to him carrying the fax that just arrived.

HAWK

He hands the fax to SHERIFF TRUMAN. We view the fax of the drawing of the fragment as part of a circular whole of some kind of object like a coin.

COOPER

SHERIFF TRUMAN

SHERIFF TRUMAN looks at COOPER.

SHERIFF TRUMAN

ANDY

SHERIFF TRUMAN and COOPER turn to him. ANDY moves to them carrying the file.

ANDY

COOPER grabs the file.

HAWK

COOPER




CUT TO:

TUNE: FRESHLY SQUEEZED (DARK VARIANT)   46K

EXT. TENNIS COURTS - NIGHT

From a distance we view two people playing tennis. We PAN to a CLOSEUP of AGENT COOPER'S face.




CUT TO:

EXT. APARTMENT BUILDING - NIGHT

We watch AGENT COOPER, SHERIFF TRUMAN and DEPUTY HAWK run toward the building from their cars. COOPER leads the way to the apartment complex, a two story structure lit by lights and surrounded by pine trees. When they reach the building they run up a stairway to the second level.




CUT TO:

EXT. JACQUES RENAULT'S APARTMENT - NIGHT

At the door to JACQUES apartment, COOPER has his gun drawn and pointed at the door as SHERIFF TRUMAN shouts.

SHERIFF TRUMAN




CUT TO:

INT. JACQUES RENAULT'S APARTMENT - NIGHT

We view a CLOSEUP of BOBBY'S face as he hears the cops outside and looks around trying to find a way out. He see a window, rushes to it, slam it open and crawls out.




CUT TO:

EXT. APARTMENT BUILDING - NIGHT

BOBBY lands to the ground and runs off into the distance.




CUT TO:

EXT. JACQUES RENAULT'S APARTMENT - NIGHT

SHERIFF TRUMAN kicks the door in. With their guns drawn they rush inside. HAWK runs to the open window.

HAWK

SHERIFF TRUMAN

HAWK runs out of the room.




CUT TO:

EXT. APARTMENT BUILDING - NIGHT

Behind the apartment building we view a police cruiser, with its lights and siren on, drive after the person who they believe is JACQUES.




CUT TO:

INT. JACQUES RENAULT'S APARTMENT - NIGHT

COOPER puts on a pair of latex gloves.

COOPER

COOPER spots a blue work shirt, planted there by BOBBY, sticking half way out of a drawer. SHERIFF TRUMAN'S portable police radio buzzes. He picks it up to listen.

HAWK

SHERIFF TRUMAN

HAWK

COOPER picks up the shirt and looks it over.

COOPER

COOPER calls SHERIFF TRUMAN over to look at the bloody shirt he just found and shows him the collar.

COOPER

SHERIFF TRUMAN




CUT TO:

EXT. RIVER - NIGHT

In the moonlight, through some trees we watch a running river.




CUT TO:

EXT. WOODS NEAR RIVER - NIGHT

We view a PAN of the area and see LEO'S red corvette. LEO stands facing the river while smoking a cigarette. The music comes to a peak just before its ends as BENJAMIN appears and pats LEO on the shoulder, scaring him. LEO quickly turns around. BENJAMIN puts his hands up to show no aggression.

TUNE ENDS: FRESHLY SQUEEZED (DARK VARIANT)   46K

BENJAMIN

LEO

BENJAMIN

LEO

BENJAMIN

LEO

TUNE: SECRET MEETINGS

LEO gestures with a nod to point out the corpse of BERNARD RENAULT wrapped in canvas and tied securely with rope. They both move over to the corpse.

LEO

BENJAMIN

LEO

BENJAMIN

LEO

BENJAMIN

LEO

BENJAMIN

LEO

BENJAMIN pulls an envelope from his pocket and hands it to LEO.

BENJAMIN




CUT TO:

EXT. RIVER - NIGHT

We watch the river flow as we listen to ...

BENJAMIN




CUT TO:

EXT. WOODS - NIGHT

DONNA and JAMES, holding a flashlight, are walking in the woods.

DONNA

They both kneel at the exact spot where they buried the half gold heart necklace.

JAMES

JAMES lifts the rock he hid the necklace under and begins to dig for it using his hand.

DONNA

He can't find the necklace.

JAMES

He digs a little deeper and also scatters dirt around trying to feel for it but there's nothing.

JAMES

DONNA

JAMES

DONNA

A hoot from an owl spooks them and they look around trying to see where it came from. They look up and see ...




CUT TO:

EXT. OWL PERCHED IN TREE - NIGHT

A large owl with yellow eyes perched in a tree above JAMES and DONNA peers down at them.




CUT TO:

TUNE ENDS: SECRET MEETINGS

EXT. WOODS - NIGHT

JAMES and DONNA both look at each other.

JAMES

DONNA

TUNE: LAURA PALMER'S THEME  

JAMES

DONNA

JAMES

DONNA

Still kneeling, they bend toward each other and kiss.

DONNA

From a view above them we see them kiss again.




CUT TO:

EXT. BLUE PINE LODGE - NIGHT

We view the front of the lodge.




CUT TO:

INT. BLUE PINE LODGE - NIGHT

We view the mounted head of a white haired mountain goat hanging on the wall. Below it are its hooves being used to hold up a rifle. We PAN to a phone that rings and JOSIE, wearing a black silk robe, answers it. Behind her in the hallway we see PETE enter the lodge and walk past her holding a fishing pole and the mail.

JOSIE

SHERIFF TRUMAN

JOSIE

SHERIFF TRUMAN

JOSIE

SHERIFF TRUMAN




CUT TO:

INT. JACQUES RENAULT'S APARTMENT - NIGHT

SHERIFF TRUMAN speaks to JOSIE over the phone.

SHERIFF TRUMAN




CUT TO:

INT. BLUE PINE LODGE - NIGHT

JOSIE




CUT TO:

INT. JACQUES RENAULT - NIGHT

JOSIE

SHERIFF TRUMAN hangs up the phone disappointed by her response.

TUNE ENDS: LAURA PALMER'S THEME  




CUT TO:

INT. BLUE PINE LODGE - NIGHT

PETE sits on a stool at the kitchen counter sorting the mail. JOSIE walks up to him.

PETE

JOSIE

PETE

She incorrectly finishes his sentence.

JOSIE

JOSIE walks around the counter and enters the kitchen.

PETE

JOSIE

PETE

JOSIE

PETE

She walks over to PETE carrying a plate with his turkey sandwich.

JOSIE

PETE

JOSIE

PETE

JOSIE

PETE

PETE walks off. JOSIE goes through the mail.

TUNE: LAURA PALMER'S THEME  

She pauses as she picks one letter out of the rest, slowly opens it and pulls out a black and white sketch of a double three domino. HANK'S domino. She walks out of the kitchen and towards the library.




CUT TO:

INT. BLUE PINE LODGE - DAY

In the library, the telephone rings just as JOSIE walks besides a huge stuffed bear set in a ferocious stance. She answers the phone.

JOSIE

HANK

JOSIE




CUT TO:

INT. STATE PRISON - NIGHT

We view HANK stick the double three domino into his mouth and suck on it as he pulls it out. Into the phone he says ...

HANK




CUT TO:

INT. BLUE PINE LODGE - DAY

JOSIE hangs up the phone and caresses herself in fear.

TUNE ENDS: LAURA PALMER'S THEME  

FADE OUT:




CLOSE:




FADE IN:


TUNE: LAURA PALMER'S THEME  

We view LAURA PALMER'S homecoming picture as the end credits roll.

TUNE ENDS: LAURA PALMER'S THEME  


FADE TO BLACK: